【摘要】：中國電影曾因?yàn)榈谖宕鷮?dǎo)演真正進(jìn)入國際視野,但此后的發(fā)展后續(xù)乏力,最能夠引起西方關(guān)注的中國民族文化內(nèi)容難以得到有效的開發(fā),民族文化符號(hào)難以有效地轉(zhuǎn)換為電影內(nèi)容的影響力。這種現(xiàn)狀,與全球化文化的強(qiáng)勢(shì)傳播有關(guān),但更與中國電影對(duì)于自身民族文化的挖掘和認(rèn)知不足有關(guān)。中國電影需要從空間、時(shí)間這兩個(gè)維度出發(fā),對(duì)政治文化的干預(yù)、外來文化的影響、大眾文化的擠壓這三個(gè)方面導(dǎo)致的文化開發(fā)的誤區(qū)進(jìn)行辨析。
[Abstract]:Chinese films have really entered the international field of vision because of the fifth generation of directors, but since then the development has been weak, and it is difficult to effectively develop the content of Chinese national culture that can attract the most attention of the West. It is difficult to effectively convert the national cultural symbols into the influence of the film content. This situation has something to do with the strong spread of global culture, but also with the mining and lack of cognition of Chinese films for their own national culture. Chinese films need to distinguish and analyze the misunderstanding of cultural development caused by the interference of political culture, the influence of foreign culture and the extrusion of popular culture from the two dimensions of space and time.
【作者單位】： 中國勞動(dòng)關(guān)系學(xué)院;
【基金】：中國勞動(dòng)關(guān)系學(xué)院2016年教育教學(xué)改革一般項(xiàng)目資助項(xiàng)目(項(xiàng)目批準(zhǔn)號(hào):JG1638)
【分類號(hào)】：J992

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