數(shù)字好萊塢真人版超級英雄漫畫改編電影研究
發(fā)布時間：2018-11-27 19:53
【摘要】：自1978年第一部真正意義上的真人版超級英雄電影《超人》誕生以來,到2012年由《復(fù)仇者聯(lián)盟》、《超凡蜘蛛俠》、《蝙蝠俠之黑暗騎士崛起》三部超級英雄巨制掀起的觀影熱潮以及票房旋風(fēng),真人版超級英雄漫畫改編電影跟隨著新好萊塢的變革腳步走進(jìn)了數(shù)字好萊塢的全新語境。打量這段長達(dá)30余年的發(fā)展歷程,我們發(fā)現(xiàn)在超級英雄漫畫領(lǐng)域里呈現(xiàn)出的DC和Marvel(漫威)兩強爭霸的局面已經(jīng)隨著好萊塢產(chǎn)業(yè)格局的調(diào)整變化而擴散滲透到了電影領(lǐng)域。 新世紀(jì)前,由DC領(lǐng)旗推出的《超人》系列電影和《蝙蝠俠》系列電影讓超級英雄從漫畫轉(zhuǎn)戰(zhàn)到電影,雖然依靠眾多漫畫迷的擁躉也讓這些電影風(fēng)光了一時,但尚未能完全獨立行走的超級英雄電影并沒有形成自己的類型程式,也沒有完成自身的美學(xué)自足。進(jìn)入新世紀(jì)的2002年,在數(shù)字化浪潮的助推以及奇觀化、卡通化的雙重協(xié)助下,Marvel(漫威)應(yīng)時推出的第一部《蜘蛛俠》以4億的北美票房和8.2億的全球票房,將超級英雄電影的吸金能力提升到了史無前例的高度,也開啟了超級英雄真人電影類型創(chuàng)生的新篇章。隨后,十年之間,超級英雄真人電影如一石激起的千層浪般層出不窮：《蜘蛛俠》連拍了三部,新的《蝙蝠俠》系列電影相繼推出,而《X戰(zhàn)警》系列電影則拍了五部,其他諸如《神奇四俠》、《鋼鐵俠》、《美國隊長》等等更是適時而動,一部接著一部地上映。2012年,新一代《超凡蜘蛛俠》重裝上陣,威力不減當(dāng)年,而吹響“英雄集結(jié)號”的《復(fù)仇者聯(lián)盟》,則一舉將超級英雄片的全球票房紀(jì)錄推高至了15億美元。三十年間,超級英雄真人電影從《蜘蛛俠》的一枝獨秀到《X戰(zhàn)警》、《神奇四俠》、《鋼鐵俠》、《雷神》、《美國隊長》等的百花齊放,從孤軍奮戰(zhàn)的《超人》、《蝙蝠俠》到各路英雄組隊?wèi)?zhàn)斗的《復(fù)仇者聯(lián)盟》。縱觀這一歷程,我們會發(fā)現(xiàn)超級英雄真人電影類型創(chuàng)生與演變的軌跡：從早期攀附其他類型電影,到逐步建構(gòu)起自身類型程式,再到演變出全新制作模式的過程。 新的電影熱潮并不是一觸而發(fā)的,而是自1938年6月第一本超級英雄漫畫出版以來,持續(xù)了幾十年的超級英雄漫畫熱已經(jīng)積聚成了一股跨代際的影響勢力和受眾群體。同時,借助電影數(shù)字技術(shù)的進(jìn)步,昔日人們只能在腦海浮想的漫畫情節(jié)變成了大銀幕上的視覺奇觀,兩力交織,形成了一股強大且持續(xù)的類型電影力量,不僅使電影與尖端電腦圖像技術(shù)、數(shù)字技術(shù)實現(xiàn)了深度扭結(jié),而且逐步拓展出數(shù)字好萊塢的全新價值。
[Abstract]:Since the birth of the first real-life superhero film, Superman, in 1978, by the Avengers, Spiderman, in 2012, "the rise of the Dark Knight of Batman" the movie boom and box office whirlwind caused by the three superhero productions, the live-action superhero comic book adaptation follows the pace of the new Hollywood revolution into the new context of digital Hollywood. After more than 30 years of development, we find that the situation of DC and Marvel (Marvel) competing for hegemony in the field of superhero comics has spread to the film field with the adjustment and change of Hollywood industry pattern. Before the new century, the Superman series and Batman series, led by DC, turned superheroes from comic books to movies, although they were made famous by fans of manga fans. But the superhero films, which have not yet been able to walk completely independently, have not formed their own type of program, nor have they completed their own aesthetic self-sufficiency. Entering the new century, in 2002, with the help of the digital wave and wonders, Marvel (Marvel, with the help of Katonghua), the first Spider-Man film was released with 400 million North American box office and 820 million global box office. The superhero film's ability to attract money has reached an unprecedented level and opened a new chapter in the creation of the superhero's live-action movie genre. Over the next decade, superhero live-action movies sprung up like a rock: Spider-Man made three consecutive films, the new Batman series came out one after another, and the X-Men series produced five. Others, such as Magic four, Iron Man, Captain America, and so on, were released one after the other. In 2012, the new generation of Spider-Man was re-installed, not less powerful than it was in those years. The Avengers, which trumpeted the Hero Assembly, pushed the global box office record for superhero films to $1.5 billion in one fell swoop. Over the past three decades, superhero live-action movies have blossomed from "Spider-Man" to "X-Men," Magic four, "Iron Man," Thor, "Captain America," and so on. Batman: the Avengers to fight in teams of heroes. Throughout this process, we will find the track of the creation and evolution of the type of the superhero's live-action movies: from the early attachment to other types of movies, to the gradual construction of their own type of program, and then to the evolution of a new production model. The new movie boom is not a touch, but since the first superhero comic book was published in June 1938, the superhero manga craze, which has lasted for several decades, has accumulated into an intergenerational influence and audience group. At the same time, with the progress of digital film technology, the comic plot that people could only imagine in the past turned into a visual spectacle on the big screen, and the two forces intertwined, forming a powerful and sustained force for the type of film. Not only the film and cutting-edge computer graphics technology, digital technology to achieve a deep kink, but also gradually expand the new value of digital Hollywood.