論新世紀(jì)中國(guó)武俠電影中人文意蘊(yùn)的匱乏
發(fā)布時(shí)間：2018-11-23 11:48
【摘要】：武俠電影，作為中國(guó)敘事電影中最具民族特色的電影類型，以自強(qiáng)不息的精神、崇尚“俠義與助人”的人文關(guān)懷和深厚的中國(guó)傳統(tǒng)美學(xué)哲思吸引著中國(guó)和世界范圍內(nèi)的觀眾，成為了對(duì)世界電影貢獻(xiàn)最獨(dú)特并在世界影壇上受關(guān)注程度越來(lái)越高的中國(guó)電影類型。 進(jìn)入新世紀(jì)之后，武俠電影在新的社會(huì)歷史語(yǔ)境下呈現(xiàn)出嶄新的影像景觀，雖然創(chuàng)作數(shù)量驚人并在票房上效益豐碩，但在人物塑造、道德評(píng)判和情節(jié)敘事等方面逐漸呈現(xiàn)出扁平化和獵奇化的狀態(tài)，，傳統(tǒng)武俠電影中“劫富濟(jì)貧”的俠義精神、“家國(guó)至上”的正面價(jià)值觀、“鋤強(qiáng)扶弱”的社會(huì)責(zé)任感都不再是所要表達(dá)的重點(diǎn)，武俠精神被消弭、道德判斷曖昧混亂、民族情感淡化、人文意蘊(yùn)匱乏、最終產(chǎn)生文化認(rèn)同危機(jī)，讓武俠電影產(chǎn)生了令人擔(dān)憂的系列問(wèn)題。 本文主要是在前人研究的武俠電影相關(guān)成果上，以系統(tǒng)研究與個(gè)案文本分析相結(jié)合的研究方法，融入自己獨(dú)立的思考，對(duì)新世紀(jì)中國(guó)武俠電影做系統(tǒng)的剖析。本文共分為兩部分，第一部分為前言，主要是提出本文所要分析探討的問(wèn)題——新世紀(jì)以來(lái)中國(guó)武俠電影存在人文意蘊(yùn)匱乏的問(wèn)題。第二部分為本文的正文部分，共分為四章。分別從新世紀(jì)中國(guó)武俠電影人文意蘊(yùn)匱乏的具體表現(xiàn)、負(fù)面影響、原因探析和未來(lái)發(fā)展對(duì)策研究方面進(jìn)行分析。第一章從主題思想和影像風(fēng)格兩個(gè)大方面分析武俠電影人文意蘊(yùn)匱乏的表現(xiàn)，人物塑造情感泛化、情節(jié)敘事乏力、特效奇觀泛濫、類型元素雜糅等都是新世紀(jì)武俠電影人文意蘊(yùn)匱乏的具體表現(xiàn)；第二章著重分析新世紀(jì)武俠電影人文意蘊(yùn)匱乏的負(fù)面影響，如道德判斷混亂、人文情懷流失、文化認(rèn)同危機(jī)等負(fù)面影響；本文第三章進(jìn)而從大眾消費(fèi)因素、商業(yè)市場(chǎng)因素和表象模仿因素考辯揭示新世紀(jì)武俠電影人文意蘊(yùn)匱乏的復(fù)雜原因，并在第四章中提出中國(guó)武俠電影未來(lái)發(fā)展的對(duì)策研究，從根植“俠肝義膽”的民族武俠精、打造“求新求變”的類型電影、尋求商業(yè)需求與文化品位的平衡等方面提出對(duì)策，望為今后中國(guó)武俠電影的發(fā)展提供有益的鏡鑒。 中國(guó)武俠電影只有牢牢抓住傳承百年的人文意蘊(yùn)，深植正面主流價(jià)值觀、美好人性的彰顯、社會(huì)職責(zé)的承擔(dān)、人與人之間相互關(guān)懷于電影創(chuàng)作中，對(duì)于人文關(guān)懷的訴求，對(duì)于俠義文化的需求會(huì)讓中國(guó)武俠電影發(fā)展的更好。
[Abstract]:As the most national feature film in Chinese narrative film, the martial arts film, with the spirit of self-improvement, advocating "chivalrous and helping others" humanistic concern and profound Chinese traditional aesthetic philosophy, attracts the audience in China and the world. Has become the most unique contribution to the world and has attracted more and more attention in the world of Chinese film genre. After entering the new century, the martial arts film presents a brand new image landscape in the new social and historical context. Although the number of creation is amazing and the box office is full of benefits, but in the portrayal of characters, Moral judgment and plot narration have gradually presented the state of flattening and hunting, the chivalrous spirit of "robbing the rich and helping the poor" in the traditional martial arts movies, and the positive values of "home and country first". The social responsibility of "hoe and strengthen the weak" is no longer the key point to be expressed. The spirit of martial arts is eliminated, the moral judgment is ambiguous and confused, the national emotion is diluted, the humanistic meaning is lacking, and finally the crisis of cultural identity is created. The martial arts film has created a series of worrying problems. This article is mainly in the previous research on the martial arts movie related results, with the system research and case study text analysis combination of research methods, into their own independent thinking, to the new century Chinese martial arts film to do a systematic analysis. This text is divided into two parts altogether, the first part is the preface, mainly put forward the question that this text wants to analyze and discuss-the problem that the Chinese martial arts movie has the lack of humanity meaning since the new century. The second part is divided into four chapters. Respectively from the new century Chinese martial arts film lack of humanistic connotation of the specific performance, negative impact, analysis and future development of countermeasures. The first chapter analyzes the expression of the lack of humanistic meaning in the martial arts film from two aspects: theme, thought and image style, the character shaping emotion is generalized, the plot narration is weak, the special effect spectacle is overflowing, The blending of type elements is the concrete manifestation of the lack of humanistic meaning of the martial arts movies in the new century. The second chapter focuses on the analysis of the negative impact of the lack of humanistic connotation in the new century martial arts movies, such as the confusion of moral judgment, the loss of humanistic feelings, the crisis of cultural identity, and so on. In the third chapter, the author tries to reveal the complex reasons for the lack of humanistic connotation of the martial arts movies in the new century from the mass consumption factor, the commercial market factor and the imitative factor. In the fourth chapter, the author puts forward the countermeasures for the future development of the Chinese martial arts movie. This paper puts forward some countermeasures from the aspects of the national martial arts essence of "chivalrous liver and courage", the creation of the type film of "seeking for new and changing" and the balance between commercial demand and cultural taste, hoping to provide useful mirror lessons for the development of Chinese martial arts movies in the future. The Chinese martial arts film only firmly grasps the cultural meaning which inherits the hundred years, deeply planted the positive mainstream value, the fine humanity manifestation, the social duty assumption, the person between the person mutual concern in the movie creation, regarding the humanity concern request, The need for chivalrous culture will make the development of Chinese martial arts films better.