發(fā)布時(shí)間：2018-06-21 13:30

  本文選題：耒陽(yáng)民歌 + 湖南民歌��； 參考：《中國(guó)音樂學(xué)院》2017年碩士論文

【摘要】：在我國(guó),有著漫長(zhǎng)的民族文化傳統(tǒng)和深沉的藝術(shù)積淀傳統(tǒng)地方民歌,隨著新時(shí)代知識(shí)經(jīng)濟(jì)的快速發(fā)展,在新的歷史時(shí)期有了長(zhǎng)足的發(fā)展,傳統(tǒng)地方民歌與通俗流行歌曲之間的聯(lián)系也日益緊密。湖南耒陽(yáng)地區(qū)的民歌,風(fēng)格獨(dú)特,簡(jiǎn)約質(zhì)樸,它們是華夏民族五千年絢麗非物質(zhì)文化遺產(chǎn)中的重要瑰寶,更是一代代耒陽(yáng)人為全人類的文化事業(yè)發(fā)展做出的杰出貢獻(xiàn)。取材廣泛、感情豐富的耒陽(yáng)民歌,與現(xiàn)實(shí)生活的方方面面都有涉及,深刻地反映了社會(huì)生產(chǎn)、生活在耒陽(yáng)人民心中所引發(fā)的情緒、情感。耒陽(yáng)民歌是我國(guó)古代小農(nóng)經(jīng)濟(jì)社會(huì)發(fā)展的寶貴成果,它見證著不同時(shí)代背景下耒陽(yáng)人民的審美思維的演變,在傳承和發(fā)展傳統(tǒng)文化的同時(shí)也有著時(shí)代性,在新時(shí)代多樣化的音樂中仍然葆有其獨(dú)特的藝術(shù)魅力。耒陽(yáng)民歌內(nèi)容豐富、體裁多樣,山歌、勞動(dòng)號(hào)子、小調(diào)、田歌是耒陽(yáng)民歌在民歌理論上大致的區(qū)分。本文以湖南耒陽(yáng)地區(qū)的民歌為研究對(duì)象,從聲樂演唱和民歌發(fā)展的角度出發(fā),對(duì)耒陽(yáng)民歌的歷史文化淵源,地方特色風(fēng)格和專有的演唱技法進(jìn)行系統(tǒng)歸納和分析研究。在對(duì)耒陽(yáng)民歌的演唱方法進(jìn)行整理和提煉的基礎(chǔ)上,剖析湖南耒陽(yáng)民歌聲樂演唱的藝術(shù)特點(diǎn)和地方色彩。試圖為進(jìn)一步深入研究耒陽(yáng)民歌提供一點(diǎn)微小的研究參考,為地方傳統(tǒng)民歌在當(dāng)下的學(xué)習(xí)及弘揚(yáng)提供實(shí)證借鑒并提出自己的思考。本文主要內(nèi)容如下:第一章簡(jiǎn)介耒陽(yáng)民歌孕育的地理文化環(huán)境。從催生耒陽(yáng)民歌的地理環(huán)境、經(jīng)濟(jì)狀況、文化淵源與社會(huì)結(jié)構(gòu)以及傳統(tǒng)耒陽(yáng)社會(huì)的風(fēng)土人情、語(yǔ)言特點(diǎn)等方面來詳細(xì)分析耒陽(yáng)地理、文化環(huán)境在耒陽(yáng)民歌發(fā)展中起到的不容小覷的作用。第二章和第三章根據(jù)中國(guó)民歌的分類,對(duì)耒陽(yáng)民歌進(jìn)行分類整理,詳細(xì)闡述耒陽(yáng)民歌的調(diào)式、音階、旋法、音域、音程等音樂特色方面。第四章總結(jié)出耒陽(yáng)民歌的地方特色,具體到耒陽(yáng)民歌的語(yǔ)言、音調(diào)、歌詞的表達(dá)手法等,總結(jié)出了耒陽(yáng)民歌的特有演唱技法。第五章介紹耒陽(yáng)民歌在現(xiàn)今的傳承和發(fā)展?fàn)顩r。通過對(duì)耒陽(yáng)民歌的傳唱現(xiàn)狀進(jìn)行分析,并結(jié)合筆者自身,在經(jīng)過多年系統(tǒng)科學(xué)的聲樂發(fā)聲方法的基礎(chǔ)上,提出地方民歌傳承在學(xué)校音樂教育中的思考。
[Abstract]:In China, there is a long tradition of national culture and deep artistic accumulation of traditional local folk songs. With the rapid development of knowledge economy in the new era, there has been considerable development in the new historical period. Traditional local folk songs and popular songs are increasingly closely linked. The folk songs in Leiyang area of Hunan Province are unique in style and simple. They are important treasures of the five thousand years gorgeous intangible cultural heritage of the Chinese people and are also the outstanding contributions made by Leiyang for the development of the cultural cause of all mankind from generation to generation. Leiyang folk songs, which are widely used and rich in feelings, are involved in all aspects of real life, reflecting deeply the emotions and emotions caused by social production and living in the hearts of people in Leiyang. Leiyang folk song is the precious achievement of the development of the small peasant economy and society in ancient China. It bears witness to the evolution of the aesthetic thinking of the people in Leiyang under the different background of the times. It inherits and develops the traditional culture at the same time it also has the nature of the times. In the new era of diversified music still retain its unique artistic charm. Leiyang folk songs are rich in content, diverse in genres, folk songs, labor numbers, minor tune, and Tian Ge are roughly distinguished from Leiyang folk songs in theory. This paper takes the folk songs in Leiyang area of Hunan Province as the research object, from the angle of vocal music singing and folk song development, systematically induces and analyzes the historical and cultural origin, local characteristic style and special singing techniques of Leiyang folk songs. Based on the arrangement and refinement of the singing methods of the folk songs in Leiyang, this paper analyzes the artistic characteristics and local colors of the vocal music singing in the folk songs of Leiyang in Hunan Province. This paper tries to provide a little reference for the further study of Leiyang folk songs, to provide empirical reference for the study and development of local traditional folk songs in the present and to put forward their own thinking. The main contents of this paper are as follows: the first chapter introduces the geographical and cultural environment nurtured by Leiyang folk songs. The geographical environment, economic situation, cultural origin and social structure of Leiyang folk songs, the local customs and language characteristics of traditional Leiyang society are analyzed in detail from the geographical environment, economic situation, cultural origin and social structure of Leiyang folk song. The cultural environment plays an important role in the development of Leiyang folk songs. According to the classification of Chinese folk songs, the second and third chapters classify the folk songs of Leiyang, and expound in detail the music characteristics of Leiyang folk songs, such as mode, scale, rotation, range, interval and so on. The fourth chapter summarizes the local characteristics of Leiyang folk songs, specifically to Leiyang folk songs language, tone, lyric expression techniques, summed up Leiyang folk songs unique singing techniques. The fifth chapter introduces the inheritance and development of Leiyang folk songs. Based on the analysis of the present situation of the folk songs in Leiyang and the author's own, on the basis of many years of systematic and scientific vocal music vocalization methods, the author puts forward the thinking of the local folk song inheritance in the school music education.
【學(xué)位授予單位】：中國(guó)音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J607

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本文編號(hào)：2048807