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探索綜合材料在我的《空間》系列創(chuàng)作中的運用

發(fā)布時間:2018-05-27 15:16

  本文選題:空間 + 創(chuàng)作。 參考:《上海師范大學(xué)》2017年碩士論文


【摘要】:空間在這里是相對狹義的概念,指的是與時間相對的客觀存在,是人類生存所需,人們在空間中相互交流、來往產(chǎn)生情感、思想、回憶、展望等。選取空間作為此次創(chuàng)作的主題,是因為空間環(huán)境對筆者而言是保存人類活動影像的載體,它承載著自己對于一些儲存在腦海深處已經(jīng)過去的人或事或物的特別記憶和特殊情感,是充斥生活氣息的地方,將這些特有的空間描繪出來用以闡述本人對生命和生活的感悟與認(rèn)知。綜合材料繪畫通過各種不同類型的材料、媒介傳達(dá)出藝術(shù)家的所思所想,將其作品的內(nèi)核以更加完整的形式展示在觀者面前,材料、媒介也在綜合材料繪畫中展現(xiàn)著它獨有的魅力。為了能以最佳狀態(tài)呈現(xiàn)《空間》系列創(chuàng)作,我選擇使用綜合材料的繪畫方式,特別運用在淺浮雕上進(jìn)行作畫為此次創(chuàng)作的主要表現(xiàn)手段。整個創(chuàng)作過程所遇之困難可謂層出不窮,幸而在不斷探索研究中收獲了許多。同時西班牙現(xiàn)實主義藝術(shù)大師安東尼奧·洛佩茲·加西亞先生的精神指引讓我在創(chuàng)作的挫折中越戰(zhàn)越勇,在彷徨、迷茫,不知是否該堅持到底時不忘初心,使我學(xué)會體會生命的靈動、品味生活的氣韻、感受繪畫與材料的力量。
[Abstract]:Space is a relatively narrow concept here, which refers to the objective existence relative to time and the need for human existence. People communicate with each other in space to produce feelings, thoughts, memories, prospects and so on. The reason for choosing space as the theme of this creation is that the space environment is for the author the carrier of preserving the image of human activities, and it carries his special memory and special feelings for some people or things that have been stored in the depths of his mind. It is a place full of the breath of life, these special spaces are described to illustrate my perception and cognition of life and life. Comprehensive material painting through a variety of different types of materials, the media convey the artist's thoughts and ideas, the core of his work in a more complete form in front of the viewer, the material, The medium also shows its unique charm in comprehensive material painting. In order to present the "Space" series in the best condition, I choose to use the comprehensive material painting method, especially in the shallow relief painting as the main means of expression of this creation. The difficulties encountered in the whole creative process can be described as endless, fortunately in the continuous exploration and research has gained a lot. At the same time, the spiritual guidance of Spanish realism master Antonio Lopez Garc 鉚 a let me in the creative frustration Vietnam brave, in a loss, confused, I do not know whether to adhere to the end when not forget the original ideals and aspirations, Let me learn to understand the vitality of life, taste the charm of life, feel the power of painting and materials.
【學(xué)位授予單位】:上海師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 克萊門特·格林柏格;秦兆凱;;現(xiàn)代主義繪畫(Modernist Painting)[J];美術(shù)觀察;2007年07期

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本文編號:1942645

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