中國(guó)抗戰(zhàn)影視劇的“抗戰(zhàn)”與“反戰(zhàn)”維度研究
發(fā)布時(shí)間：2018-12-12 03:10
【摘要】：我國(guó)對(duì)抗日戰(zhàn)爭(zhēng)的影像書寫經(jīng)歷了八十多年的發(fā)展歷史，如今已經(jīng)成為我國(guó)影視劇創(chuàng)作的一種重要類型，產(chǎn)生了大量的影視劇作品。但是當(dāng)下很多抗戰(zhàn)影視劇作品跟風(fēng)混戰(zhàn)、罔顧歷史觀的創(chuàng)作現(xiàn)狀，引起了廣泛質(zhì)疑。西方很多國(guó)家對(duì)二戰(zhàn)進(jìn)行影像表現(xiàn)時(shí)都已經(jīng)開始了反思，很多反戰(zhàn)作品不斷出現(xiàn)，而我國(guó)的抗戰(zhàn)影視劇卻少有反思創(chuàng)作和反戰(zhàn)作品。因此，本文將為我國(guó)抗戰(zhàn)影視劇的反戰(zhàn)創(chuàng)作探路，促使我國(guó)的抗戰(zhàn)影視劇“抗戰(zhàn)”維度上升到“反戰(zhàn)”維度上去。 本文將采用感性體驗(yàn)和理性分析相結(jié)合以及對(duì)比分析、個(gè)案分析等研究方法。全文共分為七個(gè)部分五個(gè)章節(jié)，在引言部分將對(duì)本論文研究的主要問題及國(guó)內(nèi)外研究的現(xiàn)狀進(jìn)行總結(jié)梳理；第一章中國(guó)抗戰(zhàn)題材影像書寫的歷史源流，將梳理我國(guó)抗戰(zhàn)影視劇在三個(gè)歷史時(shí)期的發(fā)展歷程和主要特點(diǎn)；第二章中國(guó)抗戰(zhàn)題材的“反戰(zhàn)”建立及困難分析將對(duì)抗戰(zhàn)、反戰(zhàn)兩個(gè)維度的內(nèi)涵和關(guān)系進(jìn)行剖析，并指出反戰(zhàn)建立的阻礙因素。第三章中國(guó)抗戰(zhàn)題材“反戰(zhàn)”建立的努力方向?qū)槲覈?guó)抗戰(zhàn)影視劇“反戰(zhàn)”維度的建立指明方向；第四章全球視閾中抗戰(zhàn)題材的“反戰(zhàn)”表達(dá)將分析世界優(yōu)秀反戰(zhàn)影片的特點(diǎn)和長(zhǎng)處，給我國(guó)的抗戰(zhàn)影視劇創(chuàng)作提供借鑒；結(jié)語(yǔ)部分將對(duì)本文的核心要義進(jìn)行提煉總結(jié)。 我國(guó)的抗戰(zhàn)影視劇要有反戰(zhàn)觀念，揭露日本侵華戰(zhàn)爭(zhēng)的本質(zhì)，揭露日本法西斯軍國(guó)主義和種族主義的真實(shí)面目，，讓觀眾在正確認(rèn)識(shí)戰(zhàn)爭(zhēng)的基礎(chǔ)上產(chǎn)生反對(duì)戰(zhàn)爭(zhēng)的普遍意識(shí)。在反戰(zhàn)表達(dá)上我國(guó)抗戰(zhàn)影視劇重視媒體的建構(gòu)性介入力量，要改變“受害者”的弱者心態(tài)，也要提高影視劇創(chuàng)作者的思想空間，并積極的從世界優(yōu)秀反戰(zhàn)作品中汲取營(yíng)養(yǎng)。
[Abstract]:The video writing of the War of Resistance against Japan in our country has experienced more than 80 years of development history. Now it has become an important type of film and television drama creation in our country, and has produced a large number of film and television drama works. But when a lot of War of Resistance movies and TV works melee, regardless of the history of the creation of the status quo, caused widespread doubt. Many western countries have already started to reflect on the image performance of World War II, many anti-war works appear constantly, but the anti-war movies and TV dramas in our country rarely reflect on the creation and anti-war works. Therefore, this article will explore the way of anti-war creation of Chinese War of Resistance movies and TV dramas, and promote the dimension of "Anti-Japanese War" to rise to the dimension of "Anti-War". This paper will adopt the combination of perceptual experience and rational analysis, as well as comparative analysis, case analysis and other research methods. The full text is divided into seven parts and five chapters. In the introduction part, the main problems of this paper and the current situation of domestic and foreign research will be summarized and combed. The first chapter is the historical origin of the Chinese War of Resistance against Japan theme and video writing, which will comb the development process and main characteristics of the Chinese War of Resistance movies and TV dramas in the three historical periods. The second chapter analyzes the connotation and relationship of the two dimensions of anti-Japanese war and anti-war, and points out the obstacles to the establishment of anti-war. The third chapter will point out the direction of the establishment of "anti-war" in China's anti-Japanese film and TV drama. The fourth chapter will analyze the characteristics and advantages of the excellent anti-war films in the world, and provide reference for the creation of the anti-war movies and TV dramas in our country; the conclusion will refine and summarize the core points of this paper. The anti-war movies and TV dramas in China should have anti-war concepts, expose the essence of Japan's war of aggression against China, expose the true features of Japanese fascist militarism and racism, and make the audience have a universal consciousness against war on the basis of a correct understanding of the war. On the expression of anti-war, our anti-war drama attaches importance to the constructive intervention of the media, changes the "victim" mentality of the weak, also improves the ideological space of the film and TV drama creators, and actively draws nutrition from the excellent anti-war works in the world.