【摘要】：章丘芯子，又稱為抬閣、芯子。是一種集服飾、色彩、化妝、裝飾、表演和金屬工藝等技藝于一身的民間藝術(shù)種類，具有造型美、色彩美、裝飾美和工藝美的特點(diǎn)，是民間藝術(shù)百花園的一朵奇葩，同時(shí)又是一種靜態(tài)驚險(xiǎn)造型藝術(shù)，從古至今大約有兩百多年的歷史了，先是多用于影身和彩繪，后來(lái)則慢慢演變成了元宵燈節(jié)上的游藝節(jié)目。2008年，章丘芯子被列入第二批國(guó)家級(jí)非物質(zhì)文化遺產(chǎn)名錄。 由于章丘芯子的地域性特點(diǎn)，社會(huì)經(jīng)濟(jì)長(zhǎng)期不發(fā)達(dá)，章丘芯子的發(fā)展之路還是布滿荊棘的。在其孕育、發(fā)生、發(fā)展的長(zhǎng)期歲月里很少有人關(guān)注，僅僅在縣志和地方民間傳說(shuō)中偶見記載，導(dǎo)致了章丘芯子研究的缺失。盡管后來(lái)，章丘芯子的發(fā)展不錯(cuò)，但是，資料的缺失和表演形式的局限，對(duì)章丘芯子的研究未能進(jìn)一步的深入下去。對(duì)章丘芯子的起源和發(fā)展歷程、藝術(shù)特色、審美特征、未來(lái)發(fā)展等等諸多方面都有一些尚未解決的問(wèn)題。在前人記載的基礎(chǔ)上對(duì)該課題進(jìn)行深一步研究，也是寫作本文的目的。 本文的研究思路是通過(guò)文獻(xiàn)分析法和實(shí)地考察法獲得珍貴的一手資料并進(jìn)行整理分析，指出章丘芯子的淵源和發(fā)展進(jìn)程，并以此為基礎(chǔ)分析章丘芯子的表演形式和藝術(shù)特點(diǎn)，結(jié)合當(dāng)前章丘芯子發(fā)展的困境和面對(duì)的問(wèn)題，提出合理化意見。這對(duì)于章丘芯子的傳承和發(fā)展有著重要的現(xiàn)實(shí)意義。論文主要內(nèi)容分為以下四個(gè)部分： 第一部分，，對(duì)章丘芯子的淵源和發(fā)展歷程進(jìn)行研究。在本部分主要從歷史文化的角度對(duì)章丘芯子的源流和發(fā)展進(jìn)行探討。明確章丘芯子起源于明朝，是受顫轎的啟迪。闡述其孕育環(huán)境及發(fā)展的不同階段。 第二部分，重點(diǎn)介紹章丘芯子的角色構(gòu)成、道具和服飾，分析章丘芯子的表演形式和藝術(shù)特質(zhì)，是本文的核心部分。該部分會(huì)列舉大量的芯子表演形式和角色，充分體現(xiàn)出章丘芯子經(jīng)過(guò)幾代民間藝人的創(chuàng)造和革新，在造型、制作工藝、演出內(nèi)容、表演技巧等方面日益豐富和完善，具有較高的觀賞性和藝術(shù)性。 第三部分，會(huì)在第二部分論述的基礎(chǔ)上，認(rèn)識(shí)到章丘芯子不僅豐富人民群眾的業(yè)余文化生活，還給人民群眾提供一種表達(dá)情感和愿望的平臺(tái)，對(duì)建設(shè)和諧社會(huì)做出有力的促進(jìn)的現(xiàn)實(shí)價(jià)值；認(rèn)識(shí)到章丘芯子的產(chǎn)生、發(fā)展、傳承可以直接的反映當(dāng)?shù)貏趧?dòng)人民的生活和情感，它豐富我國(guó)雜技領(lǐng)域的多門學(xué)科，為雜技領(lǐng)域的發(fā)展提供寶貴資料的研究?jī)r(jià)值；認(rèn)識(shí)到任何一種流傳至今的藝術(shù)性是都有其美學(xué)價(jià)值，章丘芯子表現(xiàn)出一種力量與靈巧結(jié)合的美。 第四部分，通過(guò)對(duì)章丘芯子近幾年的發(fā)展?fàn)顩r的論述，認(rèn)識(shí)到章丘芯子的發(fā)展傳承問(wèn)題，從傳承人才的缺失、傳統(tǒng)審美特征的現(xiàn)代化、表演團(tuán)體自身的建設(shè)等方面提出相應(yīng)對(duì)策，來(lái)促進(jìn)章丘芯子的發(fā)展和繼承，為章丘芯子的發(fā)展開辟?gòu)V闊天地。
[Abstract]:Zhang Qiu core, also known as raising the pavilion, the core. It is a kind of folk art which combines dress, color, make-up, decoration, performance and metal craft and so on. It has the characteristics of beauty of shape, beauty of color, beauty of decoration and beauty of craft. It is a wonderful flower of every garden of folk art. At the same time, it is also a kind of static adventurous plastic art, which has a history of more than 200 years from ancient times to the present. First it is mostly used in shadow and painting, and then it gradually becomes a amusement show on the Lantern Festival. In 2008, Zhang Qiuxin was included in the second batch of national intangible cultural heritage list. Due to the regional characteristics of Zhang Qiu core, social and economic underdevelopment for a long time, the road of Zhang Qiu core development is full of thorns. In the long years of gestation, occurrence and development, few people pay attention to it. It is only occasionally recorded in county records and local folk legends, which leads to the lack of Zhang Qiu core's research. Although the development of Zhang Qiu core is good later, but the lack of data and the limitation of performance form, the research on Zhang Qiu core can not go further. There are some unsolved problems about the