古箏協(xié)奏曲《望秦川》中地方音樂(lè)元素的運(yùn)用與演奏體會(huì)
發(fā)布時(shí)間:2018-06-12 13:26
本文選題:《望秦川》 + 陜西箏派。 參考:《聊城大學(xué)》2017年碩士論文
【摘要】:箏是我國(guó)最古老的民族樂(lè)器之一,是中華民族藝術(shù)寶庫(kù)的一顆明珠,箏在兩千多年漫長(zhǎng)的發(fā)展過(guò)程中以其柔和華麗的音色,動(dòng)靜相宜、剛?cè)岵?jì)的意境征服了無(wú)數(shù)聽(tīng)眾。在古箏傳承中由于地理環(huán)境、文化及地方音樂(lè)等因素的影響,所以形成了具有地方音樂(lè)特色的古箏流派。中國(guó)古箏樂(lè)的發(fā)源地為陜西,陜西箏派曲目中很多被聽(tīng)眾所喜愛(ài),例如《山丹丹開(kāi)花紅艷艷》、《秦桑曲》和《姜女淚》等。除此以外,還涌現(xiàn)出一批既有地方音樂(lè)元素又與時(shí)代接軌的現(xiàn)代古箏曲目,例如《云裳訴》、《秦土情》和《五陵吟》等。陜西箏曲的風(fēng)格委婉細(xì)膩,慷慨激昂中夾雜著抒情,深受聽(tīng)眾和演奏者喜愛(ài)。本篇論文中,筆者從《望秦川》的作曲家、創(chuàng)作背景和所涉及的地方音樂(lè)入手,進(jìn)一步探析《望秦川》中戲曲音樂(lè)元素的體現(xiàn)。并且通過(guò)分析技法特點(diǎn)探索戲曲音樂(lè)的奧秘。在此基礎(chǔ)上,筆者還從音色、氣息和情感等方面進(jìn)行分析,結(jié)合筆者本人的演奏體會(huì),力求將此古箏曲目的文化內(nèi)涵與演奏藝術(shù)更好的結(jié)合,真正做到理論與實(shí)踐相結(jié)合,以達(dá)到更高的藝術(shù)境界。
[Abstract]:Zheng is one of the oldest national musical instruments in our country, and it is a pearl of Chinese art treasure house. Zheng has conquered countless listeners with its soft and gorgeous timbre, sound and sound, and softness in the long development process of more than two thousand years. Due to the influence of geographical environment, culture and local music, Guzheng school with local music characteristics has been formed. The birthplace of Chinese guzheng music is Shaanxi Province. Many of Shaanxi Zheng pieces are loved by the audience, such as "Shan Dan blooming and gorgeous", "Qin Sang qu" and "Jiang Women's tears" and so on. In addition, a number of modern guzheng tracks with local musical elements and in line with the times have emerged, such as Yunzhang v., Qin Tuqing and Wuling Yin, and so on. Shaanxi Zheng music style euphemism, impassioned with lyric, deeply loved by the audience and players. In this paper, the writer starts with the composer, the background and the local music involved in Wangqinchuan, and further analyzes the embodiment of the elements of opera music in Wangqinchuan. And through the analysis of technical characteristics to explore the mystery of opera music. On this basis, the author also analyzes from the aspects of timbre, breath and emotion, combined with the author's own performance experience, and tries to combine the cultural connotation of the guzheng music with the performing art better, so as to truly combine theory with practice. In order to achieve a higher level of art.
【學(xué)位授予單位】:聊城大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:J632.32
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