論蔣和森的《紅樓夢》研究
發(fā)布時間：2018-11-11 20:00
【摘要】：蔣和森是20世紀50年代最重要的紅學(xué)家之一,他主要從文學(xué)立場出發(fā)研究《紅樓夢》,著重對《紅樓夢》的人物和藝術(shù)進行探析。蔣和森的研究風(fēng)格帶有明顯的時代特色和作家特征,他認為《紅樓夢》的主題是“反封建”,然而又在高舉“反封建”的大旗下探討了《紅樓夢》的愛情主題和美被毀滅的主題。蔣和森對《紅樓夢》三個主要人物的評價也是在“階級斗爭論”的總框架下進行的。他認為賈寶玉是帶有不徹底的反封建思想的舊人,而林黛玉是中國封建時代受壓迫的女性典型,薛寶釵則代表了虛偽的封建階級。蔣和森認為《紅樓夢》在藝術(shù)上的成就是足以屹立于世界優(yōu)秀文學(xué)之林的,其中現(xiàn)實主義的表現(xiàn)手法,多線結(jié)構(gòu),融合了白話文方言的語言,同而不同的人物塑造,都是對中國古典小說的繼承性創(chuàng)造,然而又是其集大成者。蔣和森《紅樓夢論稿》的詩化語言是這本論著最大的特色,也正是這一特征使他的著作暢銷一時,被稱為“蔣和森現(xiàn)象”。蔣和森研究文章的寫作風(fēng)格最為人稱道,這為我們當(dāng)代論文創(chuàng)作留下了啟示,但他的觀點也明顯受到時代的局限,這也是他的名字在當(dāng)代紅學(xué)史上不容易叫響的原因之一。在紅學(xué)進入學(xué)術(shù)史整理和學(xué)科建立階段的大背景下,應(yīng)當(dāng)給蔣和森一個合理的學(xué)術(shù)地位。
[Abstract]:Jiang Hesen was one of the most important red scientists in the 1950s. He mainly studied A Dream of Red Mansions from a literary standpoint, focusing on the characters and art of A Dream of Red Mansions. Jiang Hesen's research style has obvious characteristics of the times and writers. He thinks that the theme of "A Dream of Red Mansions" is "anti-feudalism". However, under the banner of "anti-feudalism", it discusses the theme of love and the destruction of beauty in A Dream of Red Mansions. Jiang Hesen's comments on the three main characters of "A Dream of Red Mansions" are also carried out under the general framework of "the Theory of Class struggle". He considered Jia Baoyu to be an old man with incomplete anti-feudal ideology, while Lin Daiyu was a typical female oppressed in the feudal period in China, while Xue Baochai represented a hypocritical feudal class. Jiang Hesen believes that the artistic achievements of "A Dream of Red Mansions" are strong enough to stand in the world's excellent literature, in which the realistic expression technique, the multi-line structure, the fusion of the vernacular dialect language, the same and different characters, Both of them are inherited creation of Chinese classical novels, but they are also the epitome of Chinese classical novels. The poetic language of Jiang Hesen's A Dream of Red Mansions is the greatest characteristic of this work. The writing style of Jiang Hesen's research articles is the most laudable, which has left us some enlightenment for our contemporary thesis creation, but his viewpoint is also obviously limited by the times, which is one of the reasons why his name is not easy to call out in the history of contemporary Hongology. Under the background that Hongxue entered the stage of academic history arrangement and discipline establishment, Jiang Hesen should be given a reasonable academic status.
【學(xué)位授予單位】：中國礦業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.411
[Abstract]:Jiang Hesen was one of the most important red scientists in the 1950s. He mainly studied A Dream of Red Mansions from a literary standpoint, focusing on the characters and art of A Dream of Red Mansions. Jiang Hesen's research style has obvious characteristics of the times and writers. He thinks that the theme of "A Dream of Red Mansions" is "anti-feudalism". However, under the banner of "anti-feudalism", it discusses the theme of love and the destruction of beauty in A Dream of Red Mansions. Jiang Hesen's comments on the three main characters of "A Dream of Red Mansions" are also carried out under the general framework of "the Theory of Class struggle". He considered Jia Baoyu to be an old man with incomplete anti-feudal ideology, while Lin Daiyu was a typical female oppressed in the feudal period in China, while Xue Baochai represented a hypocritical feudal class. Jiang Hesen believes that the artistic achievements of "A Dream of Red Mansions" are strong enough to stand in the world's excellent literature, in which the realistic expression technique, the multi-line structure, the fusion of the vernacular dialect language, the same and different characters, Both of them are inherited creation of Chinese classical novels, but they are also the epitome of Chinese classical novels. The poetic language of Jiang Hesen's A Dream of Red Mansions is the greatest characteristic of this work. The writing style of Jiang Hesen's research articles is the most laudable, which has left us some enlightenment for our contemporary thesis creation, but his viewpoint is also obviously limited by the times, which is one of the reasons why his name is not easy to call out in the history of contemporary Hongology. Under the background that Hongxue entered the stage of academic history arrangement and discipline establishment, Jiang Hesen should be given a reasonable academic status.
【學(xué)位授予單位】：中國礦業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.411
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