origin and development course of Zhang Qiu-zi, artistic characteristics, aesthetic characteristics, future development and so on. It is also the purpose of writing this paper to make a further research on this subject on the basis of previous records. The research train of thought in this paper is to obtain valuable first-hand data through literature analysis and field investigation, and to point out the origin and development process of Zhang Qiu-Xin, and to analyze the performing forms and artistic characteristics of Zhang-Qiu-Xin-zi on the basis of this. Combined with the difficulties and problems of the development of Zhangqiu core at present, some reasonable suggestions are put forward. This has important practical significance for the inheritance and development of Zhang Qiuxin. The main content of this paper is divided into the following four parts: the first part studies the origin and development of Zhang Qiu core. In this part, we mainly discuss the origin and development of Zhang Qiu core from the angle of history and culture. Clear chapter Qiu core originated in the Ming Dynasty, is inspired by the shiver sedan chair. The different stages of its breeding environment and development are described. The second part focuses on the role composition, props and costumes of Zhang Qiu core, and analyzes the performing forms and artistic characteristics of Zhang Qiu core, which is the core part of this paper. This part will list a large number of core performance forms and roles, fully reflecting the creation and innovation of several generations of folk artists, Zhang Qiu core in modeling, production technology, performance content, performance skills, and other aspects of increasingly rich and perfect. With a high degree of appreciation and artistry. The third part, on the basis of the discussion in the second part, will realize that Zhang Qiu Xin Zi not only enriches the amateur cultural life of the people, but also provides a platform for the people to express their feelings and aspirations. To build a harmonious society to make a strong promotion of the practical value; Recognizing that the generation and development of Zhang Qiu core can directly reflect the lives and feelings of the local working people, it enriches many subjects in the field of acrobatics in China and provides valuable research value for the development of acrobatics field. Recognizing that any kind of art has its aesthetic value, Zhang Qiu-zi shows a combination of strength and dexterity. The fourth part, through the discussion of the development of Zhang Qiuxin in recent years, recognizes the development and inheritance of Zhang Qiuxin, from the lack of inheriting talents, the modernization of traditional aesthetic characteristics, The corresponding countermeasures are put forward to promote the development and inheritance of Zhang Qiu core and open up a broad world for the development of Zhang Qiu core.
【學(xué)位授予單位】：聊城大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J0

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本文編號(hào)：2445001