【摘要】：隨著社會(huì)生活的快速發(fā)展,人們對(duì)網(wǎng)絡(luò)的依賴程度逐漸提高。2016年被稱之為網(wǎng)絡(luò)自制劇元年,其內(nèi)容的發(fā)展速度是人們都始料未及的。網(wǎng)絡(luò)自制劇自身具備題材多樣、語言平實(shí)與敘事碎片化的特征使其具有了強(qiáng)大的生命力。盡管網(wǎng)絡(luò)自制劇以其紅火的勢(shì)頭占據(jù)了影視行業(yè)的主力軍位置,但它并不對(duì)傳統(tǒng)電視劇構(gòu)成威脅。相反,它是在傳統(tǒng)電視劇的基礎(chǔ)上結(jié)合網(wǎng)絡(luò)播出特性發(fā)展而成,從而與傳統(tǒng)電視劇一同促進(jìn)了我國(guó)影視藝術(shù)的發(fā)展。作為一種依托于視頻網(wǎng)站制作與播出的電視劇藝術(shù)形式,它在題材選擇、人物塑造、視聽語言、敘事方式上有不同于傳統(tǒng)電視劇的特殊之處。然而,仔細(xì)回顧近幾年網(wǎng)絡(luò)自制劇的發(fā)展,它也不可避免的暴露了其文本存在的缺陷,暴露出內(nèi)容同質(zhì)化、監(jiān)管尺度不嚴(yán)以及過度商業(yè)化等問題�，F(xiàn)如今的網(wǎng)絡(luò)自制劇如何能最大化的發(fā)揮自身優(yōu)勢(shì),以及如何更好的去改善缺陷是當(dāng)前最需要迫切關(guān)注的問題,也是對(duì)網(wǎng)絡(luò)自制劇研究的必要之處。本文將對(duì)網(wǎng)絡(luò)自制劇進(jìn)行深入分析與總結(jié),全文將分為五章論述。在緒論章節(jié)主要是對(duì)網(wǎng)絡(luò)自制劇的研究現(xiàn)狀進(jìn)行梳理,以此能加深網(wǎng)絡(luò)自制劇的研究背景知識(shí),同時(shí)能更好對(duì)網(wǎng)絡(luò)自制劇進(jìn)行概念界定。第一章主要是論述網(wǎng)絡(luò)自制劇的題材,探討題材來源與題材類型。第二章主要是探析網(wǎng)絡(luò)自制劇中塑造了哪些人物,以及塑造人物的方式。第三章主要從畫面與聲音語言入手,探討網(wǎng)絡(luò)自制劇在畫面特征中因?yàn)殡娔X、手機(jī)等移動(dòng)端的播出特性,它更傾向于小景別畫面與規(guī)律性畫面組接,并常常使用特效與字幕補(bǔ)充。另一方面在聲音特征上也主要是完成聲音特性的表意、表情與表真。第四章主要是論述網(wǎng)絡(luò)自制劇的敘事視角、敘事結(jié)構(gòu)與敘事時(shí)空,總結(jié)出網(wǎng)絡(luò)自制劇自身獨(dú)特的敘事方式。第五章主要是指出網(wǎng)絡(luò)自制劇目前存在的文本缺陷問題,并針對(duì)相應(yīng)問題提出發(fā)展建議,從而保障網(wǎng)絡(luò)自制劇更加良性向前發(fā)展。
[Abstract]:With the rapid development of social life, people's dependence on the Internet has gradually increased. 2016 is called the first year of online self-production, and the speed of its content development is unexpected. Network self-production has its own diverse themes, language and narrative fragmentation features make it have a strong vitality. Although the internet self-production takes the main position in the film and television industry with its popular momentum, it does not pose a threat to the traditional TV series. On the contrary, it develops on the basis of traditional TV series combined with the characteristics of network broadcasting, and thus promotes the development of Chinese film and television art together with traditional TV plays. As an artistic form of TV series based on the production and broadcast of video websites, it is different from traditional TV plays in subject selection, character shaping, audiovisual language and narrative mode. However, reviewing the development of network self-production in recent years, it inevitably exposes the defects of its text, the homogeneity of content, the lack of strict regulatory standards and excessive commercialization. Nowadays, how to maximize the advantages of self-production and how to improve the defects is the most urgent concern, and it is also necessary to study the self-production of network. This article will analyze and summarize the network self-production, the full text will be divided into five chapters. In the introduction chapter, it is mainly to comb the research status of the network self-production, so as to deepen the research background knowledge of the network self-production, at the same time, it can better define the concept of the network self-production. The first chapter mainly discusses the subject matter of network self-production drama, discusses the theme source and theme type. The second chapter mainly analyzes which characters are created in the network self-production, and how to shape the characters. The third chapter mainly from the picture and the sound language, discusses the network self-made play in the picture characteristic because of the computer, the handset and so on mobile terminal broadcast characteristic, it is more inclined to the small scene difference picture and the regular picture group connection. And often use special effects and subtitles supplement. On the other hand, the sound features are mainly completed in the expression, expression and representation of the true. The fourth chapter mainly discusses the narrative perspective, narrative structure and narrative time and space, and summarizes its own unique narrative mode. The fifth chapter mainly points out the text defects existing in the network self-production, and puts forward suggestions for the development of the corresponding problems, so as to ensure a more benign forward development of the network self-production.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J905

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