【摘要】：在中國現(xiàn)當代油畫創(chuàng)作中有三個問題是十分值得關(guān)注的，一是對藝術(shù)權(quán)力的膜拜，二是對金錢的過分崇拜，三是對西方現(xiàn)當代藝術(shù)理論有著很大程度上的誤讀，在這三個問題的制約下，中國的現(xiàn)當代油畫呈現(xiàn)出“灰色”的困境。筆者通過觀察和分析，發(fā)現(xiàn)在現(xiàn)當代油畫中，可以借鑒兒童繪畫進行創(chuàng)作。兒童繪畫具有純真美、稚拙美、想象力豐富等多種特點，而這些特點正是現(xiàn)當代油畫家所匱乏的。因此，筆者選擇該選題，進行淺析，通過對畢加索、保羅·克利、杜布菲、康定斯基等等藝術(shù)家從兒童身上獲取靈感的例子，來反襯當今現(xiàn)當代油畫界不良的風氣。孩子們本真的創(chuàng)作表現(xiàn)出的自由帶給我們的啟發(fā)遠比當代藝術(shù)更質(zhì)樸，是藝術(shù)創(chuàng)作者值得借鑒的�；蛟S，這就是在這個充滿了“意義”與“態(tài)度”的世界里，孩子們帶給我們的“意義”，以及我們這些成人們對于這些小“天使們”所應(yīng)抱有的“態(tài)度”。
[Abstract]:In Chinese modern and contemporary oil painting, there are three problems that deserve our attention. One is the worship of artistic power, the other is the excessive adoration of money, and the third is the misreading of western modern and contemporary art theories to a great extent. Under the restriction of these three problems, China's modern and contemporary oil painting presents the dilemma of "grey". Through observation and analysis, the author finds that children's paintings can be used for reference in modern and contemporary oil paintings. Children's painting has many characteristics, such as pure beauty, childish beauty, rich imagination and so on. Therefore, the author chooses this topic, carries on the analysis, through to Picasso, Paul Klee, Dubufei, Kondingski and so on artist obtains the example from the child body, contrasts the present and contemporary oil painting bad atmosphere. The children's freedom to create is far more pristine than contemporary art, and is worth learning from art creators. Perhaps this is the meaning given to us by our children in this world of meaning and attitude, and the attitude we adults should have towards these little angels.
【學位授予單位】：西安美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J213

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相關(guān)期刊論文 前1條

1 王振德;;現(xiàn)代藝術(shù)家向兒童藝術(shù)借鑒的形與法[J];藝術(shù)百家;2006年06期

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