從連環(huán)畫與日本漫畫以圖敘事技巧差異分析中國連環(huán)畫式微現(xiàn)象
發(fā)布時間：2018-10-15 17:36
【摘要】：我國連環(huán)畫與日本漫畫都是用以圖敘事手段展現(xiàn)故事的一種藝術(shù)門類,而今兩者卻走向完全相反的兩種境地,前者卸下了80年代黃金時代的輝煌業(yè)績,走向式微,市場由大眾讀物轉(zhuǎn)向愛好收藏;而后者在本國蓬勃發(fā)展的基礎(chǔ)上走出國門,影響面波及世界,相關(guān)產(chǎn)品帶來的商業(yè)利潤更是成為行業(yè)支柱,尤其在我國青少年娛樂中占據(jù)很大比重。遙想半個世紀(jì)以前連環(huán)畫也曾有相似的地位,這不禁使人發(fā)問,究竟是何種原因?qū)е聝烧呓厝徊煌拿\?本文將從以圖敘事技巧上的差異來回答上述問題。首先,梳理了連環(huán)畫的形成尤其是新中國成立后的重要發(fā)展?fàn)顩r,重點分析了兩次繁榮期背后的政策、社會、民眾生活條件等客觀因素對其繁榮所起的影響。隨著時代潮流的繼續(xù)挺進(jìn),直至今日的連環(huán)畫市場以收藏為主流,再版、電子版連環(huán)畫為輔的發(fā)展新狀態(tài)。隨后,從以圖敘事技巧上的不同對二者進(jìn)行了詳細(xì)闡述。從取景框、表達(dá)方式、文與圖的關(guān)系得出兩者不同的以圖敘事思路。發(fā)現(xiàn)連環(huán)畫中的文字?jǐn)⑹伦饔么笥趫D片,而日本漫畫則完全相反這一最重要的差別。再從發(fā)行的角度上來說,日本漫畫優(yōu)勝劣汰的市場機(jī)制和連環(huán)畫依賴政策的扶持之間也存在著較大的區(qū)別。最后本文對連環(huán)畫與日本漫畫之間的異同做出總結(jié),但是很難做出結(jié)論論述孰優(yōu)孰劣,二者都在各自的土地上創(chuàng)造過驚人的成就。只不過中國連環(huán)畫當(dāng)下的處境比起日本漫畫不停地創(chuàng)造產(chǎn)值以及消費大眾來說已經(jīng)漸漸淪為收藏家收藏的珍本而再難有所創(chuàng)新,受眾面也沒有后者的龐大,沒有穩(wěn)定的讀者群。但這也不能抹殺中國連環(huán)畫在歷史上曾經(jīng)取得的輝煌成就以及它可取的地方。而筆者認(rèn)為造成兩者最大的差異在于雖然兩者皆是敘事讀物并面向大眾群體,但一方側(cè)重較嚴(yán)肅的教育,一方在詼諧的氣氛中融入教育,寓教于樂,而大眾理所應(yīng)當(dāng)會選擇更幽默的讀物。同時創(chuàng)作者“人”的因素在兩者的發(fā)展中也起到了不可忽視的作用。這也是兩者一起一落的內(nèi)部原因。本文著重通過兩者以圖敘事技巧上的差異挖掘其內(nèi)部原因,為新時代連環(huán)畫的再發(fā)展起到抱磚引玉之效。
[Abstract]:Both Chinese comic books and Japanese comics are an art category in which stories are presented by means of graphic narration, but now they are moving towards two completely opposite situations. The former unloads the brilliant achievements of the golden age of the 1980s and tends to decline. The market has shifted from popular reading to collecting; while the latter has gone abroad on the basis of the flourishing development of its own country, affecting the whole world, and the commercial profits brought about by related products have become the pillar of the industry. Especially in our youth entertainment occupies a large proportion. Looking back on the fact that comic books had a similar status half a century ago, one cannot help asking what causes the two different destinies. This paper will answer the above questions from the differences in narrative techniques. First of all, combing the formation of comic books, especially after the founding of New China important development situation, focusing on the two prosperity behind the policy, society, people's living conditions and other objective factors on its prosperity. As the trend of the times continues to advance, up to today's comic book market to collect as the mainstream, reprint, electronic comic books as a supplement to the development of a new state. Then, from the point of view of the different narrative skills, the two are described in detail. From the view frame, the way of expression, the relationship between text and picture, the two different narrative ideas. It is found that the narrative function of the comic book is greater than that of the picture, but the most important difference is that the Japanese cartoon is completely opposite. From the perspective of distribution, there is also a big difference between the market mechanism of survival of the fittest and the policy support of comic books. Finally, this paper summarizes the similarities and differences between comic books and Japanese comics, but it is difficult to conclude which is better or worse. Both of them have created amazing achievements on their respective land. It's just that Chinese comic books are now in a better position than Japanese comics to create value and consumers are becoming collectors' collections, and it's hard to innovate, without the latter's size and a stable readership. But this does not obliterate the historical achievements and the merits of Chinese comic books. The author thinks that the biggest difference between the two is that although they are both narrative books and open to the public, one side focuses on more serious education, the other side integrates education in a humorous atmosphere and educates in fun. The public, of course, would choose a more humorous reading. At the same time, the factor of creator "human" also plays an important role in the development of both. This is also the internal reason why the two fall together. This paper focuses on exploring the internal reasons through the differences in narrative skills between the two groups, so as to promote the development of comic books in the new era.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J205
，
本文編號：2273294
[Abstract]:Both Chinese comic books and Japanese comics are an art category in which stories are presented by means of graphic narration, but now they are moving towards two completely opposite situations. The former unloads the brilliant achievements of the golden age of the 1980s and tends to decline. The market has shifted from popular reading to collecting; while the latter has gone abroad on the basis of the flourishing development of its own country, affecting the whole world, and the commercial profits brought about by related products have become the pillar of the industry. Especially in our youth entertainment occupies a large proportion. Looking back on the fact that comic books had a similar status half a century ago, one cannot help asking what causes the two different destinies. This paper will answer the above questions from the differences in narrative techniques. First of all, combing the formation of comic books, especially after the founding of New China important development situation, focusing on the two prosperity behind the policy, society, people's living conditions and other objective factors on its prosperity. As the trend of the times continues to advance, up to today's comic book market to collect as the mainstream, reprint, electronic comic books as a supplement to the development of a new state. Then, from the point of view of the different narrative skills, the two are described in detail. From the view frame, the way of expression, the relationship between text and picture, the two different narrative ideas. It is found that the narrative function of the comic book is greater than that of the picture, but the most important difference is that the Japanese cartoon is completely opposite. From the perspective of distribution, there is also a big difference between the market mechanism of survival of the fittest and the policy support of comic books. Finally, this paper summarizes the similarities and differences between comic books and Japanese comics, but it is difficult to conclude which is better or worse. Both of them have created amazing achievements on their respective land. It's just that Chinese comic books are now in a better position than Japanese comics to create value and consumers are becoming collectors' collections, and it's hard to innovate, without the latter's size and a stable readership. But this does not obliterate the historical achievements and the merits of Chinese comic books. The author thinks that the biggest difference between the two is that although they are both narrative books and open to the public, one side focuses on more serious education, the other side integrates education in a humorous atmosphere and educates in fun. The public, of course, would choose a more humorous reading. At the same time, the factor of creator "human" also plays an important role in the development of both. This is also the internal reason why the two fall together. This paper focuses on exploring the internal reasons through the differences in narrative skills between the two groups, so as to promote the development of comic books in the new era.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J205
，
本文編號：2273294
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