方君璧中西融合的繪畫
發(fā)布時(shí)間：2018-10-21 12:17
【摘要】：翻開任何一部中國現(xiàn)代美術(shù)史，你都會發(fā)現(xiàn)長篇累牘的徐悲鴻、林風(fēng)眠等男性大師的敘述，而像方君璧這樣的女性大師卻鮮有提及，即使有也是聊聊幾筆。方君璧雖沒有發(fā)表如徐悲鴻關(guān)于中國畫改良的宏論，也沒有表達(dá)過如林風(fēng)眠關(guān)于中西調(diào)和的理論，但方君璧的一生通過堅(jiān)持不懈的藝術(shù)創(chuàng)作給我們展示了另一種獨(dú)特的藝術(shù)探索與追尋。她不是對中西藝術(shù)簡單的反叛，也不是對任何一方的逃離皈依，她是在民族魂的藝術(shù)格調(diào)的基礎(chǔ)上去融合，去創(chuàng)造。她用帶著生命光輝的藝術(shù)作品告訴了大家什么才是藝術(shù)的真諦。方君璧是第一位入讀法國巴黎高等美術(shù)院校的中國留學(xué)生，也是第一位參加法國春季藝術(shù)沙龍的中國藝術(shù)家。她從一開始學(xué)習(xí)藝術(shù)接受的便是西方傳統(tǒng)繪畫教育，親身經(jīng)歷了西方各藝術(shù)流派的激變，她的繪畫深受學(xué)院寫實(shí)主義、印象派、抽象派等影響，，但沒有拘束于某一種流派，而是嘗試將西方繪畫中的寫生與透視原理融入中國傳統(tǒng)繪畫藝術(shù)形式，形成了獨(dú)特的中西融合的繪畫方法，成為后世藝術(shù)的參照的對象。在經(jīng)歷過人生際遇的大起大落后，依然堅(jiān)持自己的藝術(shù)信仰。藝術(shù)來源于生活而又高于生活，方君璧將對人生與生活的感受悟轉(zhuǎn)成一種藝術(shù)上的高雅心境，呈現(xiàn)在畫面上。
[Abstract]:If you open up any modern Chinese art history, you will find the narratives of Xu Beihong, Lin Fengmian and other male masters, but female masters like Fang Junbi rarely mention it, even if they do. Although Fang Junbi has not published a macro theory such as Xu Beihong's on the improvement of Chinese painting, nor has he expressed a theory such as Lin Fengmian's theory on the harmony between China and the West. But Fang Junbi's life shows us another unique artistic exploration and pursuit through unremitting artistic creation. She is not a simple revolt against Chinese and Western art, nor an escape conversion to any party. She is based on the artistic style of the national soul to merge and create. She told us what art was all about with her brilliant works of art. Fang Junbi is the first Chinese student to study in Paris and the first Chinese artist to attend the French spring art salon. From the beginning, she learned art and received Western traditional painting education. She experienced the upheaval of various art schools in the West. Her painting was deeply influenced by realism, impressionism, abstraction and so on, but she was not confined to a certain school. Instead, it tries to integrate the principle of sketch and perspective into the traditional Chinese painting art form, forming a unique painting method of Chinese and Western integration, and becoming the reference object of later art. After experiencing the ups and downs of life, he still insists on his art belief. Art originates from life and is higher than life. Fang Junbi transforms the feeling of life and life into an artistic state of elegance and presents it on the screen.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205
本文編號：2285070
[Abstract]:If you open up any modern Chinese art history, you will find the narratives of Xu Beihong, Lin Fengmian and other male masters, but female masters like Fang Junbi rarely mention it, even if they do. Although Fang Junbi has not published a macro theory such as Xu Beihong's on the improvement of Chinese painting, nor has he expressed a theory such as Lin Fengmian's theory on the harmony between China and the West. But Fang Junbi's life shows us another unique artistic exploration and pursuit through unremitting artistic creation. She is not a simple revolt against Chinese and Western art, nor an escape conversion to any party. She is based on the artistic style of the national soul to merge and create. She told us what art was all about with her brilliant works of art. Fang Junbi is the first Chinese student to study in Paris and the first Chinese artist to attend the French spring art salon. From the beginning, she learned art and received Western traditional painting education. She experienced the upheaval of various art schools in the West. Her painting was deeply influenced by realism, impressionism, abstraction and so on, but she was not confined to a certain school. Instead, it tries to integrate the principle of sketch and perspective into the traditional Chinese painting art form, forming a unique painting method of Chinese and Western integration, and becoming the reference object of later art. After experiencing the ups and downs of life, he still insists on his art belief. Art originates from life and is higher than life. Fang Junbi transforms the feeling of life and life into an artistic state of elegance and presents it on the screen.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 金鏑;;20世紀(jì)中國早期油畫的收藏現(xiàn)狀[J];東方藝術(shù);2011年23期
2 王欣;;方君璧中西融合的藝術(shù)觀研究[J];現(xiàn)代裝飾(理論);2013年07期
本文編號：2285070
本文鏈接：http://www.lk138.cn/wenyilunwen/huihuayishu/2285070.html
教材專著
