《轉轉》與公路電影的新形式
發(fā)布時間：2018-12-17 06:51
【摘要】：公路電影的敘事規(guī)范和美學原則,其實一直處于流動的、變動的狀態(tài)中。因此,公路電影并不會因為其已經成為類型片的一種,就失去了在形式上繼續(xù)創(chuàng)新的空間。日本導演三木聰自編自導的電影《轉轉》,便可以視作一部對公路電影在形式上進行新嘗試的范例之作。文章從《轉轉》的公路電影特征,《轉轉》與公路電影的新題材選擇,《轉轉》與公路電影的新敘事結構三方面,分析《轉轉》對公路電影的新開拓。
[Abstract]:The narrative norms and aesthetic principles of highway films have been in a fluid and changing state. Therefore, highway movies do not lose the space for innovation in form because they have become a type of film. The Japanese director Mitsuki's own film, turn around, can be seen as an example of a new attempt at the form of a road movie. This paper analyzes the new development of the highway film from three aspects: the characteristics of the highway film, the choice of the new theme and the new narrative structure of the road film.
【作者單位】： 燕山大學;
【分類號】：J905
，
本文編號：2383836
[Abstract]:The narrative norms and aesthetic principles of highway films have been in a fluid and changing state. Therefore, highway movies do not lose the space for innovation in form because they have become a type of film. The Japanese director Mitsuki's own film, turn around, can be seen as an example of a new attempt at the form of a road movie. This paper analyzes the new development of the highway film from three aspects: the characteristics of the highway film, the choice of the new theme and the new narrative structure of the road film.
【作者單位】： 燕山大學;
【分類號】：J905
，
本文編號：2383836
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