【摘要】：上個(gè)世紀(jì)60年代之后,隨著女性描寫男性同性戀成為橫跨日本文藝界的潛在潮流,"耽美"脫離原意,發(fā)展為指代描寫男性間情愛(ài)關(guān)系的作品。通過(guò)對(duì)一些耽美敘事作品中的人物在事件中的角色功能和行動(dòng)元作用進(jìn)行分析,我們可以從女性主義角度出發(fā),探索以角色性別的穿越為最大特點(diǎn)的耽美創(chuàng)作對(duì)女性意識(shí)的展現(xiàn)與意義。
[Abstract]:After the 1960s, as the female portrayal of male homosexuality became a potential trend across the Japanese literary and art world, "Dharma" broke away from its original intention and developed into a work describing the relationship between men's love. Through the analysis of the role function and action element function of some characters in the narrative works, we can proceed from the perspective of feminism. This paper explores the significance of danmei's creation, which is characterized by the traversing of role and gender, to the female consciousness.
【作者單位】： 華僑大學(xué)文學(xué)院;
【分類號(hào)】：I106
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本文編號(hào)：2367127