發(fā)布時(shí)間：2018-06-27 04:23

  本文選題：徽州建筑 + 窗欞　； 參考：《安徽工程大學(xué)》2017年碩士論文

【摘要】：徽派建筑窗欞藝術(shù)起源于宋朝,在明清達(dá)到鼎盛。作為一種高度成熟的藝術(shù)類型,徽派建筑窗欞藝術(shù)是在古徽州地區(qū)人文環(huán)境風(fēng)貌、繁榮的徽商經(jīng)濟(jì)、程朱理學(xué)思想及徽州版畫(huà)工藝等多因素的共同影響下形成的,表達(dá)了當(dāng)?shù)厝嗣駥?duì)于美好事物的向往,對(duì)于淡泊、樸素、自然的藝術(shù)韻味的追求,同時(shí)也是古代民間工匠藝人寄托豐富想象力的藝術(shù)創(chuàng)作載體。形態(tài)各異、雕工精美的建筑窗欞紋飾歷經(jīng)歲月滄桑,依然閃爍著藝術(shù)的光芒,具有多層次的審美意蘊(yùn)。因此,深度挖掘徽派建筑窗欞藝術(shù)的內(nèi)在文化內(nèi)涵和美學(xué)鑒賞價(jià)值,對(duì)于傳承和弘揚(yáng)中華優(yōu)秀傳統(tǒng)文化有著重要的理論及現(xiàn)實(shí)意義。本文采用實(shí)地調(diào)研、查閱歷史檔案及文獻(xiàn)資料等研究方法,對(duì)徽派建筑窗欞藝術(shù)展開(kāi)了系統(tǒng)性的研究�？v觀全篇,主要包括以下四個(gè)方面內(nèi)容:首先,明確本研究的目的與意義,綜述國(guó)內(nèi)外研究現(xiàn)狀,厘清本研究的內(nèi)容、邏輯框架及主要?jiǎng)?chuàng)新點(diǎn);其次,基于藝術(shù)設(shè)計(jì)學(xué)視角,對(duì)徽派建筑窗欞文化追根溯源。從徽派建筑窗欞發(fā)展歷程到窗欞的功能作用,再到徽州建筑窗欞文化成因及藝術(shù)題材,展開(kāi)深入細(xì)致的研究;再次,以構(gòu)造學(xué)、類型學(xué)、社會(huì)學(xué)理論為指導(dǎo),從圖案構(gòu)成方式、工藝特點(diǎn)及環(huán)境藝術(shù)特征等方面系統(tǒng)研究徽派建筑窗欞藝術(shù)的風(fēng)格特征;最后,對(duì)于現(xiàn)代設(shè)計(jì)領(lǐng)域中徽派建筑窗欞藝術(shù)的應(yīng)用原則及對(duì)設(shè)計(jì)美學(xué)、材料工學(xué)及民俗學(xué)領(lǐng)域的啟示進(jìn)行總結(jié),并結(jié)合實(shí)際案例,深入探討其在建筑外形設(shè)計(jì)、室內(nèi)裝飾設(shè)計(jì)、服飾面料與紋樣設(shè)計(jì)以及本人碩士畢業(yè)設(shè)計(jì)中的傳承與創(chuàng)新應(yīng)用。作為徽州地區(qū)民間特有的藝術(shù)表現(xiàn)形式之一,徽派建筑窗欞藝術(shù)有著極富文化底蘊(yùn)的美學(xué)鑒賞價(jià)值,是流傳至今的徽州文化瑰寶。當(dāng)今社會(huì),科學(xué)技術(shù)飛速發(fā)展,傳統(tǒng)手工藝逐漸被現(xiàn)代機(jī)器制造流程所取代,徽派建筑中的窗欞雕刻工藝亦已瀕臨失傳。因此,本文通過(guò)詳細(xì)的文獻(xiàn)歸納、實(shí)地考察和周密分析,追溯徽州窗欞藝術(shù)的起源文化及發(fā)展脈絡(luò),探究其圖案構(gòu)成方式、工藝特征及環(huán)境藝術(shù)特征,對(duì)其所蘊(yùn)含的文化底蘊(yùn)和審美意蘊(yùn)進(jìn)行挖掘與探討,這必將有助于將傳統(tǒng)窗欞紋飾的"形"與"神"有機(jī)地融入現(xiàn)代裝飾設(shè)計(jì)的"意"與"境之中,形成傳統(tǒng)與現(xiàn)代融合的設(shè)計(jì)語(yǔ)境,帶來(lái)強(qiáng)烈的視覺(jué)效果和藝欣賞,指導(dǎo)和啟迪當(dāng)代藝術(shù)設(shè)計(jì)的發(fā)展,為傳統(tǒng)徽州建筑窗欞藝術(shù)文化的傳承提供新的方向。
[Abstract]:The art of window lattice of Huizhou style originated in Song Dynasty and reached its peak in Ming and Qing dynasties. As a highly mature art type, the window lattice art of the Huizhou School was formed under the influence of many factors, such as the humanistic environment of ancient Huizhou area, the prosperous Huizhou merchant economy, the thought of Cheng Zhu Neo-Confucianism and the process of Huizhou printmaking, etc. It expresses the local people's yearning for the beautiful things, the pursuit of the indifferent, simple and natural artistic charm, and it is also the artistic creation carrier of the ancient folk artisans with abundant imagination. Different shapes, carved fine architectural window lattice decoration through the vicissitudes of life, still flashing the light of art, with multi-level aesthetic implications. Therefore, it is of great theoretical and practical significance to deeply excavate the inherent cultural connotation and aesthetic appreciation value of the window lattice art of the Huizhou school building for inheriting and carrying