發(fā)布時(shí)間：2018-06-25 23:36

  本文選題：維吾爾族 + 巴旦木紋樣�。� 參考：《新疆師范大學(xué)》2017年碩士論文

【摘要】：新疆古稱西域,地處祖國(guó)西北邊陲、亞歐大陸的腹地,占我國(guó)總領(lǐng)土面積的六分之一,其中有最大的內(nèi)陸河塔里木河,有世界第二大戈壁沙漠塔克拉瑪干沙漠,是全國(guó)最大的行政區(qū)。歷史上,這里曾是中西陸路交通的主要通道,自古以來就是一個(gè)多民族聚居的地區(qū),有琳瑯滿目的優(yōu)質(zhì)水果,有神秘濃烈的民族風(fēng)情,恒古千年的歷史長(zhǎng)河;新疆民風(fēng)質(zhì)樸,民族風(fēng)情濃厚;地理氣候得天獨(dú)厚,四季瓜果不絕于市。新疆也是絲綢之路經(jīng)濟(jì)帶的重要節(jié)點(diǎn),是輻射亞歐大陸的門戶,區(qū)位優(yōu)勢(shì)極佳,是舉世文明的龜茲文化、刀郎文化的發(fā)源地,全國(guó)四大文明交匯地。巴旦木果產(chǎn)自新疆喀什莎車縣,莎車縣位于葉爾羌綠洲,葉爾羌綠洲是葉爾羌河喀喇昆侖山一路奔流而下孕育的新疆最大的綠洲。在莎車,巴旦木果樹是最常見的果樹,幾乎家家戶戶都會(huì)種植巴旦木,巴旦木果三月開花,九月結(jié)果,一年中進(jìn)行夏冬兩次修剪,已有1300年的種植歷史。人們常說,巴旦木的果是長(zhǎng)壽果,巴旦木的花是吉祥花。因此,在當(dāng)?shù)厝说纳�活中處處有著巴旦木的影�?維吾爾族老老少少喜歡佩戴巴旦木紋樣的花帽,家里的裝飾圖案也都以巴旦木紋樣圖案為主,可以說巴旦木紋樣圖案是新疆少數(shù)民族別具風(fēng)格的特有圖案。本文主要以新疆維吾爾族傳統(tǒng)巴旦木紋樣圖案為基本點(diǎn),選用維吾爾族的織物、服飾、陶器、木器、銅器、工藝品、建筑、繪畫、雕塑等裝飾載體作為研究對(duì)象,剖析西域維吾爾族傳統(tǒng)巴旦木紋樣的理論價(jià)值和藝術(shù)內(nèi)涵。目前可知有關(guān)新疆維吾爾族傳統(tǒng)巴旦木紋樣的藝術(shù)研究多為針對(duì)某一載體進(jìn)行研究,并沒有對(duì)巴旦木紋樣進(jìn)行系統(tǒng)性、整體性的研究。新疆維吾爾族傳統(tǒng)巴旦木紋樣的文化研究是新疆區(qū)域紋飾圖案中不可或缺的一部分。巴旦木紋樣當(dāng)做新疆特有的裝飾紋樣在維吾爾族的點(diǎn)綴紋樣中具有舉足輕重的地位。巴旦木紋樣之所以能夠盛行,一方面與其宗教信仰有關(guān),一方面象征著新疆人民吃苦耐勞,艱苦不屈的精神文明,也體現(xiàn)出地處沙漠地帶的維吾爾族人民從生活中挖掘美、提煉美的樂觀向上精神。全文共分五個(gè)章節(jié),第一章對(duì)論文的研究背景、研究現(xiàn)況、研究目的及意義、做了簡(jiǎn)單的說明。第二章講述新疆巴旦木果的生物背景、生長(zhǎng)的地理環(huán)境、營(yíng)養(yǎng)價(jià)值、品種分類等進(jìn)行有關(guān)概述。第三章介紹了維吾爾族巴旦木果與巴旦木紋樣的關(guān)系、與佩茲利紋樣的淵源,與西方文化、維吾爾族人民的關(guān)聯(lián)以及紋樣區(qū)域認(rèn)知的象征意義。第四章是全文的重點(diǎn),主要講維吾爾族巴旦木紋樣的空間組合、主要造型、形式分類、與其他紋樣組合、裝飾載體、色彩搭配分析進(jìn)行研究梳理,進(jìn)一步探討巴旦木紋樣的造型與裝飾背后的審美寓意以及蘊(yùn)藏的宗教信仰。最后一個(gè)章節(jié)講述巴旦木紋樣的文化因子體現(xiàn)的吉祥文化和宗教信仰。由以上基礎(chǔ)性研究得出:維吾爾族藝術(shù)的源泉與實(shí)踐與其宗教信仰有著密切的關(guān)聯(lián),宗教心理和情感是根深蒂固的,在不斷發(fā)展的社會(huì)中,開放的環(huán)境使我們更要深切與本土理論接壤,為維吾爾族文化的繼承與發(fā)展提供強(qiáng)有力的理論支持。
[Abstract]:Xinjiang, known as the western region, is located in the northwest border of the motherland and the hinterland of the Eurasian continent, accounting for 1/6 of the total territory of our country. Among them the largest inland river Tarim River and the second largest Gobi desert in the Taklimakan Desert in the world are the largest administrative areas in the country. In history, this was the main channel for the traffic of the Chinese and western land, since ancient times It is a multi-ethnic settlement area, with a great variety of high quality fruit, mysterious and strong national customs, and a thousand years of ancient history; Xinjiang folk style is simple, the national style is strong; the geographical climate is unique, the four seasons melon and fruit are not in the city. The Xinjiang is also the important node of the Silk Road through the economic belt, is the portal of the radiating Asia Europe continent, location The advantage is excellent, it is the culture of the world civilization, the birthplace of Dao Lang culture, the intersection of the four civilizations in the whole country. The fruit of Ba Dan is produced from Shache County of Kashi, Shache County of Xinjiang, Shache County in the oasis of leaf and Qiang, and the biggest Oasis in Xinjiang of the Karakoram mountain of the Ye and Qiang river. In Shache, the Basan tree is the most common. The fruit tree, almost every household will grow pads, the Basan fruit blossom in March, September results, two