論彭浩翔電影敘事中的“平衡”策略
發(fā)布時間：2018-11-25 10:36
【摘要】：從“破事兒”系列到“小團圓”系列,彭浩翔的電影作品始終圍繞個體與他人、與社會的關(guān)系展開故事,反對程式化情節(jié)和模式化人物,運用獨創(chuàng)性的電影語言,在敘事手法和鏡頭語言上秉持“平衡”策略,利用多種元素解構(gòu)重組、類型敘事嫁接挪用、角色關(guān)系錯位突變等制造黑色幽默,通過“彭氏營救”修補后現(xiàn)代敘事的圓形缺口和道德誤差,回歸主流價值和現(xiàn)實語境,達到了藝術(shù)個性和商業(yè)品質(zhì)之間的介質(zhì)融合。
[Abstract]:From the "broken things" series to the "little reunion" series, Peng Haoxiang's film works have always revolved around the relationship between individuals and others, and social relations, opposing formulaic plots and stereotypical characters, and using original film language. In the narrative techniques and lens language, the strategy of "balance", the use of a variety of elements to deconstruct reorganization, type narrative graft misappropriation, role mismatch mutation and so on to create black humor. By repairing the circle gap and moral error of post-modern narration in "Pang's Rescue", returning to mainstream value and realistic context, the media fusion between artistic personality and commercial quality is achieved.
【作者單位】： 河南大學;
[Abstract]:From the "broken things" series to the "little reunion" series, Peng Haoxiang's film works have always revolved around the relationship between individuals and others, and social relations, opposing formulaic plots and stereotypical characters, and using original film language. In the narrative techniques and lens language, the strategy of "balance", the use of a variety of elements to deconstruct reorganization, type narrative graft misappropriation, role mismatch mutation and so on to create black humor. By repairing the circle gap and moral error of post-modern narration in "Pang's Rescue", returning to mainstream value and realistic context, the media fusion between artistic personality and commercial quality is achieved.
【作者單位】： 河南大學;
【相似文獻】
相關(guān)重要報紙文章 前10條
1 西丁;彭浩翔：不是喜劇的喜劇[N];中華讀書報;2006年
2 記者 劉穩(wěn) 通訊員 羅班林;“中國貓王”彭浩原七年到鄉(xiāng)村義教[N];湛江日報;2012年
3 本報記者 胡Z，
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