發(fā)布時(shí)間：2018-12-27 16:06

【摘要】：《羅拉快跑》采用環(huán)形敘事模式,來(lái)實(shí)現(xiàn)觀眾對(duì)于不可能回環(huán)的時(shí)間無(wú)限可能性的想象,同時(shí)也利用特殊鏡頭塑造異質(zhì)空間,讓觀眾在短時(shí)間內(nèi)完成時(shí)空超越。外在形式是為內(nèi)在本質(zhì)服務(wù)的,本文擬通過(guò)分析外在的電影技巧、具有象征性的物像等來(lái)探究影片的深層主題。羅拉到底緣何而跑?我們認(rèn)為除了愛(ài)情之外還應(yīng)該看到作為人類代表的羅拉在永恒的時(shí)間和人生困境面前做出的努力和掙扎。
[Abstract]:The Lola Race adopts the annular narrative mode to realize the audience's imagination of the infinite possibility of the time which can not return to the loop. At the same time, the special lens is used to shape the heterogeneous space so that the audience can complete the transcendence of time and space in a short time. The external form serves the intrinsic essence. This paper attempts to explore the deep theme of the film by analyzing the external film skills and symbolic images. Why the hell did Laura run? In addition to love, we should also see Laura's efforts and struggles in the face of eternal time and difficult life.
【作者單位】： 河南財(cái)政金融學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：2393295