圓明之德—《圓明園四十景圖》研究
[Abstract]:The "Old Summer Palace Forty scenes" is not only an important image material for the study of garden construction during the Qianlong period, but also for Shen Yuan, a court painter in the Qianlong Dynasty (1736-1795), and Tang Dai Fengchi. It also represents the drawing level of the actual court landscape and the boundary painting. < Old Summer Palace 40 view > developed from the 36 scene of the Summer Resort. Its drawing is an important cultural project after Emperor Qianlong succeeded the throne. Naming, entering painting and drawing, printing and publishing of "Old Summer Palace Forty scene Chronicles" are all concerned by Emperor Qianlong, which embodies the important position of "Old Summer Palace Forty Landscape Pictures" in the great cause of Qianlong Emperor's culture. As a result of the need of politics and culture, not only did the painter draw a picture of Old Summer Palace garden, but also Qianlong emperor's close body ci minister copied the poems of imperial Old Summer Palace, and the court set off an upsurge of using poetry and painting to express Old Summer Palace. This article is divided into four chapters, starting from the "Old Summer Palace Forty scene", in the way of returning to the historical context, the drawing process, the influence of the DPRK, and the artistic characteristics are deeply analyzed. This paper probes into the relationship between "Old Summer Palace Forty Landscape" and "Summer Resort 36", the relationship between landscape painting and garden construction, and the interaction between emperors and ministers and common people embodied in the publication of Old Summer Palace's poems.
【學(xué)位授予單位】:中央美術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J209.2
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