【摘要】：正2012中國首屆設(shè)計大展在深圳舉辦,這次展覽同以往國內(nèi)設(shè)計展有所不同,這是筆者能夠明顯感覺到的首先,作為文化部主辦的一次設(shè)計大展,中國設(shè)計行業(yè)已越來越得到政府的關(guān)注和支持其次,參展人員及作品來自國內(nèi)設(shè)計界和具有藝術(shù)院校專業(yè)背景的青年新銳。再次,展覽中不乏官方色彩濃郁的商業(yè)性設(shè)計,也有學(xué)院氣息醇厚的實驗性觀念設(shè)計,其中一些具有美術(shù)學(xué)院設(shè)計專業(yè)背景的作品,更展現(xiàn)出獨特的一面。這些趨勢被評論界描述為"中國設(shè)計主體性的崛起",筆者認為是恰當(dāng)而準(zhǔn)確的此次展覽中,跨界設(shè)計無疑是個亮點入選的這部分作品多不是商業(yè)特性明顯的產(chǎn)品,作品中傾注了設(shè)計者對公共
[Abstract]:The first design exhibition of China in 2012 was held in Shenzhen. This exhibition is different from the previous domestic design exhibition. This is the first one I can obviously feel, as a design exhibition sponsored by the Ministry of Culture. The Chinese design industry has been paid more and more attention and support by the government. Secondly, the exhibitors and their works come from the domestic design circles and the young people with professional background of art colleges. Thirdly, there is no lack of the commercial design with strong official color, but also the experimental concept design with the mellow flavor of the college, some of which have a professional background in the design of the Academy of Fine Arts, showing a unique side. These trends have been described by critics as "the rise of Chinese design subjectivity." the author believes that in this exhibition, cross-border design is undoubtedly a highlight of the selected part of the work is not a product with obvious commercial characteristics. The work is filled with a designer's response to the public
【作者單位】： 天津師范大學(xué)美術(shù)與設(shè)計學(xué)院;
【分類號】：J509.2
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本文編號：2364388