新世紀國產抗日題材電視劇過度娛樂化現象批判
發(fā)布時間：2018-11-27 20:51
【摘要】：抗日戰(zhàn)爭是中華民族反抗日本侵略的民族戰(zhàn)戰(zhàn)爭。抗日題材電視劇指的是以抗日戰(zhàn)爭為背景,記錄和再現中國人民反抗日本侵略的電視劇。抗日劇承載了中華民族反抗外來侵略的民族精神,在滿足了國家意識形態(tài)對民族歷史記憶重構的同時又滿足觀眾對抗戰(zhàn)歷史的想象,具有特殊的時代政治意義。國產抗日劇出現在二十世紀八十年代,經歷了八十年代嚴肅的抗日劇、九十年代消費轉型的抗日劇到新世紀多元娛樂化的抗日劇三個階段。新世紀的抗日劇為追求經濟利潤,隨意扭曲歷史,嫁接各種商業(yè)娛樂元素,將抗戰(zhàn)歷史游戲化,抗日劇出現了過度娛樂化現象,產生了一系列的負面影響。本文將從梳理國產抗日劇的發(fā)展史入手,分析國產抗日劇的過度娛樂化現象,解析國產抗日劇過度娛樂化的原因,對國產抗日劇的過度娛樂化進行價值評判,最后提出筆者對改善國產抗日劇的過度娛樂化現象的發(fā)展思考。全文共分為五章,第一章梳理國產抗日劇的發(fā)展史。第二章描述新世紀國產抗日劇的過度娛樂化現象,首先分析娛樂和過度娛樂化的區(qū)別,指出新世紀國產抗日劇存在過度娛樂化的現象。最后,對新世紀抗日劇的過度娛樂化的表現形態(tài)進行分析。第三章主要是分析國產國產抗日劇的過度娛樂化的原因。主要從消費文化下消費觀念的滲透、意識形態(tài)控制下的紕漏以及對觀眾觀眾的審美心理的曲意迎合三個方面分析。第四章主要是對國產抗日劇過度娛樂化現象進行價值評判,筆者認為過度娛樂化的抗日劇是對歷史的消解,造成受眾對戰(zhàn)爭的誤解,阻礙了觀眾審美素養(yǎng)的提高,導致了民族精神的虛無。第五章則是筆者對國產抗日劇的發(fā)展與思考提出建議,主要分為四點,一是樹立理性的消費觀念,挖掘抗日劇的精神內涵;二是尊重歷史,注重抗日劇的社會效益;三是加強國家層面的監(jiān)管,完善電視節(jié)目審查制度,四是提高審美品位,堅守抗日劇的歷史價值定位。最后,對未來抗日劇的發(fā)展進行展望,首先肯定抗日劇存在的合理性,如何拍攝抗日劇是抗日劇發(fā)展的關鍵,希望實現抗日劇的社會效益與經濟效益的雙豐收。
[Abstract]:The War of Resistance against Japan is a national war of the Chinese nation against Japanese aggression. Anti-Japanese TV series refers to the TV series in which the Chinese people resist Japanese aggression against the background of the War of Resistance against Japan. The anti-Japanese drama bears the national spirit of resisting foreign aggression of the Chinese nation and satisfies the reconstruction of national historical memory by national ideology and the imagination of the audience about the history of anti-Japanese war. It has special political significance of the times. The domestic anti-Japanese drama appeared in the eighties of the 20th century and experienced three stages: the serious anti-Japanese drama in the eighties, the anti-Japanese drama in the consumption transition in the 1990s and the multi-entertainment anti-Japanese drama in the new century. In the new century, in order to pursue economic profits, distort history at will, graft various elements of commercial entertainment, and play the history of the War of Resistance against Japan, the anti-Japanese drama has appeared the phenomenon of excessive entertainment, which has produced a series of negative effects. Starting with the history of domestic anti-Japanese drama, this paper analyzes the phenomenon of over-entertainment in domestic anti-Japanese drama, analyzes the causes of over-entertainment of domestic anti-Japanese drama, and evaluates the value of over-entertainment of domestic anti-Japanese drama. Finally, the author put forward to improve the development of the phenomenon of excessive entertainment of domestic anti-Japanese drama. This paper is divided into five chapters. The first chapter combs the history of domestic anti-Japanese drama. The second chapter describes the phenomenon of over-entertainment of domestic anti-Japanese drama in the new century. Firstly, it analyzes the difference between entertainment and over-entertainment, and points out that the phenomenon of over-entertainment exists in domestic anti-Japanese drama in the new century. Finally, the article analyzes the performance of the over-entertainment of anti-Japanese drama in the new century. The third chapter mainly analyzes the reason of excessive entertainment of domestic anti-Japanese drama. It mainly analyzes from three aspects: the penetration of consumption concept under the consumption culture, the flaws under the control of ideology and the pandering to the aesthetic psychology of the audience. The fourth chapter mainly evaluates the phenomenon of excessive entertainment of domestic anti-Japanese drama. The author thinks that the over-entertainment of anti-Japanese drama is the deconstruction of history, which causes the audience to misunderstand the war, and hinders the improvement of the audience's aesthetic literacy. It leads to the nothingness of the national spirit. The fifth chapter is the author's suggestions on the development and thinking of domestic anti-Japanese drama, mainly divided into four points, one is to establish a rational consumption concept, the other is to excavate the spiritual connotation of anti-Japanese drama, second, to respect history and pay attention to the social benefits of anti-Japanese drama; The third is to strengthen the supervision at the national level, to perfect the censorship system of TV programs, and the fourth is to improve the aesthetic taste and adhere to the historical value orientation of anti-Japanese drama. Finally, the development of anti-Japanese drama in the future is prospected. Firstly, the rationality of the existence of anti-Japanese drama is affirmed. How to film anti-Japanese drama is the key to the development of anti-Japanese drama, hoping to achieve the social and economic benefits of anti-Japanese drama double harvest.
