【摘要】：陳散原詩風(fēng)被陳衍目為"生澀奧衍",其中"奧衍"之論與陳散原詩之用典藝術(shù)密切相關(guān)。而其七律自成陳衍所謂之"散原體",在其各體詩中成就最著。故此,對(duì)其七律用典藝術(shù)作專門考察,不獨(dú)可窺其詩藝之一斑,更可對(duì)古典詩歌創(chuàng)作之用典機(jī)制與藝術(shù)效果有深入理解。在文本細(xì)讀的基礎(chǔ)上,察其七律用典有三大特征:一則所用典故范圍極廣;二則用典密度較大;三則不唯隸古事,亦用今事。典故入詩,有言簡意賅、典雅莊重之效。而其以典實(shí)敘時(shí)事者,多可以點(diǎn)帶面,擇事件之關(guān)鍵片段,以關(guān)鍵之人物、地點(diǎn)、時(shí)間穿插其間,令人讀之可自行以聯(lián)想方式見其所敘事件之整體,理解其寓意。其對(duì)典實(shí)之融入點(diǎn)化,于其詩境助益頗多。
[Abstract]:Chen San Yuan's poetic style is regarded by Chen Yan as "astringent and arcane Yan", among which the theory of "Aoyan" is closely related to the art of his poetry. Chen Yan's seven laws are the most successful in his poems. Therefore, to make a special investigation on the art of the seven laws of classical poetry can not only peek at the art of poetry, but also have a deep understanding of the mechanism and artistic effect of classical poetry creation. On the basis of the detailed reading of the text, there are three characteristics of the seven laws: one is to use a wide range of allusions; the other is to use a large number of allusions; Allusions into poetry, have concise, elegant and solemn effect. The narrator of current affairs can choose the key segment of the event, interspersed with the key person, place and time, so that the reader can see the whole of the event in an associative way and understand its meaning. Its integration of the canonical truth, in its poetic context is quite helpful.
【作者單位】： 山東大學(xué)文學(xué)院;
【分類號(hào)】：I207.22
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本文編號(hào)：2319139