【摘要】：宮崎駿充滿濃郁東方韻味和哲學(xué)意味的動畫作品使世人看到了好萊塢動畫作品之外的另—片天地,他的作品也代表發(fā)日本動畫電影藝術(shù)價值和商業(yè)價值的至高成就。 本文以宮崎駿10部動畫電影中的“擬人化形象”為研究對象�！皵M人化形象”是宮崎駿繪畫風(fēng)格的體現(xiàn),在其所呈現(xiàn)的獨(dú)特視覺效果中,人們看到了一個龐大而精致的想象世界,其中承載了宮崎駿對人類精神世界和物質(zhì)世界的所思所想所感。 文章的引言部分中列出了宮崎駿動畫電影“擬人化形象”的基本類型,第二章將這些“擬人化形象”按照與人類的關(guān)系進(jìn)行梳理歸類,分為與人類為伍、與人類為友、與人類為敵三類。第三部分通過宮崎駿創(chuàng)作的“擬人化形象”以研究、挖掘其所蘊(yùn)含的思想內(nèi)涵,在他的作品中人們總能看到他對人與自然、人與人、人與自我之間關(guān)系的深刻探討。第四部分秉持“他山之石,可以攻玉”的思想嘗試為近年來正在崛起的國產(chǎn)動畫“擬人化形象”的創(chuàng)作提出自己的想法和建議。
[Abstract]:MiyazakiHayao's animated works, which are full of oriental charm and philosophical significance, make the world see the world beyond Hollywood animation works. His works also represent the highest achievement of the artistic value and commercial value of Japanese animation films. This paper focuses on the personification of MiyazakiHayao's 10 animated films. "personification image" is the embodiment of MiyazakiHayao's painting style. In its unique visual effect, people see a huge and delicate world of imagination. It carries MiyazakiHayao's thoughts and feelings about the human spiritual world and the material world. The introduction of the article lists the basic types of MiyazakiHayao's animated film "personification image". In the second chapter, these "personification images" are sorted out according to the relationship with human beings. There are three kinds of enemies against mankind. In the third part, through the study of "personification image" created by MiyazakiHayao, people can always see his deep discussion on the relationship between man and nature, man and man, man and self in his works. In the fourth part, the author tries to put forward his own ideas and suggestions for the creation of "personification image" of domestic animation in recent years.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J954

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