杭州煙霞洞五代羅漢造像研究
發(fā)布時間：2018-08-26 13:48
【摘要】： 杭州煙霞洞造像是全國重點文物保護單位西湖南山造像的重要組成部分。洞內(nèi)現(xiàn)存有五代、宋代、清代以及1979年補塑的四個時期的造像,其中五代的羅漢群像被學術(shù)界公認為是現(xiàn)存最早的十六羅漢造像。20世紀50年代,史巖、俞劍華等人分別赴杭州南山一帶考察。史巖考證了煙霞洞的造像內(nèi)容和年代,認為洞內(nèi)五代羅漢的數(shù)量一定為十六。同年,俞劍華等人在煙霞洞的造像內(nèi)容和羅漢數(shù)量等方面提出不同觀點,他們認為洞內(nèi)五代羅漢的數(shù)量應為十八而非十六。但由于缺乏充分的考據(jù),他們也不敢大膽地做出肯定。 目前,學術(shù)界尚未有人把煙霞洞的羅漢造像作為一個專題進行更深入地探討。筆者在收集有關(guān)羅漢信仰、羅漢造像以及煙霞洞的相關(guān)資料后赴實地考察,確定對洞內(nèi)現(xiàn)存的羅漢造像進行研究具有可行性。本文首先梳理中國羅漢信仰的發(fā)展脈絡和演變過程,從歷史的縱向沿革分析煙霞洞羅漢造像產(chǎn)生的時代文化背景,在此基礎(chǔ)上探討幾個問題：一、煙霞洞的造像內(nèi)容、布局和現(xiàn)狀；二、煙霞洞羅漢造像的數(shù)量,本文通過分析煙霞洞的造像布局、尊者銘刻、降龍、伏虎羅漢的文化淵源以及煙霞洞與周圍羅漢群像的聯(lián)系等論證這一問題；三、煙霞洞羅漢造像的藝術(shù)風格和藝術(shù)地位。
[Abstract]:The Hangzhou-Yanxia Cave statue is an important part of the Xihu Nanshan statue, a national key cultural relic protection unit. There are five dynasties, the Song Dynasty, the Qing Dynasty and the four periods of replenishing plastic in 1979. Among them, the group of Luo Han of the five dynasties was recognized by the academic circles as the earliest existing statue of the Sixteen Luo Han. In the 1950s, Shi Yan was regarded as one of the earliest statues in existence. Yu Jianhua and others went to Hangzhou Nanshan area to investigate. Shi Yan has verified the content and age of the statue of Yanxia Cave, and holds that the number of Luo Han in the five dynasties must be sixteen. In the same year, Yu Jianhua and others put forward different views on the content of the statue of Hanxia Cave and the number of Luo Han. They thought that the number of five dynasties Luo Han in the cave should be eighteen instead of sixteen. But because of the lack of sufficient textual research, they dare not make a bold affirmation. At present, no one in academic circles has studied the figure of Luo Han in Hanxia Cave as a topic. After collecting the relevant information about Luo Han's belief, Luo Han statue and Yanxia Cave, the author went to the field to make sure that it is feasible to carry out the research on the existing sculptures of Luo Han in the cave. This article first combs the development vein and the evolution process of Luo Han's belief in China, analyzes the historical and vertical evolution of the era and cultural background of the Yanxia Dong Luo Han statue, and discusses several problems on this basis: first, the image content of the hazy cave. Layout and present situation; second, the number of Luo Han statues in Hanxia Cave. This paper demonstrates this problem by analyzing the image layout of the Hanxia Cave, the inscription of the Venerable, the descending Dragon, the Cultural Origin of the Fu Hu Luo Han, and the relationship between the Hanxia Cave and the nearby Luo Han images; third, The artistic style and the artistic status of the statue of Luo Han in Hanxia Cave.
【學位授予單位】：中國藝術(shù)研究院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：K879.4
本文編號：2205054
[Abstract]:The Hangzhou-Yanxia Cave statue is an important part of the Xihu Nanshan statue, a national key cultural relic protection unit. There are five dynasties, the Song Dynasty, the Qing Dynasty and the four periods of replenishing plastic in 1979. Among them, the group of Luo Han of the five dynasties was recognized by the academic circles as the earliest existing statue of the Sixteen Luo Han. In the 1950s, Shi Yan was regarded as one of the earliest statues in existence. Yu Jianhua and others went to Hangzhou Nanshan area to investigate. Shi Yan has verified the content and age of the statue of Yanxia Cave, and holds that the number of Luo Han in the five dynasties must be sixteen. In the same year, Yu Jianhua and others put forward different views on the content of the statue of Hanxia Cave and the number of Luo Han. They thought that the number of five dynasties Luo Han in the cave should be eighteen instead of sixteen. But because of the lack of sufficient textual research, they dare not make a bold affirmation. At present, no one in academic circles has studied the figure of Luo Han in Hanxia Cave as a topic. After collecting the relevant information about Luo Han's belief, Luo Han statue and Yanxia Cave, the author went to the field to make sure that it is feasible to carry out the research on the existing sculptures of Luo Han in the cave. This article first combs the development vein and the evolution process of Luo Han's belief in China, analyzes the historical and vertical evolution of the era and cultural background of the Yanxia Dong Luo Han statue, and discusses several problems on this basis: first, the image content of the hazy cave. Layout and present situation; second, the number of Luo Han statues in Hanxia Cave. This paper demonstrates this problem by analyzing the image layout of the Hanxia Cave, the inscription of the Venerable, the descending Dragon, the Cultural Origin of the Fu Hu Luo Han, and the relationship between the Hanxia Cave and the nearby Luo Han images; third, The artistic style and the artistic status of the statue of Luo Han in Hanxia Cave.
【學位授予單位】：中國藝術(shù)研究院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：K879.4
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