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905
[Abstract]:Since the birth of the first real-life superhero film, Superman, in 1978, by the Avengers, Spiderman, in 2012, "the rise of the Dark Knight of Batman" the movie boom and box office whirlwind caused by the three superhero productions, the live-action superhero comic book adaptation follows the pace of the new Hollywood revolution into the new context of digital Hollywood. After more than 30 years of development, we find that the situation of DC and Marvel (Marvel) competing for hegemony in the field of superhero comics has spread to the film field with the adjustment and change of Hollywood industry pattern. Before the new century, the Superman series and Batman series, led by DC, turned superheroes from comic books to movies, although they were made famous by fans of manga fans. But the superhero films, which have not yet been able to walk completely independently, have not formed their own type of program, nor have they completed their own aesthetic self-sufficiency. Entering the new century, in 2002, with the help of the digital wave and wonders, Marvel (Marvel, with the help of Katonghua), the first Spider-Man film was released with 400 million North American box office and 820 million global box office. The superhero film's ability to attract money has reached an unprecedented level and opened a new chapter in the creation of the superhero's live-action movie genre. Over the next decade, superhero live-action movies sprung up like a rock: Spider-Man made three consecutive films, the new Batman series came out one after another, and the X-Men series produced five. Others, such as Magic four, Iron Man, Captain America, and so on, were released one after the other. In 2012, the new generation of Spider-Man was re-installed, not less powerful than it was in those years. The Avengers, which trumpeted the Hero Assembly, pushed the global box office record for superhero films to $1.5 billion in one fell swoop. Over the past three decades, superhero live-action movies have blossomed from "Spider-Man" to "X-Men," Magic four, "Iron Man," Thor, "Captain America," and so on. Batman: the Avengers to fight in teams of heroes. Throughout this process, we will find the track of the creation and evolution of the type of the superhero's live-action movies: from the early attachment to other types of movies, to the gradual construction of their own type of program, and then to the evolution of a new production model. The new movie boom is not a touch, but since the first superhero comic book was published in June 1938, the superhero manga craze, which has lasted for several decades, has accumulated into an intergenerational influence and audience group. At the same time, with the progress of digital film technology, the comic plot that people could only imagine in the past turned into a visual spectacle on the big screen, and the two forces intertwined, forming a powerful and sustained force for the type of film. Not only the film and cutting-edge computer graphics technology, digital technology to achieve a deep kink, but also gradually expand the new value of digital Hollywood.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 嵇晨，
本文編號：2361871
本文鏈接：http://www.lk138.cn/wenyilunwen/dianyingdianshilunwen/2361871.html
教材專著