times a year of summer and winter pruning, there is a history of 1300 planting. It is often said that the fruit of the panmu is a longevity fruit, the flowers of the panmu are auspicious flowers. Therefore, the shadow of the panmu, the old Uygur people in the local people's life. The old and young people like to wear the flower hat of the Dadan wood pattern. The decorative patterns of the family are mainly based on the pattern pattern of the bar. It can be said that the pattern pattern of the Xinjiang ethnic minority is unique. This article mainly uses the pattern of the Xinjiang Uygur traditional pattern as the base, and selects the Uygur's fabric, clothing and pottery. Wood, copper, bronze, handicraft, architecture, painting, sculpture and other decorative carriers are used as research objects to analyze the theoretical value and artistic connotation of the Western Uygur traditional San wood pattern. At present, it is known that the art research on Xinjiang Uygur traditional San wood pattern is mostly aimed at a carrier, and does not carry on the Department of the San wood pattern. The cultural research of Xinjiang Uygur traditional San wood pattern is an indispensable part of the Xinjiang regional pattern. As a unique decorative pattern of Xinjiang, the pattern of the Ba Dan Wood pattern plays an important role in the Uygur's ornament pattern. The religious belief related, on the one hand, symbolizes the hard work, hard and unyielding spiritual civilization of the people of Xinjiang. It also embodies the Uygur people's optimism and optimism from the life of the Uygur people in the desert area. The full text is divided into five chapters. The first chapter is about the background of the research, the present situation, the purpose and the significance of the study. The second chapter describes the biological background, the geographical environment, the nutritional value and the classification of the species in Xinjiang. The third chapter introduces the relationship between the Uygur Ba Dan wooden fruit and the denim pattern, the origin of the Pezli pattern, the relationship with the western culture, the Uygur people and the image regional cognition. The fourth chapter is the focus of the full text. It mainly talks about the spatial combination of the Uygur's Dan Wood pattern, the main modeling, the form classification, the combination of other patterns, the decoration carrier and the color collocation analysis, and further discusses the aesthetic meaning and the religious belief of the pattern of the wooden pattern and the back of the adornment. The chapter tells the auspicious culture and religious belief of the cultural factors of the wood pattern of the new year. From the above basic research, it is concluded that the source and practice of Uygur art are closely related to their religious beliefs, and the religious psychology and emotion are deeply ingrained. In the continuous development society, the open environment makes us more deeply and indigenous. The theory will provide strong theoretical support for the inheritance and development of Uygur culture.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J522

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本文編號(hào)：2068027