《再見,哥倫布》中場景機制的運用及其對主題的揭示
發(fā)布時間：2019-06-10 16:21
【摘要】：中篇小說《再見,哥倫布》是美國猶太作家杰出代表之一、當代美國文壇泰斗菲利普.羅斯初登文壇的首次創(chuàng)作。盡管是初次嘗試創(chuàng)作,《再見,哥倫布》卻顯示出作者不俗的寫作才華、深刻的生活洞察力以及成熟的寫作風格。小說以愛情故事為線索揭示了美國猶太青年對傳統(tǒng)是繼承還是反叛的矛盾心理及擺脫束縛、尋求自我的強烈愿望。在這部小說中,作者刻意設計了故事發(fā)生的兩個主要場景———肖特山富人區(qū)和紐瓦克猶太人聚居區(qū)。微觀上大量細膩的場景細節(jié)描寫與宏觀上主要場景時空上的交錯轉換相結合的場景機制,既為讀者編織出了一幅美國猶太人的生活畫卷,又呈現(xiàn)出美國猶太中產階級郊區(qū)生活與普通猶太移民后裔城市生活的鮮明對立。同時,整個故事由主人公尼爾講述,打破了全知的敘事視角,故事空間因此成為人物內心的外化,場景描寫成為了刻畫人物心理和揭示主題的重要手段,極具敘事功能性和主題揭示性。
[Abstract]:The novel goodbye, Columbus is one of the outstanding representatives of American Jewish writers, and Philip is one of the leading writers in contemporary American literature. Ross first made his debut in the literary world. Although it is the first attempt to create, goodbye Columbus shows the author's outstanding writing talent, profound life insight and mature writing style. Based on the love story, the novel reveals the contradictory psychology of American Jewish youth on whether to inherit or rebel from tradition and their strong desire to get rid of the shackles and seek themselves. In this novel, the author deliberately designs two main scenes of the story-the Short Mountain Rich District and the Newark Jewish settlement. The scene mechanism, which combines a large number of exquisite scene details with the interlaced transformation in time and space of the main scenes on the macro level, has not only woven a picture of the life of American Jews for the readers. It also shows the sharp opposition between the suburban life of the Jewish middle class in the United States and the urban life of ordinary Jewish immigrants. At the same time, the whole story is told by the protagonist Neil, breaking the omniscience narrative perspective, the story space has become the inner externalization of the characters, and the scene description has become an important means to depict the psychology of the characters and reveal the theme. It has great narrative function and theme disclosure.
【作者單位】： 哈爾濱工程大學外語系;
【基金】：中央高�；究蒲袠I(yè)務費專項資金資助項目“菲利普.羅斯后期小說中‘猶太’母題的敘事功能研究”(HEUCF121203) 黑龍江省哲學社會科學規(guī)劃項目“基于建構主義理論的大學英語教學3I模式研究”(10E039) 黑龍江省教育廳科研課題“符號學理論在翻譯中的應用研究”(12512054)的部分研究成果
【分類號】：I712.074
本文編號：2496576
[Abstract]:The novel goodbye, Columbus is one of the outstanding representatives of American Jewish writers, and Philip is one of the leading writers in contemporary American literature. Ross first made his debut in the literary world. Although it is the first attempt to create, goodbye Columbus shows the author's outstanding writing talent, profound life insight and mature writing style. Based on the love story, the novel reveals the contradictory psychology of American Jewish youth on whether to inherit or rebel from tradition and their strong desire to get rid of the shackles and seek themselves. In this novel, the author deliberately designs two main scenes of the story-the Short Mountain Rich District and the Newark Jewish settlement. The scene mechanism, which combines a large number of exquisite scene details with the interlaced transformation in time and space of the main scenes on the macro level, has not only woven a picture of the life of American Jews for the readers. It also shows the sharp opposition between the suburban life of the Jewish middle class in the United States and the urban life of ordinary Jewish immigrants. At the same time, the whole story is told by the protagonist Neil, breaking the omniscience narrative perspective, the story space has become the inner externalization of the characters, and the scene description has become an important means to depict the psychology of the characters and reveal the theme. It has great narrative function and theme disclosure.
【作者單位】： 哈爾濱工程大學外語系;
【基金】：中央高�；究蒲袠I(yè)務費專項資金資助項目“菲利普.羅斯后期小說中‘猶太’母題的敘事功能研究”(HEUCF121203) 黑龍江省哲學社會科學規(guī)劃項目“基于建構主義理論的大學英語教學3I模式研究”(10E039) 黑龍江省教育廳科研課題“符號學理論在翻譯中的應用研究”(12512054)的部分研究成果
【分類號】：I712.074
【相似文獻】
相關期刊論文 前10條
1 余有群;;從《凡人》中主人公的無名試析現(xiàn)代人的生存困境[J];徐州建筑職業(yè)技術學院學報;2011年01期
2 楊博文;;《再見,哥倫布》中身份的困惑與探尋[J];遼寧教育行政學院學報;2009年01期
3 黃鐵池;;不斷翻轉的萬花筒——菲利普·羅斯創(chuàng)作手法流變初探[J];上海師范大學學報(哲學社會科學版);2009年01期
4 夏明滇;;歷史的文本性與文本的歷史性——從新歷史主義角度分析《美國牧歌》[J];鎮(zhèn)江高專學報;2009年04期
5 苗媛;崔化;;菲利普·羅斯“美國三部曲”的新現(xiàn)實主義解讀[J];長春師范學院學報(人文社會科學版);2010年01期
6 金萬鋒;鄒云敏;;生命中難以承受之“恥”——評菲利普·羅斯新作《復仇女神》[J];長春工業(yè)大學學報(社會科學版);2011年02期
7 孫曉沖;;“叛逆”中的身份認同——淺析《再見,哥倫布》[J];全國商情(理論研究);2009年22期
8 ;[J];;年期
9 ;[J];;年期
10 ;[J];;年期
相關碩士學位論文 前1條
1 王晶;《波特諾伊的抱怨》中波特諾伊的叛逆[D];東北林業(yè)大學;2012年
，本文編號：2496576
本文鏈接：http://www.lk138.cn/wenyilunwen/wxchuangz/2496576.html
