【摘要】：寫生的目的是理解認(rèn)識(shí)生活，收集創(chuàng)作素材。它是在繪畫表現(xiàn)過程中人與客觀對(duì)象在內(nèi)心情感與外部表象上的交流與互換的活動(dòng)。只有通過客觀的實(shí)地寫生，才能深入的掌握對(duì)象的生長結(jié)構(gòu)，生活習(xí)性，生存狀態(tài)，為以后的藝術(shù)創(chuàng)作從思想內(nèi)涵到表現(xiàn)語言形式做必要的準(zhǔn)備，，中國畫的寫生就是認(rèn)識(shí)生活，感受生活，記錄生活，提煉生活的過程。脫離生活將削弱作品的感染力，降低作品的審美層次，藝術(shù)家們自身的思想觀念的不斷地發(fā)展與更新同樣也離不開生活閱歷的積累，對(duì)真實(shí)事物的客觀描繪�！巴鈳熢旎�，中得心源”這里的造化是傳統(tǒng)中國畫理論與技巧在實(shí)踐中的運(yùn)用，發(fā)揮和深化。不能用孤立的眼光看待中國畫的寫生，要在生活中不斷挖掘，發(fā)現(xiàn)探索，做到用自己的眼光認(rèn)識(shí)生活,做到感于物而會(huì)于心。
[Abstract]:The purpose of sketching is to understand life and collect creative materials. It is the exchange and exchange between human beings and objective objects in the process of painting. Only by objectively drawing on the spot can we have a thorough grasp of the object's growth structure, living habits, and living conditions, and make necessary preparations for the future artistic creation from the ideological connotation to the expression of language form. The sketch of Chinese painting is to understand life. Feel life, record life, refine the process of life. Breaking away from life will weaken the appeal of the works and reduce the aesthetic level of the works. The constant development and renewal of the artists' own ideas and ideas are also inseparable from the accumulation of life experience and the objective description of the real things. The creation of traditional Chinese painting is the application of traditional Chinese painting theory and technique in practice. We can't look at the sketch of Chinese painting in isolation, we should constantly excavate, discover and explore in our life, realize life with our own eyes, and realize that we can feel things in our hearts.
【學(xué)位授予單位】：天津美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

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1 韓雪;師法自然—論中國畫寫生的重要性[D];天津美術(shù)學(xué)院;2014年

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