中國(guó)寫實(shí)人物油畫作品的區(qū)域性特點(diǎn)
發(fā)布時(shí)間:2018-10-17 17:18
【摘要】:中國(guó)是一個(gè)擁有五千年悠久歷史的文明古國(guó),它所獨(dú)有的地域形態(tài),深深的影響著每一位中國(guó)藝術(shù)家的繪畫創(chuàng)作。由于氣候、地理、人文等因素的影響,致使我國(guó)南北方地域文化差異表現(xiàn)的極為突出,所以中國(guó)南北方寫實(shí)油畫作品的區(qū)域性特點(diǎn)是一個(gè)非常有意義的課題。 當(dāng)代中國(guó)南北方的寫實(shí)人物油畫作品的區(qū)域性差異,主要表現(xiàn)在審美取向、表現(xiàn)形式以及情感表達(dá)這三個(gè)方面。北方畫家更強(qiáng)調(diào)一種“入世”精神,他們關(guān)注社會(huì),關(guān)心人們的日常生活,油畫具象性也更加突出,他們的作品充滿著理性的精神和對(duì)社會(huì)的強(qiáng)烈反思。南方作為我國(guó)的經(jīng)濟(jì)貿(mào)易中心,因?yàn)檫h(yuǎn)離政治中心,所以思想活躍、自由奔放、個(gè)性鮮明。南方畫家更注重油畫語(yǔ)言自身的生命力和藝術(shù)感染力。他們作品形式非常豐富,每一幅作品都是對(duì)社會(huì)個(gè)體生存價(jià)值的頌歌,都體現(xiàn)了人類在進(jìn)入商品經(jīng)濟(jì)社會(huì)后所產(chǎn)生的獨(dú)有的精神維度。 當(dāng)代的中國(guó)油畫正處在一個(gè)轉(zhuǎn)型時(shí)期,各種各樣的藝術(shù)風(fēng)格充斥著我們的視野。但不論今后中國(guó)文化如何的發(fā)展變化,努力突出中國(guó)的地域特色和塑造全新的民族油畫都將會(huì)是長(zhǎng)期延續(xù)的話題。因此,研究南北方寫實(shí)油畫風(fēng)格的地域性差異具有相當(dāng)重要的意義和價(jià)值。
[Abstract]:China is an ancient civilization with a long history of five thousand years. Its unique regional form deeply influences the painting creation of every Chinese artist. Because of the influence of climate, geography, humanities and other factors, the regional cultural differences between the north and south of China are very prominent, so the regional characteristics of realistic oil paintings in the south and north of China is a very meaningful topic. The regional differences of realistic characters' oil paintings in the south and north of China are mainly manifested in three aspects: aesthetic orientation, form of expression and expression of emotion. Northern painters emphasize the spirit of "joining the WTO", they pay attention to society, care about people's daily life, oil painting is more prominent, their works are full of rational spirit and strong reflection on society. As the economic and trade center of our country, the south is far from the political center, so it is active in thought, free and bold, and distinctive in personality. Southern painters pay more attention to the vitality and artistic appeal of oil painting language. The forms of their works are very rich, each work is a carol of the social individual survival value, which embodies the unique spiritual dimension of human being after entering the commodity economy society. The contemporary Chinese oil painting is in a period of transition, all kinds of artistic styles are filled with our vision. However, no matter how the development and change of Chinese culture in the future, efforts to highlight the regional characteristics of China and shape a new national painting will be a long-term continuation of the topic. Therefore, it is of great significance and value to study the regional differences of realistic oil painting styles between North and South.
【學(xué)位授予單位】:天津師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J213
本文編號(hào):2277393
[Abstract]:China is an ancient civilization with a long history of five thousand years. Its unique regional form deeply influences the painting creation of every Chinese artist. Because of the influence of climate, geography, humanities and other factors, the regional cultural differences between the north and south of China are very prominent, so the regional characteristics of realistic oil paintings in the south and north of China is a very meaningful topic. The regional differences of realistic characters' oil paintings in the south and north of China are mainly manifested in three aspects: aesthetic orientation, form of expression and expression of emotion. Northern painters emphasize the spirit of "joining the WTO", they pay attention to society, care about people's daily life, oil painting is more prominent, their works are full of rational spirit and strong reflection on society. As the economic and trade center of our country, the south is far from the political center, so it is active in thought, free and bold, and distinctive in personality. Southern painters pay more attention to the vitality and artistic appeal of oil painting language. The forms of their works are very rich, each work is a carol of the social individual survival value, which embodies the unique spiritual dimension of human being after entering the commodity economy society. The contemporary Chinese oil painting is in a period of transition, all kinds of artistic styles are filled with our vision. However, no matter how the development and change of Chinese culture in the future, efforts to highlight the regional characteristics of China and shape a new national painting will be a long-term continuation of the topic. Therefore, it is of great significance and value to study the regional differences of realistic oil painting styles between North and South.
【學(xué)位授予單位】:天津師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 艾中信;再談?dòng)彤嬅褡寤瘑?wèn)題[J];美術(shù)研究;1979年04期
2 邵大箴;傳統(tǒng)體系與多元發(fā)展趨勢(shì)[J];美術(shù)研究;1999年01期
,本文編號(hào):2277393
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