發(fā)布時(shí)間：2018-08-26 19:51

【摘要】： 本文首先對(duì)宋金時(shí)期墓葬中孝子圖像的發(fā)現(xiàn)進(jìn)行了梳理總結(jié),并對(duì)孝子圖像在宋金時(shí)期再度流行做了一定程度的分析,認(rèn)為統(tǒng)治者對(duì)孝道思想的推崇與儒家、道教、佛教四種因素共同構(gòu)成了孝子圖像流行的背景。通過(guò)對(duì)孝子圖像的整理發(fā)現(xiàn),與漢與北魏時(shí)期孝子圖像相比,宋金時(shí)期的孝子圖像題材上出現(xiàn)了新的內(nèi)容,其中筆者關(guān)注的就是“王武子妻割股奉親”與“目連救母”,我分別對(duì)其孝行進(jìn)行了分析,認(rèn)為“割股奉親”孝行都是在行孝的目的下進(jìn)行的,與儒家思想不構(gòu)成沖突；而“目連救母”則是佛教吸收了儒家的“孝”的因素而產(chǎn)生。 隨后筆者對(duì)孝子圖像本身的變化進(jìn)行了探討,首先在于在墓葬中出現(xiàn)位置的變化,進(jìn)行一定分析后認(rèn)為圖像位置的變化并不代表功能的變化,孝子圖像在墓葬中存在,與其他圖像具有相關(guān)性。再次筆者認(rèn)為這一時(shí)期的孝子圖像敘事性功能基本上消解,孝子圖像可能成為一種集體肖像。最后筆者對(duì)這一時(shí)期孝子圖像功能是否發(fā)生了新的變化進(jìn)行了探討,討論了宋金時(shí)期墓葬功能出現(xiàn)的新的變化。墓葬為后代的幸福平安承擔(dān)起一定的責(zé)任,但墓葬的主要功能還是為逝者提供“永宅”與升仙或者輪回的場(chǎng)所。在此氛圍下,作為墓葬系統(tǒng)中的構(gòu)成因素的孝子圖像,成為墓主升仙或者輪回的一種資本,對(duì)墓主達(dá)到升仙或者輪回的目的起到重要的輔助作用。
[Abstract]:At first, this paper summarizes the discovery of filial piety images in the tomb of Song and Jin dynasties, and analyzes the popularity of filial piety images in Song and Jin dynasties to a certain extent, and thinks that the rulers' praise of filial piety and Confucianism, Taoism. The four factors of Buddhism together constitute the background of the popularity of filial piety images. Through sorting out the images of filial son, it is found that compared with the images of filial piety in Han and Northern Wei dynasties, the theme of filial piety in Song and Jin dynasties appears new contents, among which the author pays close attention to "Wang Wu-zi 's wife cutting off her share and offering relatives" and "saving his mother by consort". I have analyzed his filial piety separately, and think that filial piety is carried out under the purpose of filial piety, and does not conflict with Confucian thought, while "Mu Lian Save Mother" is the result of Buddhism absorbing the Confucian "filial piety". Then the author discusses the changes of filial piety image itself, first of all, the change of the position in the tomb, after a certain analysis, it is considered that the change of image location does not represent the change of function, and the image of filial son exists in the tomb. Correlate with other images. Thirdly, the author thinks that the narrative function of filial piety image in this period is basically eliminated, and the filial son image may become a collective portrait. Finally, the author discusses whether the function of filial piety image has changed or not, and discusses the new changes in the function of tomb in Song and Jin dynasties. Tombs are responsible for the happiness and safety of future generations, but the main function of tombs is to provide the dead with a place of eternal residence and immortal or reincarnation. In this atmosphere, the image of filial piety, as a component factor in the burial system, becomes a kind of capital for the tomb owner to rise to the immortal or reincarnation, and plays an important role in assisting the tomb owner to achieve the purpose of ascending fairy or reincarnation.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：K878.8

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本文編號(hào)：2205984