forward the excellent Chinese traditional culture. Based on the field investigation, historical archives and literature, this paper makes a systematic study on the window lattice art of Huizhou School. Throughout the whole article, it mainly includes the following four aspects: first, clear the purpose and significance of this study, summarize the current research situation at home and abroad, clarify the content, logical framework and main innovation points of this study; secondly, based on the perspective of art design, Trace back to the root of the window lattice culture of Huizhou architecture. From the development course of Huizhou architectural window lattice to the function of window lattice, and then to the cultural origin and artistic theme of Huizhou window lattice, a thorough and meticulous study is carried out; thirdly, guided by the theories of tectonics, typology, sociology, and the pattern, This paper systematically studies the style characteristics of Huizhou architectural window lattice art from the aspects of technological characteristics and environmental art features. Finally, the applied principles and design aesthetics of Huizhou architectural window lattice art in the field of modern design are discussed. The enlightenment in the field of material engineering and folklore is summarized, and its inheritance and innovative application in architectural appearance design, interior decoration design, dress fabric and pattern design, and my master's graduation design are discussed. As one of the unique folk art forms in Huizhou area, the art of window lattice of Huizhou architecture has the value of aesthetic appreciation which is rich in culture, and is a treasure of Huizhou culture that has been handed down to this day. Nowadays, with the rapid development of science and technology, the traditional handicraft is gradually replaced by the modern machine manufacturing process, and the carving technology of window lattice in the Huizhou architecture is on the verge of being lost. Therefore, through detailed literature induction, field investigation and careful analysis, this paper traces the origin, culture and development of Huizhou window lattice art, and probes into its pattern composition, technological features and environmental artistic features. It will help to integrate the "shape" and "God" of traditional window lattice patterns into the "meaning" and "environment" of modern decoration design. Forming the design context of traditional and modern fusion, bringing strong visual effect and art appreciation, guiding and enlightening the development of contemporary art design, providing a new direction for the inheritance of traditional Huizhou architectural window lattice art culture.
【學(xué)位授予單位】：安徽工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TU-80

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