發(fā)布時(shí)間：2019-01-05 04:25

【摘要】：近年來(lái),隨著國(guó)家政策的扶持、互聯(lián)網(wǎng)技術(shù)的發(fā)展和紀(jì)實(shí)影像熱度的提升,社會(huì)對(duì)于紀(jì)實(shí)影像的制作和傳播需求也越來(lái)越大。然而,目前紀(jì)實(shí)影像的形態(tài)創(chuàng)新還不成熟,在傳統(tǒng)紀(jì)實(shí)影像產(chǎn)業(yè)鏈中,網(wǎng)絡(luò)媒體紀(jì)錄片仍主要處于播出環(huán)節(jié),在生產(chǎn)互動(dòng)環(huán)節(jié)介入較少。同時(shí),交互視頻在影像發(fā)展過(guò)程中也缺少一種影像載體。交互紀(jì)實(shí)影像的出現(xiàn),就是一種將“交互”為代表的新媒體技術(shù)與傳統(tǒng)紀(jì)實(shí)影像材質(zhì)融合并達(dá)到極致的產(chǎn)物。本文以“交互紀(jì)實(shí)影像”作為研究對(duì)象,采用文獻(xiàn)研究、全案分析、實(shí)證研究和調(diào)查問(wèn)卷與訪談等研究方法,以敘事學(xué)為主,同時(shí)借助于影像學(xué)、符號(hào)學(xué)、傳播學(xué)、設(shè)計(jì)心理學(xué)等跨學(xué)科領(lǐng)域的理論原則與實(shí)踐方法來(lái)探討如何構(gòu)建出一個(gè)交互紀(jì)實(shí)影像的敘事模式和影像平臺(tái),并把此平臺(tái)應(yīng)用于我國(guó)少數(shù)民族的文化保護(hù)工作中來(lái),以此來(lái)解決傳統(tǒng)紀(jì)實(shí)影像和我國(guó)少數(shù)民族文化保護(hù)工作中的問(wèn)題和困難。首先,本文梳理了交互紀(jì)實(shí)影像的發(fā)生、發(fā)展和特性,厘清了交互紀(jì)實(shí)影像的發(fā)展脈絡(luò)和體系,為接下來(lái)研究和設(shè)計(jì)此類交互產(chǎn)品奠定了理論基礎(chǔ)。其次,本文借助敘事學(xué),對(duì)交互紀(jì)實(shí)影像的敘事活動(dòng)要素、敘事特征進(jìn)行一一分析,最終構(gòu)建出一個(gè)屬于交互紀(jì)實(shí)影像的系統(tǒng)的敘事模式,進(jìn)而為交互紀(jì)實(shí)影像的設(shè)計(jì)提供理論依據(jù)。再次,本文依照交互紀(jì)實(shí)影像的敘事系統(tǒng)模式,以“少數(shù)民族文化保護(hù)”作為設(shè)計(jì)目標(biāo),提出了面向少數(shù)民族文化保護(hù)的交互紀(jì)實(shí)影像平臺(tái)的總體設(shè)計(jì)和分模塊實(shí)現(xiàn)策略,并在此基礎(chǔ)上以“俄羅斯族”為樣本,設(shè)計(jì)了一個(gè)面向俄羅斯族文化保護(hù)的影像剪編播一體化交互平臺(tái)。最后,本文對(duì)交互紀(jì)實(shí)影像平臺(tái)進(jìn)行了用戶體驗(yàn)調(diào)查與評(píng)估。通過(guò)定性和定量?jī)蓚�(gè)角度分別對(duì)其進(jìn)行了用戶體驗(yàn)分析,并完成了相關(guān)實(shí)驗(yàn),最后總結(jié)出該平臺(tái)的不足和未來(lái)有待改進(jìn)的地方。
[Abstract]:In recent years, with the support of national policies, the development of Internet technology and the promotion of documentary image heat, the social demand for the production and dissemination of documentary images is growing. However, at present, the form innovation of documentary image is not mature. In the traditional documentary image industry chain, the network media documentary is still mainly in the broadcast link, and it is less involved in the interactive link of production. At the same time, interactive video in the process of image development is also lack of an image carrier. The appearance of interactive documentary image is the product of fusion of new media technology represented by "interaction" and traditional documentary image material. In this paper, "interactive documentary images" as the research object, using literature research, case analysis, empirical research and questionnaire and interviews and other research methods, mainly narratology, but also with the help of imaging, semiotics, communication. This paper discusses how to construct a narrative mode and image platform of interactive documentary images, which is based on the theoretical principles and practical methods of cross-disciplinary fields such as design psychology, and applies this platform to the cultural protection of ethnic minorities in China. In order to solve the problems and difficulties in the traditional documentary images and the protection of minority culture in China. First of all, this paper combs the occurrence, development and characteristics of interactive documentary images, clarifies the development context and system of interactive documentary images, and lays a theoretical foundation for the next research and design of such interactive products. Secondly, with the help of narratology, this paper analyzes the elements of narrative activities and narrative characteristics of interactive documentary images one by one, and finally constructs a systematic narrative mode of interactive documentary images. Then it provides the theoretical basis for the design of interactive documentary images. Thirdly, according to the narrative system model of interactive documentary images, taking "minority culture protection" as the design goal, this paper puts forward the overall design and modular implementation strategy of interactive documentary image platform for minority culture protection. On the basis of this, an interactive platform of video editing and broadcasting for the protection of Russian culture is designed based on the sample of "Russian nationality". Finally, the interactive documentary image platform is investigated and evaluated. Through qualitative and quantitative analysis of its user experience, and completed the relevant experiments, finally summed up the shortcomings of the platform and the future areas for improvement.
【學(xué)位授予單位】：哈爾濱工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J952

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本文編號(hào)：2401262