面向少數(shù)民族文化保護的交互紀實影像敘事及設(shè)計研究
發(fā)布時間：2019-01-05 04:25
【摘要】：近年來,隨著國家政策的扶持、互聯(lián)網(wǎng)技術(shù)的發(fā)展和紀實影像熱度的提升,社會對于紀實影像的制作和傳播需求也越來越大。然而,目前紀實影像的形態(tài)創(chuàng)新還不成熟,在傳統(tǒng)紀實影像產(chǎn)業(yè)鏈中,網(wǎng)絡(luò)媒體紀錄片仍主要處于播出環(huán)節(jié),在生產(chǎn)互動環(huán)節(jié)介入較少。同時,交互視頻在影像發(fā)展過程中也缺少一種影像載體。交互紀實影像的出現(xiàn),就是一種將“交互”為代表的新媒體技術(shù)與傳統(tǒng)紀實影像材質(zhì)融合并達到極致的產(chǎn)物。本文以“交互紀實影像”作為研究對象,采用文獻研究、全案分析、實證研究和調(diào)查問卷與訪談等研究方法,以敘事學(xué)為主,同時借助于影像學(xué)、符號學(xué)、傳播學(xué)、設(shè)計心理學(xué)等跨學(xué)科領(lǐng)域的理論原則與實踐方法來探討如何構(gòu)建出一個交互紀實影像的敘事模式和影像平臺,并把此平臺應(yīng)用于我國少數(shù)民族的文化保護工作中來,以此來解決傳統(tǒng)紀實影像和我國少數(shù)民族文化保護工作中的問題和困難。首先,本文梳理了交互紀實影像的發(fā)生、發(fā)展和特性,厘清了交互紀實影像的發(fā)展脈絡(luò)和體系,為接下來研究和設(shè)計此類交互產(chǎn)品奠定了理論基礎(chǔ)。其次,本文借助敘事學(xué),對交互紀實影像的敘事活動要素、敘事特征進行一一分析,最終構(gòu)建出一個屬于交互紀實影像的系統(tǒng)的敘事模式,進而為交互紀實影像的設(shè)計提供理論依據(jù)。再次,本文依照交互紀實影像的敘事系統(tǒng)模式,以“少數(shù)民族文化保護”作為設(shè)計目標,提出了面向少數(shù)民族文化保護的交互紀實影像平臺的總體設(shè)計和分模塊實現(xiàn)策略,并在此基礎(chǔ)上以“俄羅斯族”為樣本,設(shè)計了一個面向俄羅斯族文化保護的影像剪編播一體化交互平臺。最后,本文對交互紀實影像平臺進行了用戶體驗調(diào)查與評估。通過定性和定量兩個角度分別對其進行了用戶體驗分析,并完成了相關(guān)實驗,最后總結(jié)出該平臺的不足和未來有待改進的地方。
[Abstract]:In recent years, with the support of national policies, the development of Internet technology and the promotion of documentary image heat, the social demand for the production and dissemination of documentary images is growing. However, at present, the form innovation of documentary image is not mature. In the traditional documentary image industry chain, the network media documentary is still mainly in the broadcast link, and it is less involved in the interactive link of production. At the same time, interactive video in the process of image development is also lack of an image carrier. The appearance of interactive documentary image is the product of fusion of new media technology represented by "interaction" and traditional documentary image material. In this paper, "interactive documentary images" as the research object, using literature research, case analysis, empirical research and questionnaire and interviews and other research methods, mainly narratology, but also with the help of imaging, semiotics, communication. This paper discusses how to construct a narrative mode and image platform of interactive documentary images, which is based on the theoretical principles and practical methods of cross-disciplinary fields such as design psychology, and applies this platform to the cultural protection of ethnic minorities in China. In order to solve the problems and difficulties in the traditional documentary images and the protection of minority culture in China. First of all, this paper combs the occurrence, development and characteristics of interactive documentary images, clarifies the development context and system of interactive documentary images, and lays a theoretical foundation for the next research and design of such interactive products. Secondly, with the help of narratology, this paper analyzes the elements of narrative activities and narrative characteristics of interactive documentary images one by one, and finally constructs a systematic narrative mode of interactive documentary images. Then it provides the theoretical basis for the design of interactive documentary images. Thirdly, according to the narrative system model of interactive documentary images, taking "minority culture protection" as the design goal, this paper puts forward the overall design and modular implementation strategy of interactive documentary image platform for minority culture protection. On the basis of this, an interactive platform of video editing and broadcasting for the protection of Russian culture is designed based on the sample of "Russian nationality". Finally, the interactive documentary image platform is investigated and evaluated. Through qualitative and quantitative analysis of its user experience, and completed the relevant experiments, finally summed up the shortcomings of the platform and the future areas for improvement.
【學(xué)位授予單位】：哈爾濱工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J952
本文編號：2401262
[Abstract]:In recent years, with the support of national policies, the development of Internet technology and the promotion of documentary image heat, the social demand for the production and dissemination of documentary images is growing. However, at present, the form innovation of documentary image is not mature. In the traditional documentary image industry chain, the network media documentary is still mainly in the broadcast link, and it is less involved in the interactive link of production. At the same time, interactive video in the process of image development is also lack of an image carrier. The appearance of interactive documentary image is the product of fusion of new media technology represented by "interaction" and traditional documentary image material. In this paper, "interactive documentary images" as the research object, using literature research, case analysis, empirical research and questionnaire and interviews and other research methods, mainly narratology, but also with the help of imaging, semiotics, communication. This paper discusses how to construct a narrative mode and image platform of interactive documentary images, which is based on the theoretical principles and practical methods of cross-disciplinary fields such as design psychology, and applies this platform to the cultural protection of ethnic minorities in China. In order to solve the problems and difficulties in the traditional documentary images and the protection of minority culture in China. First of all, this paper combs the occurrence, development and characteristics of interactive documentary images, clarifies the development context and system of interactive documentary images, and lays a theoretical foundation for the next research and design of such interactive products. Secondly, with the help of narratology, this paper analyzes the elements of narrative activities and narrative characteristics of interactive documentary images one by one, and finally constructs a systematic narrative mode of interactive documentary images. Then it provides the theoretical basis for the design of interactive documentary images. Thirdly, according to the narrative system model of interactive documentary images, taking "minority culture protection" as the design goal, this paper puts forward the overall design and modular implementation strategy of interactive documentary image platform for minority culture protection. On the basis of this, an interactive platform of video editing and broadcasting for the protection of Russian culture is designed based on the sample of "Russian nationality". Finally, the interactive documentary image platform is investigated and evaluated. Through qualitative and quantitative analysis of its user experience, and completed the relevant experiments, finally summed up the shortcomings of the platform and the future areas for improvement.
【學(xué)位授予單位】：哈爾濱工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J952
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