隋唐敦煌壁畫語言在當代巖彩畫創(chuàng)作中的運用研究
發(fā)布時間：2018-10-22 12:32
【摘要】：中國的石窟壁畫藝術(shù)在整個中國美術(shù)史上耀眼奪目,巖彩的淵源也與它有著緊密的聯(lián)系。絲綢之路將佛教引入中國,礦物色得到很好的發(fā)展,敦煌莫高窟的石窟壁畫藝術(shù)更是將礦物色的使用達到了巔峰狀態(tài)。然而隋唐時期的莫高窟壁畫更是集中體現(xiàn)了其敦煌藝術(shù)的精華,以其形式上的氣勢宏偉,構(gòu)圖上的圓滿渾厚,色彩上的華美艷麗,技法上的樸實細膩一起營造出濃濃裝飾氛圍的宗教繪畫藝術(shù),體現(xiàn)出隋唐個性自由、和諧有致和充滿創(chuàng)造力的文化氣息。中國巖彩畫的發(fā)展就受到了其佛教壁畫的影響,在繪畫過程中借鑒并融合了蘊含在敦煌壁畫中所體現(xiàn)出的民族文化精神,傳統(tǒng)的繼承并不是表面上的復制和挪用,而是上升到了其精神層面,走的是既保留民族文化傳統(tǒng),又彰顯時代特征的藝術(shù)發(fā)展道路,以全新面貌展現(xiàn)出來,得到了很多藝術(shù)愛好者的追捧。本文主要針對現(xiàn)在國內(nèi)巖彩畫的發(fā)展情況以及存在的現(xiàn)象進行深入研究,雖然巖彩畫在國內(nèi)近幾年受到越來越多藝術(shù)家的熱愛,但是關于巖彩畫的歸屬性問題以及仿日抄襲等問題層出不窮,因此對巖彩畫展開深入研究迫在眉睫,本文以甘肅敦煌莫高窟壁畫藝術(shù)作為主要研究對象,重點定位到隋唐時期的石窟壁畫語言研究,以敦煌石窟藝術(shù)的發(fā)展及背景為視角,對敦煌石窟壁畫的追根溯源、發(fā)展演變、歷史價值、壁畫語言等方面進行具體分析,深入挖掘隋唐敦煌壁畫與當代巖彩畫之間的關系,重點分析其壁畫語言對當代巖彩畫創(chuàng)作的運用價值,通過對壁畫的臨摹和研究,將許多獨特的藝術(shù)語言融匯到自己的創(chuàng)作中來,并著重分析幾位具有代表性的當代巖彩畫家的作品,分析其繪畫語言的魅力與出處,并總結(jié)歸納得出結(jié)論,最終以“請進來,走出去�！钡膭�(chuàng)作理念指導我的畢業(yè)創(chuàng)作,營造一幅既富有敦煌意味的色彩畫面,又體現(xiàn)出語言時代性的藝術(shù)作品,最后也想通過知識的梳理能夠讓自己的創(chuàng)作有所突破,找到自己的個性語言。
[Abstract]:Chinese grottoes mural art is dazzling in the history of Chinese art, and the origin of rock color is closely related to it. The Silk Road introduced Buddhism into China, and the mineral color developed very well, and the mural art of Dunhuang Mogao Grottoes reached the peak of the use of mineral colors. However, the murals of Mogao Grottoes in the Sui and Tang dynasties are concentrated on the essence of Dunhuang art, with their grandeur in form, completeness in composition, and splendor in color. The technique of simplicity and delicacy together create a strong decorative atmosphere of religious painting art, reflecting the Sui and Tang dynasties personality freedom, harmony and creative culture. The development of Chinese rock paintings is influenced by its Buddhist murals. In the process of painting, the national cultural spirit embodied in Dunhuang murals is used for reference and integrated. The traditional inheritance is not superficial reproduction and misappropriation. Instead, it ascends to its spiritual level, and takes the road of art development, which not only preserves the national cultural tradition but also highlights the characteristics of the times, and is displayed in a new face, which has been pursued by many art lovers. This paper mainly focuses on the development and existing phenomena of rock color painting in China, although rock color painting has been loved by more and more artists in China in recent years. However, there are many problems about the attribution of rock color painting and imitation of Japan, so it is urgent to carry out in-depth research on rock color painting. This paper takes the murals of Dunhuang Mogao Grottoes in Gansu as the main research object. From the perspective of the development and background of Dunhuang grottoes art, this paper analyzes the origin, evolution, historical value and murals language of Dunhuang grottoes in the Sui and Tang dynasties. Deeply excavating the relationship between Dunhuang murals of Sui and Tang dynasties and contemporary rock color paintings, focusing on the application value of their mural language to contemporary rock color painting creation, through copying and studying the murals, Integrating many unique artistic languages into his own creation, and focusing on analyzing the works of several representative contemporary rock color painters, analyzing the charm and provenance of their painting language, and summing up and concluding the conclusion, and finally saying, "Please come in," Go out. " My creative ideas guide my graduation creation, create a color picture that is full of Dunhuang meaning, and also reflect the language of the times. Finally, I also want to make a breakthrough in my own creation through the combing of knowledge. Find your own personal language.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J204
本文編號：2287169
[Abstract]:Chinese grottoes mural art is dazzling in the history of Chinese art, and the origin of rock color is closely related to it. The Silk Road introduced Buddhism into China, and the mineral color developed very well, and the mural art of Dunhuang Mogao Grottoes reached the peak of the use of mineral colors. However, the murals of Mogao Grottoes in the Sui and Tang dynasties are concentrated on the essence of Dunhuang art, with their grandeur in form, completeness in composition, and splendor in color. The technique of simplicity and delicacy together create a strong decorative atmosphere of religious painting art, reflecting the Sui and Tang dynasties personality freedom, harmony and creative culture. The development of Chinese rock paintings is influenced by its Buddhist murals. In the process of painting, the national cultural spirit embodied in Dunhuang murals is used for reference and integrated. The traditional inheritance is not superficial reproduction and misappropriation. Instead, it ascends to its spiritual level, and takes the road of art development, which not only preserves the national cultural tradition but also highlights the characteristics of the times, and is displayed in a new face, which has been pursued by many art lovers. This paper mainly focuses on the development and existing phenomena of rock color painting in China, although rock color painting has been loved by more and more artists in China in recent years. However, there are many problems about the attribution of rock color painting and imitation of Japan, so it is urgent to carry out in-depth research on rock color painting. This paper takes the murals of Dunhuang Mogao Grottoes in Gansu as the main research object. From the perspective of the development and background of Dunhuang grottoes art, this paper analyzes the origin, evolution, historical value and murals language of Dunhuang grottoes in the Sui and Tang dynasties. Deeply excavating the relationship between Dunhuang murals of Sui and Tang dynasties and contemporary rock color paintings, focusing on the application value of their mural language to contemporary rock color painting creation, through copying and studying the murals, Integrating many unique artistic languages into his own creation, and focusing on analyzing the works of several representative contemporary rock color painters, analyzing the charm and provenance of their painting language, and summing up and concluding the conclusion, and finally saying, "Please come in," Go out. " My creative ideas guide my graduation creation, create a color picture that is full of Dunhuang meaning, and also reflect the language of the times. Finally, I also want to make a breakthrough in my own creation through the combing of knowledge. Find your own personal language.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J204
【參考文獻】
相關期刊論文 前1條
1 胡明哲;心語1994——1997創(chuàng)作日記摘抄[J];美術(shù)觀察;1997年09期
，本文編號：2287169
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