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
本文編號(hào)：2373789
[Abstract]:The video writing of the War of Resistance against Japan in our country has experienced more than 80 years of development history. Now it has become an important type of film and television drama creation in our country, and has produced a large number of film and television drama works. But when a lot of War of Resistance movies and TV works melee, regardless of the history of the creation of the status quo, caused widespread doubt. Many western countries have already started to reflect on the image performance of World War II, many anti-war works appear constantly, but the anti-war movies and TV dramas in our country rarely reflect on the creation and anti-war works. Therefore, this article will explore the way of anti-war creation of Chinese War of Resistance movies and TV dramas, and promote the dimension of "Anti-Japanese War" to rise to the dimension of "Anti-War". This paper will adopt the combination of perceptual experience and rational analysis, as well as comparative analysis, case analysis and other research methods. The full text is divided into seven parts and five chapters. In the introduction part, the main problems of this paper and the current situation of domestic and foreign research will be summarized and combed. The first chapter is the historical origin of the Chinese War of Resistance against Japan theme and video writing, which will comb the development process and main characteristics of the Chinese War of Resistance movies and TV dramas in the three historical periods. The second chapter analyzes the connotation and relationship of the two dimensions of anti-Japanese war and anti-war, and points out the obstacles to the establishment of anti-war. The third chapter will point out the direction of the establishment of "anti-war" in China's anti-Japanese film and TV drama. The fourth chapter will analyze the characteristics and advantages of the excellent anti-war films in the world, and provide reference for the creation of the anti-war movies and TV dramas in our country; the conclusion will refine and summarize the core points of this paper. The anti-war movies and TV dramas in China should have anti-war concepts, expose the essence of Japan's war of aggression against China, expose the true features of Japanese fascist militarism and racism, and make the audience have a universal consciousness against war on the basis of a correct understanding of the war. On the expression of anti-war, our anti-war drama attaches importance to the constructive intervention of the media, changes the "victim" mentality of the weak, also improves the ideological space of the film and TV drama creators, and actively draws nutrition from the excellent anti-war works in the world.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
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1 趙衛(wèi)防;超越·反思·景觀——馮小寧作品探尋[J];當(dāng)代電影;2002年02期
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本文編號(hào)：2373789
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