【摘要】：在唐宋詞學(xué)史上,對詞體的認(rèn)識(shí)有一個(gè)演進(jìn)過程:歐陽炯的《花間集敘》之于文人詞勃興的五代,李清照《詞論》之于詩詞之辨關(guān)鍵時(shí)期的南北宋之際,沈義父《樂府指迷》之于詞體定型于案頭且受到民間曲藝影響的南宋后期,三部文獻(xiàn)在這些詞史發(fā)展的關(guān)鍵節(jié)點(diǎn)上,準(zhǔn)確地把握了詞體發(fā)展的新變,對已經(jīng)形成的當(dāng)代詞體新的特質(zhì)加以分析概括,并對今后的創(chuàng)作發(fā)表了指導(dǎo)性的意見。這三部文獻(xiàn)清晰地勾畫出唐宋詞學(xué)史的發(fā)展路徑,代表了當(dāng)時(shí)詞體觀的最高成就,具有唐宋詞學(xué)史上里程碑的意義。
[Abstract]:In the history of ci studies in Tang and Song dynasties, there was an evolution process in the understanding of ci style: Ouyang Jiao's "Flower Collection and narration" was to the five dynasties when the literati's ci was flourishing, and Li Qingzhao's "ci Theory" was at the time of the key period of the debate of poetry and ci in the North and South Song dynasties. Shen Yifu's "Yuefu Mystery" in the late Southern Song Dynasty, which was shaped on the desk and influenced by folk music, the three documents accurately grasped the new changes in the development of ci style at the key nodes of the development of the history of these words. This paper analyzes and generalizes the new characteristics of contemporary ci-style, and gives some instructive opinions on the future creation. These three documents clearly outline the development path of the history of ci studies in Tang and Song dynasties, which represents the highest achievement of the view of ci poetry at that time and has the significance of milestone in the history of ci studies in Tang and Song dynasties.
【作者單位】： 南開大學(xué)文學(xué)院;
【分類號(hào)】：I207.23

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