中國實(shí)驗(yàn)動畫的意境表現(xiàn)研究
發(fā)布時(shí)間：2018-10-16 11:55
【摘要】：“意境”是情與景的結(jié)合，是中國傳統(tǒng)文化的審美精髓，也是中國動畫的靈魂。中國早期動畫正是因?yàn)槌晒υ忈屃艘饩持�，才能享譽(yù)世界。很多人認(rèn)為當(dāng)代中國動畫是因?yàn)檫^度依賴傳統(tǒng)而走向衰落，實(shí)則恰恰相反，中國動畫當(dāng)前沒能獨(dú)樹一幟的原因，正是缺失了對中國美學(xué)精髓的把握和對“中國學(xué)派”動畫之獨(dú)特審美意蘊(yùn)的堅(jiān)持。如今，通過實(shí)驗(yàn)動畫的先鋒性探索來研究意境在動畫領(lǐng)域的表現(xiàn)，能夠豐富中國動畫的美學(xué)形態(tài)、完善中國動畫的民族特色，同時(shí)也能有效地提升中國動畫的藝術(shù)品格。 本文以實(shí)驗(yàn)動畫的意境表現(xiàn)作為出發(fā)點(diǎn)，，結(jié)合意境理論、國內(nèi)外相關(guān)美學(xué)理論與動畫藝術(shù)理論分析了“動畫意境”的現(xiàn)代內(nèi)涵與美學(xué)淵源；進(jìn)而將動畫意境理論落實(shí)到實(shí)驗(yàn)動畫創(chuàng)作的各個(gè)環(huán)節(jié)，從動畫的藝術(shù)語言：審美語言、繪畫語言和電影語言三方面論述了中國實(shí)驗(yàn)動畫的意境表現(xiàn)。并對中國實(shí)驗(yàn)動畫在意境表現(xiàn)過程中所遇到的瓶頸提出了相應(yīng)的解決方案。 這里實(shí)驗(yàn)動畫的先鋒作用就是在意境美學(xué)理論和民族審美觀念的指導(dǎo)下，創(chuàng)造中國民族所獨(dú)有的“動畫意境”，使中國實(shí)驗(yàn)動畫表現(xiàn)出獨(dú)特的精神內(nèi)涵和東方韻味的審美情趣，最終形成中國特色的動畫制作模式。這既是對動畫表現(xiàn)形式的探索與突破，也是對傳統(tǒng)美學(xué)精神的繼承與發(fā)揚(yáng)。
[Abstract]:Artistic conception is the combination of emotion and scenery, the aesthetic essence of Chinese traditional culture and the soul of Chinese animation. China's early animation is because of the successful interpretation of the beauty of artistic conception, can enjoy world fame. Many people think that contemporary Chinese animation is going to decline because of its excessive reliance on tradition. On the contrary, Chinese animation is not unique at present. It is the lack of understanding of the essence of Chinese aesthetics and the persistence of the unique aesthetic implication of the animation of the Chinese School of thought. Nowadays, studying the artistic conception in the animation field through the pioneer exploration of experimental animation can enrich the aesthetic form of Chinese animation, perfect the national characteristics of Chinese animation, and at the same time, effectively promote the artistic character of Chinese animation. Taking the artistic conception of experimental animation as the starting point and combining with the artistic conception theory, this paper analyzes the modern connotation and aesthetic origin of "animation artistic conception" in domestic and foreign relevant aesthetic theory and animation art theory. Then put the theory of artistic conception of animation into every link of experimental animation creation, and discuss the artistic conception performance of Chinese experimental animation from three aspects: aesthetic language, painting language and film language. And put forward the corresponding solution to the bottleneck encountered in the process of artistic conception expression of Chinese experimental animation. Under the guidance of artistic conception aesthetics theory and national aesthetic concept, the pioneer role of experimental animation here is to create the unique "animation artistic conception" of the Chinese nation, so that the Chinese experimental animation shows its unique spiritual connotation and oriental aesthetic taste. Finally, the animation production mode with Chinese characteristics is formed. This is not only the exploration and breakthrough of animation expression, but also the inheritance and development of traditional aesthetic spirit.
【學(xué)位授予單位】：浙江農(nóng)林大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J218.7
[Abstract]:Artistic conception is the combination of emotion and scenery, the aesthetic essence of Chinese traditional culture and the soul of Chinese animation. China's early animation is because of the successful interpretation of the beauty of artistic conception, can enjoy world fame. Many people think that contemporary Chinese animation is going to decline because of its excessive reliance on tradition. On the contrary, Chinese animation is not unique at present. It is the lack of understanding of the essence of Chinese aesthetics and the persistence of the unique aesthetic implication of the animation of the Chinese School of thought. Nowadays, studying the artistic conception in the animation field through the pioneer exploration of experimental animation can enrich the aesthetic form of Chinese animation, perfect the national characteristics of Chinese animation, and at the same time, effectively promote the artistic character of Chinese animation. Taking the artistic conception of experimental animation as the starting point and combining with the artistic conception theory, this paper analyzes the modern connotation and aesthetic origin of "animation artistic conception" in domestic and foreign relevant aesthetic theory and animation art theory. Then put the theory of artistic conception of animation into every link of experimental animation creation, and discuss the artistic conception performance of Chinese experimental animation from three aspects: aesthetic language, painting language and film language. And put forward the corresponding solution to the bottleneck encountered in the process of artistic conception expression of Chinese experimental animation. Under the guidance of artistic conception aesthetics theory and national aesthetic concept, the pioneer role of experimental animation here is to create the unique "animation artistic conception" of the Chinese nation, so that the Chinese experimental animation shows its unique spiritual connotation and oriental aesthetic taste. Finally, the animation production mode with Chinese characteristics is formed. This is not only the exploration and breakthrough of animation expression, but also the inheritance and development of traditional aesthetic spirit.
【學(xué)位授予單位】：浙江農(nóng)林大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J218.7
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 付
本文編號：2274278
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