發(fā)布時(shí)間：2018-12-20 12:01

【摘要】：電影《路邊野餐》自上映以來(lái)一鳴驚人,各方好評(píng)不斷,這些好評(píng)中有很多人指出看完電影像經(jīng)歷了一場(chǎng)詩(shī)意之旅,即使離開(kāi)影院也讓人回味悠長(zhǎng),心情久久不能平靜。這種詩(shī)意是如何營(yíng)造的?這種營(yíng)造手法又與其他詩(shī)意電影有什么不同?本文擬從敘事的情感化傾向、詩(shī)意的鏡頭語(yǔ)言、兼具敘事與暗喻的詩(shī)三個(gè)方面入手,試圖解析該影片詩(shī)意之旅的營(yíng)造策略,還原導(dǎo)演最初的創(chuàng)作理念,揭開(kāi)這部年度文藝黑馬影片的神秘面紗。
[Abstract]:The film "roadside picnics" has been a hit since its release, and many of these have pointed out that watching the movie was like a poetic journey, and even leaving the theater was a long time to go and be in a restless mood for a long time. How does this poetic sense come about? What is the difference between this construction technique and other poetic movies? This paper tries to analyze the construction strategy of the poetic journey of the film from three aspects: the emotional tendency of narrative, the poetic lens language, the narrative and the metaphorical poem, so as to restore the original creative idea of the director. Unveil the mystery of this year's dark horse film.
【作者單位】： 山西傳媒學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：2387970