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論江淹賦作中的文學審美觀念——兼論中國文學理論批評對象的學科定位

發(fā)布時間:2018-05-28 18:52

  本文選題:江淹 + 人生經(jīng)歷 ; 參考:《學術(shù)研究》2017年10期


【摘要】:江淹的賦作中蘊含著豐富的文學理念與思想。江淹出身孤寒,在劉宋時代屢受挫折,對于時事的險惡有著獨特的體會與感受。這使他的賦作在繼承屈騷文學與鮑照詩文的同時,善于出新。他的賦作以悲為美,具有豐富的文學思想。以悲為美既是從個體感受出發(fā),又能夠上升到天道人生來思索,從而拓展了漢魏以來賦作的審美境界。這也使他的賦作中具備了自覺為文的思想。
[Abstract]:Jiang Yan's Fu contains abundant literary ideas and thoughts. Jiang Yan, born cold, suffered repeated setbacks in Liu Song Dynasty, has a unique experience and feelings about current affairs. This makes his Fu to inherit qu Sao literature and Baozhao poetry at the same time, good at new. His works are beautiful with sadness and rich literary thoughts. The beauty of sadness is not only from the individual feeling, but also can rise to the natural thinking of Heaven and Taoism, thus expanding the aesthetic realm of Fu since the Han and Wei dynasties. This also made his Fu with the thought of consciously for the text.
【作者單位】: 中國人民大學國學院;
【基金】:中國人民大學科學基金研究項目“四部之學與中國文學形態(tài)構(gòu)建”(17XNL012)的階段性成果
【分類號】:I207.22
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本文編號:1947798

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