發(fā)布時(shí)間：2019-05-28 14:19

【摘要】：作為詹姆斯·喬伊斯的初期作品,《都柏林人》的文學(xué)研究?jī)r(jià)值并不遜于喬伊斯的后期作品比如《尤里西斯》。在這本小說(shuō)集中其實(shí)能找到不少喬伊斯實(shí)踐其美學(xué)觀的例子。本文主要探討了喬伊斯的美學(xué)觀以及其在這部作品中的體現(xiàn)。 為了討論喬伊斯的美學(xué)觀,本文首先探討了喬伊斯美學(xué)觀的形成,通過(guò)《一個(gè)青年藝術(shù)家的自畫像》及其他證據(jù)直接或間接地證明了亞里士多德和阿奎那對(duì)喬伊斯美學(xué)觀產(chǎn)生了一定程度的影響。筆者認(rèn)為喬伊斯把握住了這兩位先賢的基本觀點(diǎn),并加入了一些個(gè)人的理解形成了自己的美學(xué)觀。之后文章介紹了亞里士多德和阿奎那的美學(xué)觀點(diǎn),并指出喬伊斯更重視在創(chuàng)作中實(shí)踐美學(xué)觀。 其后筆者試圖以上述理論分析為基礎(chǔ)從《都柏林人》中找尋例證。筆者選擇了一些在此書中比較突出的寫作手法,研究這些寫作手法如何證明喬伊斯的美學(xué)觀。這些寫作手法包括喬伊斯重視情感描寫、設(shè)計(jì)開放式結(jié)局、對(duì)情景進(jìn)行特別處理以及營(yíng)造悲劇效果。這些寫作手法能夠反映出亞里士多德和阿奎那的美學(xué)觀對(duì)喬伊斯的影響,比如美通過(guò)認(rèn)知得到體驗(yàn)、美的實(shí)現(xiàn)有三原則以及悲劇產(chǎn)生的原因是主人公犯了錯(cuò)誤。同時(shí)這些寫作手法也體現(xiàn)了喬伊斯自己對(duì)于美的獨(dú)特理解,包括藝術(shù)反映事實(shí)本身、悲劇情感是靜態(tài)的、以及美的體驗(yàn)可能伴隨有時(shí)空感受的扭曲。總得來(lái)說(shuō),喬伊斯在《都柏林人》中對(duì)于亞里士多德和阿奎那的美學(xué)觀進(jìn)行了實(shí)踐,但同時(shí)也基于自己的理解進(jìn)行了靈活的運(yùn)用。
[Abstract]:As the early work of James Joyce, the value of the literary research of the is not inferior to Joyce's late works, such as Ulysses>. In this novel, we can find a lot of examples of Joyce's practice in the sense of beauty. This paper mainly discusses the aesthetic view of Joyce and its expression in this work. In order to discuss Joyce's aesthetic view, this paper first discusses the formation of Joyce's aesthetic view, and proves that Aristotle and Aquinas have a certain degree of reflection on Joyce's view of aesthetics through the self-portrait of a young artist and other evidence. In response, the author holds that Joyce holds the basic point of view of the two sages, and has joined the understanding of some individual to form his own aesthetics After that, the article introduced the aesthetic views of Aristotle and Aquinas, and pointed out that Joyce more attached importance to the practice of aesthetics in the creation On the basis of the above-mentioned theoretical analysis, the author tries to find the basis of the above-mentioned theoretical analysis The author has chosen some of the more outstanding writing techniques in this book to study how these methods of writing proved Joyce's. The way of writing includes Joyce's attention to the emotional description, the design of open end, the special treatment of the situation, and the creation of sorrow. The effect of the play can reflect the influence of Aristotle and Aquinas on Joyce, such as the experience of beauty through cognition, the three principles of the realization of beauty and the cause of the tragedy. There is an error. At the same time, they also embody Joyce's own unique understanding of beauty, including the fact that the art reflects the fact itself, the tragic emotion is static, and the beauty experience may be accompanied by a sense of time and space In general, Joyce has practiced the aesthetics of Aristotle and Aquinas in Dublin, but at the same time, it is based on their own understanding.
【學(xué)位授予單位】：上海外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I562.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

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2 高奮;;喬伊斯的美學(xué)思想及其實(shí)踐[J];英美文學(xué)研究論叢;2007年01期

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本文編號(hào)：2487128

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