美國動畫電影反面角色塑造研究
發(fā)布時間：2019-01-03 15:54
【摘要】：一部完整的影視作品離不開矛盾沖突的設(shè)置進(jìn)而推動故事情節(jié)的發(fā)展，然而正反角色的對立設(shè)置也顯得尤為重要。一直以來，人們都十分注重正面形象的塑造，，而對于反面角色的塑造往往只是簡單的符號化，盡管反面角色有可能不如正面角色那么討喜，但其在影片中的作用卻是不可忽視的。反面角色作為影視動畫創(chuàng)作中一個不可缺少的重要環(huán)節(jié)，其塑造的好壞直接影響著整部動畫影片的質(zhì)量。 角色塑造在戲劇與影視方面已經(jīng)具有了較為成熟的理論和豐富的經(jīng)驗(yàn)，為動畫角色塑造研究奠定了堅(jiān)實(shí)的基礎(chǔ)。但由于動畫的特殊藝術(shù)形式，使動畫角色的塑造相對于演員的本色表演而言更具虛擬性和假定性的特點(diǎn)，它需要借助點(diǎn)、線、面、色彩等美術(shù)手法來完善不同性格角色的塑造。因而，如何在戲劇與影視理論基礎(chǔ)上，結(jié)合動畫特有的表現(xiàn)手段，對當(dāng)前研究較為薄弱的動畫反面角色塑造進(jìn)行深入細(xì)致的探索，就顯得尤為緊迫和必要。反面角色的存在其實(shí)也具有一定的規(guī)律性與特殊性，但當(dāng)前對于動畫反面角色的理論研究仍顯薄弱，未有系統(tǒng)性的理論建構(gòu)，因而動畫反面角色應(yīng)該如何塑造，是值得進(jìn)行深入和系統(tǒng)研究的。 本論文以人物的不同性格作為切入口，并通過大量動畫影片的案例對美國動畫電影中主要的三種反面角色性格（兇惡型、粗暴型、陰險型）在相貌、服裝、表情、氣質(zhì)、語言等主要角色塑造要素上進(jìn)行比較分析和集群研究，并在研究其差異性的基礎(chǔ)上，對不同性格類型反面角色在作品中的共性作用進(jìn)行了初步探討，最后根據(jù)美國動畫電影反面角色塑造的發(fā)展趨勢，對中國動畫反面角色的塑造提供一些建設(shè)性意見，希望能為中國動畫的發(fā)展做出一些努力。
[Abstract]:A complete film and television works can not be separated from the setting of contradictions and conflicts, and then promote the development of the story plot. However, the opposites of positive and negative characters are especially important. People have always attached great importance to the shaping of positive images, and the portrayal of negative characters is often just a simple symbolization, although negative characters may not be as pleasing as positive characters. However, its role in the film can not be ignored. As an indispensable link in the creation of film and television animation, the negative role has a direct impact on the quality of the whole animation film. Character shaping has already had more mature theory and rich experience in drama and film, which has laid a solid foundation for the study of animation character shaping. However, because of the special artistic form of animation, the creation of animated characters is more fictitious and hypothetical than that of actors. It needs the help of points, lines, surfaces, colors and other art techniques to perfect the shaping of different character characters. Therefore, on the basis of the theory of drama and film, it is particularly urgent and necessary to explore deeply and meticulously the portrayal of the opposite characters of animation, which is weak in current research, combined with the special performance means of animation. In fact, the existence of negative characters also has some regularity and particularity, but the current theoretical research on animation negative characters is still weak, and there is no systematic theoretical construction, so how should animation negative characters be molded? It is worth studying deeply and systematically. This paper takes the different characters of the characters as the entrance, and through a large number of animated film cases of the main three types of negative characters in the American animation film (ferocious, rough, insidious) in the appearance, clothing, expression, temperament, On the basis of the comparative analysis and cluster study on the factors of language and other main characters, and on the basis of the study of their differences, this paper makes a preliminary study on the common role of the villains of different personality types in the works. Finally, according to the development trend of American animation film negative characters, it provides some constructive suggestions for Chinese animation negative characters, hoping to make some efforts for the development of Chinese animation.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J954
本文編號：2399587
[Abstract]:A complete film and television works can not be separated from the setting of contradictions and conflicts, and then promote the development of the story plot. However, the opposites of positive and negative characters are especially important. People have always attached great importance to the shaping of positive images, and the portrayal of negative characters is often just a simple symbolization, although negative characters may not be as pleasing as positive characters. However, its role in the film can not be ignored. As an indispensable link in the creation of film and television animation, the negative role has a direct impact on the quality of the whole animation film. Character shaping has already had more mature theory and rich experience in drama and film, which has laid a solid foundation for the study of animation character shaping. However, because of the special artistic form of animation, the creation of animated characters is more fictitious and hypothetical than that of actors. It needs the help of points, lines, surfaces, colors and other art techniques to perfect the shaping of different character characters. Therefore, on the basis of the theory of drama and film, it is particularly urgent and necessary to explore deeply and meticulously the portrayal of the opposite characters of animation, which is weak in current research, combined with the special performance means of animation. In fact, the existence of negative characters also has some regularity and particularity, but the current theoretical research on animation negative characters is still weak, and there is no systematic theoretical construction, so how should animation negative characters be molded? It is worth studying deeply and systematically. This paper takes the different characters of the characters as the entrance, and through a large number of animated film cases of the main three types of negative characters in the American animation film (ferocious, rough, insidious) in the appearance, clothing, expression, temperament, On the basis of the comparative analysis and cluster study on the factors of language and other main characters, and on the basis of the study of their differences, this paper makes a preliminary study on the common role of the villains of different personality types in the works. Finally, according to the development trend of American animation film negative characters, it provides some constructive suggestions for Chinese animation negative characters, hoping to make some efforts for the development of Chinese animation.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J954
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本文編號：2399587
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