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“白蛇傳”故事在不同文體傳播中的形態(tài)研究

發(fā)布時(shí)間:2018-11-05 15:11
【摘要】:“白蛇傳”故事作為我國四大民間傳說之一,從傳說的出現(xiàn)到今天的家喻戶曉,流傳八百多年仍經(jīng)久不衰,相關(guān)文學(xué)作品更是不勝枚舉,小說、曲藝、戲曲等諸多文體都搬演了白蛇傳故事。本文旨在通過文本細(xì)讀的方式,從體裁角度對(duì)“白蛇傳”題材的重要作品進(jìn)行分類討論,研究不同文體的白蛇傳故事在情節(jié)設(shè)置、人物塑造以及趣味取向等方面的不同特點(diǎn)。緒論部分首先闡述選題依據(jù),其次對(duì)“白蛇傳”故事的研究現(xiàn)狀進(jìn)行簡單梳理,說明本文研究的目的及意義。正文由以下四個(gè)部分組成:第一部分:白蛇傳故事基型的生成。這一部分主要論述白蛇傳故事從萌芽到基型生成的發(fā)展過程,尤其是《白娘子永鎮(zhèn)雷峰塔》作為故事基型更是為以后白蛇傳故事在小說、曲藝、戲曲中的發(fā)展奠定基礎(chǔ)。第二部分:小說中的白蛇傳故事。小說作為案頭文學(xué),其受眾多是讀書人,此部分結(jié)合小說體裁的特點(diǎn)及讀者的審美趣味,對(duì)“白蛇傳”小說在故事情節(jié)的設(shè)置、人物形象的塑造以及趣味取向的表現(xiàn)特點(diǎn)進(jìn)行分析。第三部分:曲藝中的白蛇傳故事。曲藝是口語、聽覺藝術(shù),根據(jù)自身的體裁特點(diǎn)及聽眾的審美需求,曲藝對(duì)白蛇傳故事情節(jié)重新加工并加強(qiáng)了敘述性描寫,刻畫人物細(xì)致入微,趣味取向呈現(xiàn)出重視聽眾情感需求、故事情節(jié)偏向世俗化、追求聲情并茂、語言通俗生動(dòng)的特點(diǎn)。第四部分:戲曲中的白蛇傳故事。戲曲是舞臺(tái)的藝術(shù),通過演員的唱、念、做、打?qū)咨邆鞴适律鷦?dòng)直觀地展示給觀眾。結(jié)合戲曲體裁的特點(diǎn),“白蛇戲”通過劃分不同的出目或場次來演繹白蛇傳故事,并通過角色行當(dāng)?shù)脑O(shè)置、豐富的舞臺(tái)表演動(dòng)作等塑造人物形象,趣味取向上語言的本色當(dāng)行、插科打諢的加入、身段表演的注重以及大團(tuán)圓結(jié)局的設(shè)定都表現(xiàn)出美聽、美觀的特點(diǎn),滿足了觀眾的審美需求。
[Abstract]:As one of the four major folklore in China, the story of "White Snake Biography" has survived for more than 800 years from the emergence of legends to the present day. The related literary works are even more numerous. Novels, quyi, Drama and many other literary styles have been performed in the story of the White Snake. The purpose of this paper is to classify and discuss the important works of White Snake Biography from the perspective of genre, and to study the different characteristics of the story of White Snake in terms of plot setting, character shaping and interesting orientation. The preface first elaborates the basis of selecting the topic, and then briefly combs the research status of the story of White Snake, explaining the purpose and significance of this study. The text is composed of the following four parts: the first part: the generation of the basic type of the story of the White Snake Biography. This part mainly discusses the development process of the story of White Snake from the bud to the formation of the basic type. Especially, as the story based type, the "White Niangzi Yongzhen Leifeng Tower" lays the foundation for the later development of the story of the White Snake in novels, quyi and drama. The second part: the story of White Snake in the novel. As desk literature, the novel receives many readers. This part combines the characteristics of the genre of the novel and the aesthetic taste of the reader to set up the story plot of the novel "White Snake Biography". The characteristics of character image and interesting orientation are analyzed. The third part: the story of White Snake in Quyi. Quyi is spoken language and auditory art. According to its own genre characteristics and audience's aesthetic needs, Quyi reprocessed the story of White Snake and strengthened its narrative description, portraying the characters in detail. The interesting orientation shows the characteristics of attaching importance to the audience's emotional needs, the plot of the story tends to secularization, the pursuit of sound and emotion, and the language is popular and vivid. The fourth part: the story of White Snake in the opera. Opera is the art of stage, through the actors sing, read, do, play the story of the White Snake vividly and intuitively to the audience. In combination with the characteristics of the genre of the opera, White Snake Drama deduces the story of the White Snake by dividing different eyes or scenes, and portrays the characters through the setting of the role, the rich stage performance, and so on, and the real character of the language in the interest orientation. The addition of gag, the attention of body performance and the setting of happy ending all show the characteristics of beautiful listening and beautiful appearance, which satisfy the aesthetic needs of the audience.
【學(xué)位授予單位】:曲阜師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:I206;J805

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本文編號(hào):2312460


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