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
本文編號(hào)：2351502
[Abstract]:As the most national feature film in Chinese narrative film, the martial arts film, with the spirit of self-improvement, advocating "chivalrous and helping others" humanistic concern and profound Chinese traditional aesthetic philosophy, attracts the audience in China and the world. Has become the most unique contribution to the world and has attracted more and more attention in the world of Chinese film genre. After entering the new century, the martial arts film presents a brand new image landscape in the new social and historical context. Although the number of creation is amazing and the box office is full of benefits, but in the portrayal of characters, Moral judgment and plot narration have gradually presented the state of flattening and hunting, the chivalrous spirit of "robbing the rich and helping the poor" in the traditional martial arts movies, and the positive values of "home and country first". The social responsibility of "hoe and strengthen the weak" is no longer the key point to be expressed. The spirit of martial arts is eliminated, the moral judgment is ambiguous and confused, the national emotion is diluted, the humanistic meaning is lacking, and finally the crisis of cultural identity is created. The martial arts film has created a series of worrying problems. This article is mainly in the previous research on the martial arts movie related results, with the system research and case study text analysis combination of research methods, into their own independent thinking, to the new century Chinese martial arts film to do a systematic analysis. This text is divided into two parts altogether, the first part is the preface, mainly put forward the question that this text wants to analyze and discuss-the problem that the Chinese martial arts movie has the lack of humanity meaning since the new century. The second part is divided into four chapters. Respectively from the new century Chinese martial arts film lack of humanistic connotation of the specific performance, negative impact, analysis and future development of countermeasures. The first chapter analyzes the expression of the lack of humanistic meaning in the martial arts film from two aspects: theme, thought and image style, the character shaping emotion is generalized, the plot narration is weak, the special effect spectacle is overflowing, The blending of type elements is the concrete manifestation of the lack of humanistic meaning of the martial arts movies in the new century. The second chapter focuses on the analysis of the negative impact of the lack of humanistic connotation in the new century martial arts movies, such as the confusion of moral judgment, the loss of humanistic feelings, the crisis of cultural identity, and so on. In the third chapter, the author tries to reveal the complex reasons for the lack of humanistic connotation of the martial arts movies in the new century from the mass consumption factor, the commercial market factor and the imitative factor. In the fourth chapter, the author puts forward the countermeasures for the future development of the Chinese martial arts movie. This paper puts forward some countermeasures from the aspects of the national martial arts essence of "chivalrous liver and courage", the creation of the type film of "seeking for new and changing" and the balance between commercial demand and cultural taste, hoping to provide useful mirror lessons for the development of Chinese martial arts movies in the future. The Chinese martial arts film only firmly grasps the cultural meaning which inherits the hundred years, deeply planted the positive mainstream value, the fine humanity manifestation, the social duty assumption, the person between the person mutual concern in the movie creation, regarding the humanity concern request, The need for chivalrous culture will make the development of Chinese martial arts films better.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
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