【學位授予單位】：廣西師范學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905
本文編號：2362001
[Abstract]:The War of Resistance against Japan is a national war of the Chinese nation against Japanese aggression. Anti-Japanese TV series refers to the TV series in which the Chinese people resist Japanese aggression against the background of the War of Resistance against Japan. The anti-Japanese drama bears the national spirit of resisting foreign aggression of the Chinese nation and satisfies the reconstruction of national historical memory by national ideology and the imagination of the audience about the history of anti-Japanese war. It has special political significance of the times. The domestic anti-Japanese drama appeared in the eighties of the 20th century and experienced three stages: the serious anti-Japanese drama in the eighties, the anti-Japanese drama in the consumption transition in the 1990s and the multi-entertainment anti-Japanese drama in the new century. In the new century, in order to pursue economic profits, distort history at will, graft various elements of commercial entertainment, and play the history of the War of Resistance against Japan, the anti-Japanese drama has appeared the phenomenon of excessive entertainment, which has produced a series of negative effects. Starting with the history of domestic anti-Japanese drama, this paper analyzes the phenomenon of over-entertainment in domestic anti-Japanese drama, analyzes the causes of over-entertainment of domestic anti-Japanese drama, and evaluates the value of over-entertainment of domestic anti-Japanese drama. Finally, the author put forward to improve the development of the phenomenon of excessive entertainment of domestic anti-Japanese drama. This paper is divided into five chapters. The first chapter combs the history of domestic anti-Japanese drama. The second chapter describes the phenomenon of over-entertainment of domestic anti-Japanese drama in the new century. Firstly, it analyzes the difference between entertainment and over-entertainment, and points out that the phenomenon of over-entertainment exists in domestic anti-Japanese drama in the new century. Finally, the article analyzes the performance of the over-entertainment of anti-Japanese drama in the new century. The third chapter mainly analyzes the reason of excessive entertainment of domestic anti-Japanese drama. It mainly analyzes from three aspects: the penetration of consumption concept under the consumption culture, the flaws under the control of ideology and the pandering to the aesthetic psychology of the audience. The fourth chapter mainly evaluates the phenomenon of excessive entertainment of domestic anti-Japanese drama. The author thinks that the over-entertainment of anti-Japanese drama is the deconstruction of history, which causes the audience to misunderstand the war, and hinders the improvement of the audience's aesthetic literacy. It leads to the nothingness of the national spirit. The fifth chapter is the author's suggestions on the development and thinking of domestic anti-Japanese drama, mainly divided into four points, one is to establish a rational consumption concept, the other is to excavate the spiritual connotation of anti-Japanese drama, second, to respect history and pay attention to the social benefits of anti-Japanese drama; The third is to strengthen the supervision at the national level, to perfect the censorship system of TV programs, and the fourth is to improve the aesthetic taste and adhere to the historical value orientation of anti-Japanese drama. Finally, the development of anti-Japanese drama in the future is prospected. Firstly, the rationality of the existence of anti-Japanese drama is affirmed. How to film anti-Japanese drama is the key to the development of anti-Japanese drama, hoping to achieve the social and economic benefits of anti-Japanese drama double harvest.
【學位授予單位】：廣西師范學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905
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