【摘要】： 杭州煙霞洞造像是全國(guó)重點(diǎn)文物保護(hù)單位西湖南山造像的重要組成部分。洞內(nèi)現(xiàn)存有五代、宋代、清代以及1979年補(bǔ)塑的四個(gè)時(shí)期的造像,其中五代的羅漢群像被學(xué)術(shù)界公認(rèn)為是現(xiàn)存最早的十六羅漢造像。20世紀(jì)50年代,史巖、俞劍華等人分別赴杭州南山一帶考察。史巖考證了煙霞洞的造像內(nèi)容和年代,認(rèn)為洞內(nèi)五代羅漢的數(shù)量一定為十六。同年,俞劍華等人在煙霞洞的造像內(nèi)容和羅漢數(shù)量等方面提出不同觀點(diǎn),他們認(rèn)為洞內(nèi)五代羅漢的數(shù)量應(yīng)為十八而非十六。但由于缺乏充分的考據(jù),他們也不敢大膽地做出肯定。 目前,學(xué)術(shù)界尚未有人把煙霞洞的羅漢造像作為一個(gè)專題進(jìn)行更深入地探討。筆者在收集有關(guān)羅漢信仰、羅漢造像以及煙霞洞的相關(guān)資料后赴實(shí)地考察,確定對(duì)洞內(nèi)現(xiàn)存的羅漢造像進(jìn)行研究具有可行性。本文首先梳理中國(guó)羅漢信仰的發(fā)展脈絡(luò)和演變過(guò)程,從歷史的縱向沿革分析煙霞洞羅漢造像產(chǎn)生的時(shí)代文化背景,在此基礎(chǔ)上探討幾個(gè)問(wèn)題：一、煙霞洞的造像內(nèi)容、布局和現(xiàn)狀；二、煙霞洞羅漢造像的數(shù)量,本文通過(guò)分析煙霞洞的造像布局、尊者銘刻、降龍、伏虎羅漢的文化淵源以及煙霞洞與周圍羅漢群像的聯(lián)系等論證這一問(wèn)題；三、煙霞洞羅漢造像的藝術(shù)風(fēng)格和藝術(shù)地位。
[Abstract]:The Hangzhou-Yanxia Cave statue is an important part of the Xihu Nanshan statue, a national key cultural relic protection unit. There are five dynasties, the Song Dynasty, the Qing Dynasty and the four periods of replenishing plastic in 1979. Among them, the group of Luo Han of the five dynasties was recognized by the academic circles as the earliest existing statue of the Sixteen Luo Han. In the 1950s, Shi Yan was regarded as one of the earliest statues in existence. Yu Jianhua and others went to Hangzhou Nanshan area to investigate. Shi Yan has verified the content and age of the statue of Yanxia Cave, and holds that the number of Luo Han in the five dynasties must be sixteen. In the same year, Yu Jianhua and others put forward different views on the content of the statue of Hanxia Cave and the number of Luo Han. They thought that the number of five dynasties Luo Han in the cave should be eighteen instead of sixteen. But because of the lack of sufficient textual research, they dare not make a bold affirmation. At present, no one in academic circles has studied the figure of Luo Han in Hanxia Cave as a topic. After collecting the relevant information about Luo Han's belief, Luo Han statue and Yanxia Cave, the author went to the field to make sure that it is feasible to carry out the research on the existing sculptures of Luo Han in the cave. This article first combs the development vein and the evolution process of Luo Han's belief in China, analyzes the historical and vertical evolution of the era and cultural background of the Yanxia Dong Luo Han statue, and discusses several problems on this basis: first, the image content of the hazy cave. Layout and present situation; second, the number of Luo Han statues in Hanxia Cave. This paper demonstrates this problem by analyzing the image layout of the Hanxia Cave, the inscription of the Venerable, the descending Dragon, the Cultural Origin of the Fu Hu Luo Han, and the relationship between the Hanxia Cave and the nearby Luo Han images; third, The artistic style and the artistic status of the statue of Luo Han in Hanxia Cave.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：K879.4

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 方愛龍;;南宋·御書石經(jīng)[J];杭州師范大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2008年02期

2 方愛龍;;東漢·三老諱字忌日碑[J];杭州師范學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2008年01期

3 方愛龍;;元·周伯琦·理公巖記[J];杭州師范大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2008年05期

4 田道英;貫休羅漢畫流傳狀況初探[J];四川師范大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2005年06期

5 史巖;;杭州南山區(qū)雕刻史跡初步調(diào)查[J];文物參考資料;1956年01期

6 俞劍華;羅\子;于希寧;;杭州五代宋元石刻造象復(fù)勘后的一點(diǎn)意見[J];文物參考資料;1956年12期

7 徐蘋芳;;僧伽造像的發(fā)現(xiàn)和僧伽崇拜[J];文物;1996年05期

8 田素彩;;論紫金庵羅漢服飾的藝術(shù)美[J];藝術(shù)探索;2008年01期

9 龔明玉;;以羅漢像為例來(lái)談五代之后中國(guó)佛畫發(fā)展之流變[J];藝術(shù)探索;2009年01期

10 方憶;梵宇洞幽　佛國(guó)尊者──杭州石刻羅漢造像初探[J];浙江檔案;1999年07期

，

本文編號(hào)：2205054