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中國地景文化視角下“長安六爻”起源、演變與現(xiàn)狀研究

發(fā)布時間:2018-06-18 04:48

  本文選題:中國地景文化 + 長安六爻 ; 參考:《西安建筑科技大學(xué)》2015年碩士論文


【摘要】:西安是中國歷史上建都時間最長的城市,其歷史遺存眾多,文化積淀深厚。但是隨著近年來城市的快速發(fā)展,古城風(fēng)貌破壞嚴(yán)重,城市特色逐漸消失。本論文從中國地景文化的角度,選取隋唐長安城中的自然形勝——“長安六爻”為研究對象,梳理西安城市發(fā)展六爻的變遷,論證了“長安六爻”的地景文化內(nèi)涵和文化遺產(chǎn)價值,認(rèn)為“長安六爻”具有展示西安城市文化特色的價值,并在相關(guān)案例研究的基礎(chǔ)上提出了“長安六爻”保護(hù)與展示的思路和方法。論文首先在對隋唐時期“長安六爻”的相關(guān)史料及文獻(xiàn)研究的基礎(chǔ)上,認(rèn)為“長安六爻”具有中國傳統(tǒng)文化的內(nèi)涵,并構(gòu)成了隋唐長安城規(guī)劃布局的骨架,不僅豐富了城市的空間變化,更賦予人工營建工程以精神意義,是隋唐長安城重要的組成部分。在此基礎(chǔ)上梳理了隋唐以后西安城市的變遷與“長安六爻”的關(guān)系,將城市發(fā)展與“長安六爻”的關(guān)系分為四個階段:隋唐時期——被利用的時期;宋~建國——被遺忘的時期;建國~90年代——輕度開發(fā)和利用的時期;90年代至今——大規(guī)模破壞的同時又逐漸受到重視時期。然后通過實地調(diào)研“長安六爻”的遺存現(xiàn)狀,進(jìn)行相關(guān)評價和分類研究,對比了隋唐時期與當(dāng)代“長安六爻”在城市中所處的位置及其對城市空間布局的影響,認(rèn)為西安在90年代以后進(jìn)入快速發(fā)展時期,“長安六爻”與城市發(fā)展的矛盾日益突出,破壞也較為嚴(yán)重,但同時也出現(xiàn)了一些較好的處理方式值得學(xué)習(xí)和借鑒,2005年《西安宣言》的提出將遺址環(huán)境保護(hù)的重要性提到一個新的高度,這對“長安六爻”的研究和保護(hù)提供了新的契機。論文最后通過國內(nèi)外相關(guān)案例的研究,對“長安六爻”的保護(hù)和展示提出一些思路和方法。
[Abstract]:Xi'an is the longest city in the history of China. However, with the rapid development of the city in recent years, the style and features of the ancient city are seriously damaged and the characteristics of the city gradually disappear. From the angle of Chinese landscape culture, this paper chooses the natural form of Changan city in Sui and Tang dynasties as the research object, and combs the vicissitudes of the six lines of Xi'an urban development. This paper demonstrates the cultural connotation of landscape and the value of cultural heritage of the six lines of Chang'an, and holds that the six lines of Chang'an have the value of displaying the cultural characteristics of Xi'an city. On the basis of relevant case studies, this paper puts forward the ideas and methods of protection and display of Changan six lines. First of all, based on the study of the relevant historical data and documents of the six lines of Chang'an in Sui and Tang dynasties, the author thinks that the six lines of Chang'an have the connotation of Chinese traditional culture and constitute the framework of the planning and layout of Changan City in the Sui and Tang dynasties. It not only enriches the spatial changes of the city, but also endows the artificial construction project with spiritual significance, which is an important part of the Changan City in the Sui and Tang dynasties. On this basis, the relationship between the changes of Xi'an city and the six lines of Chang'an after Sui and Tang dynasties is combed, and the relationship between the urban development and the six lines of Chang'an is divided into four stages: the Sui and Tang dynasties-the period of being used; Song ~ Jianguo-forgotten period; Jianguo's 90's-light exploitation and utilization period-the period of large-scale destruction and gradually paid attention to at the same time. Then, by investigating the status quo of "Changan six lines" on the spot, and making relevant evaluation and classification research, this paper compares the position of "Changan six lines" in the city and its influence on the urban spatial distribution in Sui and Tang dynasties, compared with the contemporary "Changan six lines" in the city. It is considered that Xi'an has entered a period of rapid development since the 1990s, and the contradiction between "Changan six lines" and urban development is increasingly prominent, and the damage is more serious. But at the same time, there are some better ways to deal with them. In 2005, Xi'an Manifesto raised the importance of environmental protection to a new height, which provides a new opportunity for the study and protection of "Changan six lines". In the end, some ideas and methods for the protection and display of Changan six-line are put forward through the research of relevant cases at home and abroad.
【學(xué)位授予單位】:西安建筑科技大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2015
【分類號】:TU-098.1

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