發(fā)布時(shí)間：2019-01-08 08:36

【摘要】：1989年《商界》的播出,開創(chuàng)了我國商戰(zhàn)題材電視劇的先河,25年以來,商戰(zhàn)劇受到了越來越多的關(guān)注,然而學(xué)界對(duì)于商戰(zhàn)劇的研究卻相對(duì)滯后。鑒于此,筆者以電視劇藝術(shù)為研究起點(diǎn),兼顧戲劇、電影等藝術(shù)理論,以電影敘事學(xué)為理論支撐,并借鑒了歷史學(xué)、美學(xué)、社會(huì)學(xué)等多個(gè)學(xué)科理論,對(duì)商戰(zhàn)劇進(jìn)行了系統(tǒng)的研究。論文共分為四章：第一章從劇作內(nèi)容、主題表達(dá)和故事背景三個(gè)方面,對(duì)商戰(zhàn)劇和家族劇的概念進(jìn)行了辨析,進(jìn)而對(duì)內(nèi)地商戰(zhàn)劇的概念進(jìn)行了合理的界定,而后將內(nèi)地商戰(zhàn)劇的發(fā)展歷程進(jìn)行了階段性的梳理；第二章從沖突呈現(xiàn)的時(shí)代性以及沖突焦點(diǎn)的營造兩個(gè)方面對(duì)商戰(zhàn)劇的沖突營造進(jìn)行了分析,而后對(duì)商戰(zhàn)劇的劇作主題進(jìn)行了深入的探究和整合；第三章主要從影視本體論及類型論的角度入手,通過橫向類比內(nèi)地商戰(zhàn)劇的人物塑造方法,進(jìn)而對(duì)內(nèi)地商戰(zhàn)劇中的人物形象進(jìn)行了分類,并且歸納總結(jié)了商戰(zhàn)劇多元化、復(fù)合型的人物設(shè)置；第四章分析了商戰(zhàn)劇在社會(huì)審美價(jià)值、文化審美價(jià)值和藝術(shù)審美價(jià)值等方面的負(fù)面影響,并且對(duì)其提出了一些建議,旨在提升商戰(zhàn)劇的審美價(jià)值。
[Abstract]:The broadcast of "Business" in 1989 created the first commercial war TV series in China. Over the past 25 years, more and more attention has been paid to commercial war drama. However, the research on commercial war drama has lagged behind in academic circles. In view of this, the author takes the art of TV drama as the starting point, takes into account the artistic theory of drama and film, and takes the theory of film narratology as the theoretical support, and draws lessons from the theories of history, aesthetics, sociology and many other disciplines, such as history, aesthetics, sociology and so on. The commercial war drama has carried on the systematic research. The thesis is divided into four chapters: the first chapter discriminates and analyzes the concepts of commercial war drama and family drama from three aspects: the content of drama, the theme expression and the story background, and then defines the concept of commercial war drama in the interior. Then the development process of the commercial war drama in the mainland was sorted out in stages. The second chapter analyzes the conflict construction of commercial war drama from two aspects: the era of conflict and the construction of conflict focus, and then deeply explores and integrates the theme of commercial war drama; The third chapter mainly from the film and television ontology and the type theory angle, through the horizontal analogy inland commercial war drama character shaping method, then has carried on the classification to the inland commercial war drama character image, and has summarized the commercial war drama diversification. Compound character setting; The fourth chapter analyzes the negative influence of commercial war drama on social aesthetic value, cultural aesthetic value and artistic aesthetic value, and puts forward some suggestions to enhance the aesthetic value of commercial war drama.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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