日本禪思想在小津安二郎晚期電影中的體現(xiàn)
發(fā)布時間：2019-01-06 09:04
【摘要】：小津安二郎是最具日本風格的電影導演,他一生指導的眾多影片,特別是中晚期開始的以“嫁女”為主題的家庭倫理電影,都具有極強的個人導演風格。深受日本傳統(tǒng)文化熏陶的他將自己的人生哲學融入到影片創(chuàng)作當中,尤其是晚期作品體現(xiàn)了更深層的文化底蘊。在他一生的電影創(chuàng)作中,從向美國好萊塢黃金時代的卓別林、劉別謙喜劇模仿,逐漸摸索出了以低視角、固定鏡頭和越軸鏡頭為代表的“小津式”拍攝手法和導演風格,1949年電影《晚春》被日本《電影旬報》評選為年度十佳影片第一位,個人風格也走向成熟,在世界影壇上備受聲譽,成為了最能夠代表并表現(xiàn)日本真實社會風貌的導演。世界影壇對小津的研究多著眼于“物哀”意識與“幽玄”美學,本文以日本禪為全新視角,針對小津安二郎1949年至1962年的晚期電影作品,從電影編劇、對白設計和情感內涵等方面,結合日本禪宗以及日本禪文化中相關要義和內涵,對其電影做一分析與闡述。
[Abstract]:Ichiro Kozin is the most Japanese-style film director. Many of the films he directed throughout his life, especially the family ethics films with the theme of "married Girl", all have a strong personal directing style. Deeply influenced by Japanese traditional culture, he incorporated his philosophy of life into his film creation, especially in his later works. In his life of film creation, from Chaplin and Liu Bi-qian 's comedy imitation to Chaplin in the golden age of Hollywood in the United States, he gradually found out the "Xiaojin" shooting technique and the directing style represented by low-angle, fixed and cross-axis shots. In 1949, the film "late Spring" was selected as the top ten best films of the year by the Japanese Movie newspaper, and its personal style has also matured, and it has become the most representative and representative director of Japan's real social features because of its high reputation in the world film world. The study of Ozu in the world has focused on the consciousness of "object mourning" and the aesthetics of "seclusion". This paper, from the perspective of Japanese Zen, focuses on the late movie works of Anjiro Kozin from 1949 to 1962, from the perspective of film screenwriter. In the aspects of white design and emotional connotation, combined with the meaning and connotation of Japanese Zen Buddhism and Japanese Zen culture, this paper makes an analysis and exposition of its films.
【學位授予單位】：西北大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J911
本文編號：2402614
[Abstract]:Ichiro Kozin is the most Japanese-style film director. Many of the films he directed throughout his life, especially the family ethics films with the theme of "married Girl", all have a strong personal directing style. Deeply influenced by Japanese traditional culture, he incorporated his philosophy of life into his film creation, especially in his later works. In his life of film creation, from Chaplin and Liu Bi-qian 's comedy imitation to Chaplin in the golden age of Hollywood in the United States, he gradually found out the "Xiaojin" shooting technique and the directing style represented by low-angle, fixed and cross-axis shots. In 1949, the film "late Spring" was selected as the top ten best films of the year by the Japanese Movie newspaper, and its personal style has also matured, and it has become the most representative and representative director of Japan's real social features because of its high reputation in the world film world. The study of Ozu in the world has focused on the consciousness of "object mourning" and the aesthetics of "seclusion". This paper, from the perspective of Japanese Zen, focuses on the late movie works of Anjiro Kozin from 1949 to 1962, from the perspective of film screenwriter. In the aspects of white design and emotional connotation, combined with the meaning and connotation of Japanese Zen Buddhism and Japanese Zen culture, this paper makes an analysis and exposition of its films.
【學位授予單位】：西北大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J911
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