本文選題：圓 + 文化　； 參考：《中南林業(yè)科技大學(xué)》2015年碩士論文

【摘要】：圓在不同的時期、民族、國家的景觀設(shè)計中具有極其高的出現(xiàn)頻率。從其文化背景出發(fā)挖掘圓的景觀中的應(yīng)用研究,對景觀的活力體現(xiàn)以及深化內(nèi)涵具有重要意義。順應(yīng)城市景觀的發(fā)展,圓對園林景觀效果表達(dá)的影響不容小覷。論文以圓作為一種文化符號要素為出發(fā)點,首先對圓的定義及相關(guān)基礎(chǔ)理論進(jìn)行初步了解,再賞析圓在中西方傳統(tǒng)社會文化生活中的經(jīng)典存在賞析,最后針對圓的屬性,對圓在景觀設(shè)計中分類、美學(xué)特征、應(yīng)用原則、應(yīng)用方式做應(yīng)用研究,并應(yīng)用部分研究內(nèi)容結(jié)合案例設(shè)計應(yīng)用,優(yōu)化圓在園林中的設(shè)計應(yīng)用,為將來圓在園林中的應(yīng)用提供參考。論文主要研究成果如下：(1)中西方“圓”文化歷史悠久,從古人飾物“圓”審美到生活用品、景觀中“圓”的應(yīng)用,從亞里士多德-托勒密宇宙學(xué)說的開創(chuàng)又或是貫休的圓融詩情,品味圓的文化氣息。(2)論文闡述“圓”的形狀分類,可分為：正圓、橢圓、扇圓以及正圓；從美學(xué)的角度看,賞析圓的語言美、幾何美、動態(tài)美、哲學(xué)美和思維美。(3)“圓”構(gòu)圖形式多樣,按照一定的排列原則進(jìn)行重復(fù)、分解、漸變的構(gòu)圖,需要根據(jù)實際的元素、場地等情況進(jìn)行具體的變化�！皥A”在園林應(yīng)用過程中,不僅要創(chuàng)新地將元素整合,同時也要適用其應(yīng)用原則——以小觀大、均中求穩(wěn)、掌握度與量、控制緩與急。應(yīng)用要求講究精煉中追求完整,在相對對稱中找到平衡,把握比例與尺度,按照一定的節(jié)奏,把握構(gòu)圖的韻律美。(4)園林中“圓”的應(yīng)用方式多種多樣,無論是從平面上的構(gòu)圖,還是立面上的空間層次,圓都有很好的表現(xiàn)。同時圓在應(yīng)用中的表達(dá)通過或具象或抽象的方式也能豐富層次,形成多姿多彩的景觀效果。(5)對瀏、陽恒大華府水佳湖公園進(jìn)行案例研究,從圓的應(yīng)用方式如平面與立體,具象與抽象等。按照相關(guān)的構(gòu)成方式等設(shè)計原則,論述“圓”文化和平面布局、景觀小品設(shè)計的內(nèi)涵、構(gòu)成要素之間的關(guān)系,并對“圓”的傳承與創(chuàng)新提出想法。
[Abstract]:The circle is extremely high frequency in the landscape design of the nation and the country. It is of great significance to study the application of the landscape from the cultural background to the landscape and to deepen the connotation. The influence of the circle on the expression of landscape effect can not be underestimated. As the starting point of a cultural symbol, first of all, a preliminary understanding of the definition of the circle and the related basic theory, and the appreciation of the classical existence and appreciation of the circle in the traditional social and cultural life of the Chinese and Western countries. Finally, according to the property of the circle, the application of the circle in the landscape design, the aesthetic features, the application principles and the application method, is made. The main research results of the paper are as follows: (1) the Chinese and Western "round" culture has a long history, from the ancient ornaments "round" aesthetic to the daily necessities, and the application of "round" in the landscape, from Aristotle Ptolemy The creation of the theory of the universe, or the fusion of poetry, tastes the cultural atmosphere of the circle. (2) the paper expounds the shape classification of the circle, which can be divided into the circle, the ellipse, the fan circle and the circle; from the aesthetic point of view, it appreciates the language beauty of the circle, the geometric beauty, the dynamic beauty, the beauty of philosophy and the beauty of thinking. (3) the form of "round" composition is varied and according to a certain arrangement. In the application process of the garden, the "circle" should not only integrate the elements, but also apply its application principles in the process of garden application. In the pursuit of integrity, to find the balance in the relative symmetry, to grasp the proportion and the scale, to grasp the rhythmic beauty of the composition according to a certain rhythm. (4) the application of the "circle" in the garden is varied, whether it is from the plane composition, or the spatial level of the facade, the circle has a very good performance. At the same time, the expression of the circle in the application is through or figurative. Or abstract ways can also enrich the layers and form colorful landscape effects. (5) a case study of Liuheng Dahua mansion Shui Jia Lake Park, from the application mode of the circle, such as plane and three-dimensional, concrete and abstract and so on. According to the relevant design principles, the "round" culture and layout, the connotation of the landscape design are discussed. The relationship between the elements, and the idea of "round" inheritance and innovation.
【學(xué)位授予單位】：中南林業(yè)科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU986

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