發(fā)布時間：2018-11-11 19:04

【摘要】：“五山文學(xué)”指的是從日本的鐮倉末期到江戶初期,產(chǎn)生于禪林內(nèi)部、主要由禪宗僧侶所進行的漢詩文創(chuàng)作活動。中世的日本禪林由于受到中國禪林的影響,逐漸擺脫了僧人一味“參禪學(xué)法”的本職活動,而漸趨顯露出濃厚的文學(xué)趣味。這一時期名家輩出,被冠以“文學(xué)僧”頭銜的禪宗僧侶創(chuàng)作出了大量具有極高文學(xué)價值的詩文作品,不僅對當(dāng)時和后世的日本產(chǎn)生了深遠影響,而且在中國的學(xué)界也引發(fā)了很大關(guān)注。 而這當(dāng)中,中巖圓月一方面文才精湛,留存后世的《東海一漚集》等作品達到了極高的漢文學(xué)水準(zhǔn)。而另一方面,作為一名禪僧,中,巖所秉持的“經(jīng)世濟民”的政治理念于當(dāng)時的禪林僧眾而言卻又顯得是那么地難能可貴、出彩異常。中巖自幼師從禪宗僧侶學(xué)習(xí)儒學(xué),二十多歲時來華學(xué)道并于中國大陸游歷八年。回國后適逢建武新政,便又為擁護皇權(quán)、推行王道而建言獻策。中巖關(guān)心民生疾苦,關(guān)注國家政治,同時又清高孤傲、不入凡流。在中世日本禪林當(dāng)中,從生平經(jīng)歷和文學(xué)成就上來看,中巖可謂獨具特色、大放異彩。本文即是以中巖圓月的作品集《東海一漚集》為對象,從文學(xué)性和政治性兩個層面展開的研究。 序言部分介紹中巖在五山文學(xué)上的地位以及開展本研究的可行性。同時對相關(guān)的先行研究作品進行介紹。 第一章主要介紹中巖的生平事跡、性格特征以及中國人筆下的中巖形象。 第二章主要分析中巖的詩歌。第一節(jié)從音、形、義三個層面對其詩歌進行分類。第二節(jié)考察中巖詩歌的用典情況。由于先行研究中已經(jīng)有過對其詩歌用典的考察,但亦有疏漏,因此筆者擬對其進行補充完善。第三節(jié)從所受影響最大的三位中國詩人出發(fā)來評析中巖的詩風(fēng)特點。 第三章主要分析中巖的文章。第一節(jié)論述反映其儒學(xué)觀的《中正子》,第二節(jié)論述反映其歷史觀的《文明軒雜談》。
[Abstract]:"Wushan Literature" refers to the creation of Han poetry and prose from the end of Kamakura in Japan to the early Edo, which originated from the Zen forest and was mainly carried out by Zen monks. Due to the influence of Chinese Zen forest, the Japanese Zen forest of the Middle World gradually got rid of the monk's activity of "taking part in Zen study method", and gradually revealed a strong literary interest. In this period, famous scholars and Zen monks named as "literary monks" produced a large number of poems of great value to Gao Wenxue, which not only had a profound impact on Japan at that time and in later generations. Moreover, the academic circles in China have also aroused great concern. Among them, Zhongyan moon, on the one hand, exquisite literary skills, retained later works such as the East China Sea one retou Ji, and other works reached a very high level of Chinese literature. On the other hand, as a Zen monk, the political idea of "benefiting the people" held by Yan was so valuable and extraordinary to the Zen monks at that time. He studied Confucianism from Zen monks, came to China in his twenties and traveled to mainland China for eight years. When he returned to China, he offered advice and advice in support of the imperial power and the implementation of the king's path. Zhongyan is concerned about people's livelihood and national politics. In the Japanese Zen forest in the Middle Age, from the life experience and literary achievements, Zhongyan is unique and brilliant. This paper is a study from the literary and political aspects of a collection of works of the full moon in the East China Sea, the East China Sea and the retting Collection. The preface introduces the position of Zhongyan in the literature of the five Mountains and the feasibility of this study. At the same time, the related research works are introduced. The first chapter mainly introduces Zhongyan's life, character and Chinese characters. The second chapter mainly analyzes the poetry of Zhongyan. The first section classifies his poems from three aspects: sound, form and meaning. The second section examines the usage of Zhongyan poetry. Since there has been a study of his poetry, but there are also some omissions, the author intends to complement and perfect it. The third section analyzes Zhongyan's poetic style from the three most affected Chinese poets. The third chapter mainly analyzes the article of Zhongyan. The first section deals with Zhongzhenzi, which reflects his view of Confucianism, and the second section with his theory of history.
【學(xué)位授予單位】：浙江工商大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I313.063

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本文編號：2325827