發(fā)布時(shí)間：2018-05-26 02:06

  本文選題：第九屆茅盾文學(xué)獎(jiǎng) + “中國(guó)精神”��； 參考：《曲阜師范大學(xué)》2017年碩士論文

【摘要】：“中國(guó)精神”是習(xí)近平總書記提出的新理論命題,是特定歷史時(shí)代條件下文藝發(fā)展的碩果,是馬克思主義文藝思想中國(guó)化的產(chǎn)物。習(xí)近平總書記在《在文藝工作座談會(huì)上的講話》中系統(tǒng)地闡述了文藝與“中國(guó)夢(mèng)”、文藝與時(shí)代、文藝與人民、文藝與“中國(guó)精神”及黨對(duì)文藝領(lǐng)導(dǎo)五個(gè)大方面的關(guān)系,指出了當(dāng)前文藝工作的問(wèn)題,并為新形勢(shì)下文藝工作發(fā)展方向做了進(jìn)一步說(shuō)明。同時(shí),《講話》又對(duì)“中國(guó)精神是社會(huì)主義文藝的靈魂”這一核心觀點(diǎn)進(jìn)行了細(xì)致地闡發(fā)。第九屆茅盾文學(xué)獎(jiǎng)評(píng)獎(jiǎng)在《講話》之后,其勢(shì)必貫穿著“中國(guó)精神”的思想特質(zhì)。論文包括緒論和結(jié)語(yǔ)共有五個(gè)部分。第一部分論述了第九屆茅盾文學(xué)獎(jiǎng)的指導(dǎo)思想。從“中國(guó)精神”的提出及其內(nèi)涵的剖析中可以看出,“中國(guó)精神”是時(shí)代和歷史相融合的產(chǎn)物,其對(duì)民族精神深沉眷戀、對(duì)時(shí)代精神無(wú)畏彰顯以及真善美統(tǒng)一的內(nèi)涵無(wú)疑構(gòu)成了第九屆茅獎(jiǎng)的評(píng)獎(jiǎng)基礎(chǔ)。第二部分著重分析第九屆茅盾文學(xué)獎(jiǎng)條例所呈現(xiàn)的“中國(guó)精神”,這是“中國(guó)精神”審美內(nèi)涵的具體體現(xiàn)。通過(guò)對(duì)文藝創(chuàng)作中堅(jiān)持“以人民為中心”的歷史淵源,以及文藝與人民辯證關(guān)系的論述,論證“中國(guó)精神”的核心即是“以人民為中心”的創(chuàng)作導(dǎo)向。而第九屆茅獎(jiǎng)是在“中國(guó)精神”提出之后而頒發(fā)的國(guó)家性文藝獎(jiǎng)項(xiàng),其評(píng)獎(jiǎng)條例、標(biāo)準(zhǔn)都蘊(yùn)含著“中國(guó)精神”的深刻內(nèi)涵。第三部分則重點(diǎn)闡釋了獲獎(jiǎng)作品的創(chuàng)新精神。這一部分從習(xí)近平總書記所強(qiáng)調(diào)的“歷史的、人民的、藝術(shù)的、美學(xué)的”文藝批評(píng)觀入手,詳細(xì)論述文藝批評(píng)的新觀點(diǎn),以及對(duì)獲獎(jiǎng)作品所體現(xiàn)的美學(xué)內(nèi)涵進(jìn)行評(píng)析,進(jìn)而體現(xiàn)文藝書寫“中國(guó)精神”的美學(xué)品質(zhì)。本文的創(chuàng)新之處在于,從新的歷史和時(shí)代背景下,通過(guò)對(duì)第九屆茅盾文學(xué)評(píng)獎(jiǎng)條例、標(biāo)準(zhǔn)以及作品的分析和論述,從而體現(xiàn)出“中國(guó)精神”的進(jìn)步性和創(chuàng)新性。“中國(guó)精神”作為獨(dú)立的概念,是習(xí)近平總書記的首創(chuàng),他提出“中國(guó)精神是社會(huì)主義的靈魂”這一新的歷史命題。在總結(jié)歷代領(lǐng)導(dǎo)人文藝思想的基礎(chǔ)上,習(xí)近平總書記提出“中國(guó)精神”這一飽含著當(dāng)代中國(guó)與傳統(tǒng)中國(guó)相結(jié)合的主題觀念,為馬克思主義文藝?yán)碚撛谥袊?guó)的發(fā)展注入新的活力,對(duì)引領(lǐng)中國(guó)當(dāng)代文藝?yán)碚摰男掳l(fā)展具有極大的理論意義。
[Abstract]:"Chinese Spirit" is a new theoretical proposition put forward by General Secretary Xi Jinping. It is the result of the development of literature and art under certain historical conditions and the product of the Sinicization of Marxist literary and artistic thoughts. In his speech at the Symposium on Literary and Art work, General Secretary Xi Jinping systematically expounded the relations between literature and art and "Chinese Dream", literature and art and the times, literature and art and the people, and between literature and art and the "Chinese spirit" and the Party's leadership in literature and art. This paper points out the problems of the current literature and art work, and further explains the development direction of the literature and art work under the new situation. At the same time, the "Chinese spirit is the soul of socialist literature and art" is explained in detail. After "speech", the ninth Mao Dun Literature Award is bound to run through the ideological characteristics of "Chinese Spirit". The thesis includes five parts: introduction and conclusion. The first part discusses the guiding ideology of the ninth Mao Dun Prize for Literature. From the analysis of the "Chinese spirit" and its connotation, we can see that the "Chinese spirit" is the product of the fusion of the times and the history, and it is deeply attached to the national spirit. The intrepid manifestation of the spirit of the times and the unity of truth, goodness and beauty undoubtedly formed the foundation of the 9th Mao Prize. The second part focuses on the analysis of the "Chinese spirit" presented by the 9th Mao Dun Literature Award, which is the concrete embodiment of the aesthetic connotation of the "Chinese Spirit". By discussing the historical origin of "people as the center" in literary and artistic creation and the dialectical relationship between literature and art and the people, it is demonstrated that the core of "Chinese spirit" is the creative orientation of "people as the center". The 9th Mao Prize is a national literature and art award issued after the "Chinese Spirit" was put forward, and its regulations and standards contain the profound connotation of the "Chinese Spirit". The third part focuses on the innovative spirit of the winning works. This part begins with the view of literary criticism of history, people, art and aesthetics emphasized by General Secretary Xi Jinping, and discusses in detail the new viewpoints of literary criticism, as well as the aesthetic connotation embodied in the award-winning works. And then embody the aesthetic quality of the Chinese spirit in literary and artistic writing. The innovation of this paper is that under the new historical and historical background, through the analysis and discussion of the ninth Mao Dun's literary award regulations, standards and works, this paper embodies the progressive and innovative nature of the Chinese spirit. As an independent concept, "Chinese Spirit" is the first one of General Secretary Xi Jinping. He put forward the new historical proposition that "Chinese spirit is the soul of socialism". On the basis of summing up the literary and artistic thoughts of past leaders, General Secretary Xi Jinping put forward the theme concept of "Chinese Spirit", which is full of the combination of contemporary China and traditional China, and infuses new vitality into the development of Marxist literary theory in China. It is of great theoretical significance to guide the new development of contemporary Chinese literary theory.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I206.7

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