本文選題：徐上瀛 + 溪山琴?zèng)r��； 參考：《遼寧大學(xué)》2016年碩士論文

【摘要】：《溪山琴?zèng)r》是一部重要的音樂美學(xué)著作,主要論述如何創(chuàng)造出優(yōu)秀的琴樂藝術(shù)。本文主要從道、心、身的角度來逐層分析這部音樂美學(xué)。文章的第一部分說明《琴?zèng)r》審美創(chuàng)造的理論資源,包括道與心兩方面。第一小節(jié)闡釋“道”的理論內(nèi)涵,重點(diǎn)闡述“道”與“藝”的關(guān)系,表明“藝”的靈魂就是“道”,其理論根源是中國(guó)的“天人合一”觀念。第二小節(jié)說明《琴?zèng)r》和“心”的關(guān)系。因?yàn)槲覈?guó)藝術(shù)的重感性、重體驗(yàn)的特征,說明藝術(shù)是心靈的表征,藝術(shù)是人心的自我選擇和自我表現(xiàn)。第二部分闡釋《琴?zèng)r》體現(xiàn)的“道”的境界,“道”的境界分別表現(xiàn)在追求“和”審美理想,以及注重“�！钡膶徝榔焚|(zhì)。文章的第三部分重點(diǎn)談?wù)摗肚贈(zèng)r》體現(xiàn)的“心”內(nèi)涵,這表現(xiàn)在靜與游兩個(gè)方面。彈琴不僅要有安靜的環(huán)境,還要具備虛靜之心,具有空諸一切的心態(tài)。只有處于游戲的無功利的直覺狀態(tài),才會(huì)使心神自在遨游,才會(huì)與天地自然相接,與大自然共游。虛靜之心是為了觀照和玄覽萬物,而觀照之心就是一顆游心。文章的四部分具體談?wù)摗断角贈(zèng)r》對(duì)“身”的說明,彈琴牽涉到具體身體運(yùn)作就是強(qiáng)調(diào)指法的熟練與純粹,分別從指法求和、指法求清、指法求堅(jiān)、指法求氣候這四個(gè)方面來展開論述。第五部分說明“道”、“心”“身”渾然一體的審美創(chuàng)造的審美特征,這表現(xiàn)為氣韻生動(dòng)和形神統(tǒng)一。文章的最后一部分談?wù)摗断角贈(zèng)r》對(duì)當(dāng)代人的生活意義,說明《琴?zèng)r》給我們帶來的與自然、社會(huì)和諧共生的審美意義。
[Abstract]:Xi Shan Qin State is an important work of music aesthetics, mainly discusses how to create excellent piano music art. This paper analyzes this music aesthetics from the angle of Tao, mind and body. The first part explains the theoretical resources of aesthetic creation, including Tao and mind. The first section explains the theoretical connotation of Tao, focusing on the relationship between Tao and art, which shows that the soul of "art" is "Tao", and its theoretical root is the concept of "harmony of nature and man" in China. The second section explains the relationship between Qin State and Heart. Because of the emphasis on sensibility and the characteristics of experience, art is the representation of the soul, and art is the self-choice and self-expression of the human heart. The second part explains the realm of "Tao" embodied in Qin State, the realm of "Tao" is shown in the pursuit of "and" aesthetic ideal ", as well as the aesthetic quality of" Dan ". The third part of the article focuses on the meaning of "heart" embodied in Qin State, which is manifested in two aspects: quiet and swimming. Playing the piano should not only have a quiet environment, but also have an empty mind, with all the mentality. Only in the state of no utilitarian intuition, can the mind roam freely, connect with nature and travel with nature. The empty mind is for the contemplation of all things, and the mind of contemplation is a wandering heart. The four parts of the article specifically talk about the explanation of "body" in "Xi Shan Qin State". When playing the piano involves the specific body operation, it emphasizes the skillfulness and purity of the finger method, and seeks the sum of the finger method, the clarity of the finger method, and the firmness of the finger method, respectively. The four aspects of climate are discussed. The fifth part explains the aesthetic characteristics of aesthetic creation of Tao, mind and body, which is characterized by vivid charm and unity of spirit and spirit. The last part of the article talks about the meaning of "Xi Shan Qin State" to modern people's life, and explains the aesthetic significance of harmony and symbiosis of nature and society brought to us by "Qin State".
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J601

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