【摘要】：作為詹姆斯·喬伊斯的初期作品,《都柏林人》的文學研究價值并不遜于喬伊斯的后期作品比如《尤里西斯》。在這本小說集中其實能找到不少喬伊斯實踐其美學觀的例子。本文主要探討了喬伊斯的美學觀以及其在這部作品中的體現(xiàn)。 為了討論喬伊斯的美學觀,本文首先探討了喬伊斯美學觀的形成,通過《一個青年藝術(shù)家的自畫像》及其他證據(jù)直接或間接地證明了亞里士多德和阿奎那對喬伊斯美學觀產(chǎn)生了一定程度的影響。筆者認為喬伊斯把握住了這兩位先賢的基本觀點,并加入了一些個人的理解形成了自己的美學觀。之后文章介紹了亞里士多德和阿奎那的美學觀點,并指出喬伊斯更重視在創(chuàng)作中實踐美學觀。 其后筆者試圖以上述理論分析為基礎從《都柏林人》中找尋例證。筆者選擇了一些在此書中比較突出的寫作手法,研究這些寫作手法如何證明喬伊斯的美學觀。這些寫作手法包括喬伊斯重視情感描寫、設計開放式結(jié)局、對情景進行特別處理以及營造悲劇效果。這些寫作手法能夠反映出亞里士多德和阿奎那的美學觀對喬伊斯的影響,比如美通過認知得到體驗、美的實現(xiàn)有三原則以及悲劇產(chǎn)生的原因是主人公犯了錯誤。同時這些寫作手法也體現(xiàn)了喬伊斯自己對于美的獨特理解,包括藝術(shù)反映事實本身、悲劇情感是靜態(tài)的、以及美的體驗可能伴隨有時空感受的扭曲。總得來說,喬伊斯在《都柏林人》中對于亞里士多德和阿奎那的美學觀進行了實踐,但同時也基于自己的理解進行了靈活的運用。
[Abstract]:As the early work of James Joyce, the value of the literary research of the is not inferior to Joyce's late works, such as Ulysses>. In this novel, we can find a lot of examples of Joyce's practice in the sense of beauty. This paper mainly discusses the aesthetic view of Joyce and its expression in this work. In order to discuss Joyce's aesthetic view, this paper first discusses the formation of Joyce's aesthetic view, and proves that Aristotle and Aquinas have a certain degree of reflection on Joyce's view of aesthetics through the self-portrait of a young artist and other evidence. In response, the author holds that Joyce holds the basic point of view of the two sages, and has joined the understanding of some individual to form his own aesthetics After that, the article introduced the aesthetic views of Aristotle and Aquinas, and pointed out that Joyce more attached importance to the practice of aesthetics in the creation On the basis of the above-mentioned theoretical analysis, the author tries to find the basis of the above-mentioned theoretical analysis The author has chosen some of the more outstanding writing techniques in this book to study how these methods of writing proved Joyce's. The way of writing includes Joyce's attention to the emotional description, the design of open end, the special treatment of the situation, and the creation of sorrow. The effect of the play can reflect the influence of Aristotle and Aquinas on Joyce, such as the experience of beauty through cognition, the three principles of the realization of beauty and the cause of the tragedy. There is an error. At the same time, they also embody Joyce's own unique understanding of beauty, including the fact that the art reflects the fact itself, the tragic emotion is static, and the beauty experience may be accompanied by a sense of time and space In general, Joyce has practiced the aesthetics of Aristotle and Aquinas in Dublin, but at the same time, it is based on their own understanding.
【學位授予單位】：上海外國語大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I562.074

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相關(guān)期刊論文 前2條

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本文編號：2487128

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