本文選題：苗族 + 掌坳村　； 參考：《貴州民族大學(xué)》2015年碩士論文

【摘要】：銅鼓,作為貴州黔東南掌坳苗族村一個(gè)富有代表性的符號(hào),是流傳于民間的一種音樂(lè)樣式,它包含苗族同胞的生存環(huán)境、風(fēng)俗習(xí)慣、文化傳承、生產(chǎn)生活以及情感因素等多方面的內(nèi)容,是掌坳苗族人民日常生活中不可或缺的重要組成部分,是他們精神的外在呈現(xiàn)。在我國(guó)音樂(lè)發(fā)展的進(jìn)程中,少數(shù)民族傳統(tǒng)文化面臨著現(xiàn)代社會(huì)的巨大挑戰(zhàn),一些文化現(xiàn)象逐漸淡化或者消失,它們的生存與發(fā)展是當(dāng)下亟待解決的問(wèn)題,需要加以保護(hù)和扶持。因此,本文將通過(guò)對(duì)貴州黔東南掌坳苗族銅鼓音樂(lè)的研究來(lái)推動(dòng)各界人士對(duì)少數(shù)民族文化遺產(chǎn)的保護(hù)、傳承和發(fā)展。本文從銅鼓音樂(lè)的衍生的自然環(huán)境和苗族同胞們的風(fēng)俗習(xí)慣入手,對(duì)掌坳村進(jìn)行多次的實(shí)地田野調(diào)查與訪(fǎng)談獲取第一手資料,在搜集各類(lèi)文獻(xiàn)資料的基礎(chǔ)上,將理論與實(shí)踐結(jié)合,采用民族音樂(lè)學(xué)、音樂(lè)人類(lèi)學(xué)、音樂(lè)學(xué)、人類(lèi)學(xué)、民族學(xué)等理論與方法,從歷史沿革、現(xiàn)狀、形態(tài)特征、變遷以及傳承等多方面對(duì)掌坳苗族銅鼓音樂(lè)進(jìn)行分析和闡述。具體來(lái)說(shuō)本文貴州黔東南掌坳苗族銅鼓音樂(lè)研究主要涵蓋了以下內(nèi)容:首先,緒論部分闡述了筆者選題的緣由及意義,梳理了國(guó)內(nèi)對(duì)掌坳苗族銅鼓音樂(lè)和對(duì)銅鼓音樂(lè)研究的現(xiàn)狀,并且對(duì)運(yùn)用的研究方法進(jìn)行說(shuō)明。第一章對(duì)掌坳苗族銅鼓音樂(lè)衍生的自然與人文環(huán)境進(jìn)行了描述和介紹。自然環(huán)境主要介紹了氣候、地貌、植被、海拔、方位、雨量、農(nóng)作物等因素;人文環(huán)境主要介紹掌坳苗族村的建制沿革、民族概況、文化信仰以及衣食住行等方面的內(nèi)容。第二章以掌坳苗族銅鼓的源流、類(lèi)型及現(xiàn)狀為切入點(diǎn),對(duì)銅鼓的起源、銅鼓的原始形態(tài)、銅鼓類(lèi)型劃分、銅鼓的流傳、銅鼓的沿用習(xí)俗、銅鼓的演奏形式以及銅鼓的樂(lè)器型制進(jìn)行分析和說(shuō)明。第三章主要描述掌坳苗族銅鼓音樂(lè)形態(tài),從銅鼓音樂(lè)的表現(xiàn)功能、方式方法、表現(xiàn)場(chǎng)合、表現(xiàn)內(nèi)容進(jìn)行探究,再?gòu)你~鼓音樂(lè)的音樂(lè)形態(tài)入手,其主要包括演奏音響、節(jié)律節(jié)奏和代表鼓譜,著重分析研究掌坳苗族銅鼓的藝術(shù)形態(tài)特征。第四章主要論述掌坳苗族銅鼓音樂(lè)傳承的變遷與其未來(lái)展望。分別從傳承人、傳承環(huán)境和傳承方式方法等方面進(jìn)行分析闡述,再?gòu)膫鞒械谋匾院痛胧┨岢鲆?jiàn)解,最后對(duì)銅鼓藝術(shù)的專(zhuān)業(yè)升華進(jìn)行展望。最后,結(jié)語(yǔ)部分對(duì)本論文進(jìn)行總結(jié)。
[Abstract]:As a representative symbol of the Miao village in the southeastern Guizhou province, Tonggu is a kind of folk music style, which contains the living environment, customs and cultural heritage of the Miao people. Production and life as well as emotional factors are the indispensable part of the daily life of the people of Zhangao and Miao nationality and the external appearance of their spirit. In the process of music development in China, the traditional culture of ethnic minorities is facing a great challenge of modern society, some cultural phenomena gradually fade down or disappear, their survival and development is a problem to be solved urgently, which needs to be protected and supported. Therefore, this paper will promote the protection, inheritance and development of minority cultural heritage through the research on the bronze drum music of the Miao nationality in Qiandongnan, Guizhou province. Starting from the natural environment derived from the Tonggu music and the customs and habits of the Miao people, this paper conducts many field investigations and interviews in Zhangao Village to obtain first-hand information, and on the basis of collecting all kinds of literature, Combining theory with practice, adopting theories and methods of ethnomusicology, musical anthropology, musicology, anthropology, ethnology, etc., from the historical evolution, present situation, morphological characteristics, etc. Changes and inheritance of many aspects of the Zhangao Miao bronze drum music analysis and elaboration. Specifically, this paper mainly covers the following contents: first, the introduction describes the reasons and significance of the author's topic. This paper reviews the current situation of the research on copper drum music and copper drum music in Zhangao and Miao nationality in China, and explains the research methods used. The first chapter describes and introduces the natural and human environment derived from the bronze drum music of Zhangao and Miao nationality. The natural environment mainly introduces the factors such as climate, landform, vegetation, altitude, azimuth, rainfall, crops and so on, and the humanistic environment mainly introduces the institutional evolution, national general situation, cultural beliefs, clothing, food, shelter and so on of Zhangao Miao village. In the second chapter, the origin, type and current situation of the bronze drum of Zhangao and Miao nationality are taken as the starting point, and the origin, the primitive form, the classification of the type of the bronze drum, the spread of the bronze drum, and the custom of the bronze drum are introduced. The form of playing the bronze drum and the musical instrument system of the bronze drum are analyzed and explained. The third chapter mainly describes the form of bronze drum music in Zhangao and Miao nationality. It explores the performance function, method, occasion and content of bronze drum music, and then begins with the music form of bronze drum music, which mainly includes playing sound. The rhythmic rhythm and the representative drum spectrum are analyzed and the artistic characteristics of the bronze drum in Zhangao and Miao nationality are studied. The fourth chapter mainly discusses the evolution and future prospects of bronze drum music inheritance of Zhangao Miao nationality. Respectively from the inheritors, heritage environment and inheritance methods and other aspects of analysis and elaboration, and then from the inheritance of the necessity and measures to put forward ideas, finally, the art of bronze drum professional sublimation prospects. Finally, the conclusion summarizes this paper.
【學(xué)位授予單位】：貴州民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：J632.52

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