本文選題：才女文化 + 女性讀書圖��； 參考：《學(xué)術(shù)月刊》2017年10期

【摘要】：描繪女性生活情態(tài)的"仕女圖"在唐宋時期已經(jīng)成熟,圖中的女子或賞花,或戲犬,或吹簫,或撫琴,或凝思遠(yuǎn)眺,或顧影自憐,卻從未出現(xiàn)讀書情狀。明代中葉之后,隨著出版文化的繁榮和女性受教育程度的提高,女性閱讀活動增多,社會對女性的審美也從對容貌品德的狹隘欣賞轉(zhuǎn)向?qū)Σ湃A氣質(zhì)的推崇。此時,以女性閱讀為主題的仕女畫大量涌現(xiàn)。本文借助風(fēng)格分析與圖像學(xué)的方法,對明清時期的若干女性讀書圖進(jìn)行解讀,由此揭示出明清社會的男性對才女文化及女性閱讀所持的觀念變遷及其內(nèi)在對立。
[Abstract]:In the Tang and Song dynasties, the "beautiful woman picture" depicting the female life mood has matured, and the woman in the picture has never seen a situation of reading, either appreciating flowers, playing a dog, playing a flute, or caressing a piano, or looking out to see from afar, or looking out for self-pity. After the middle period of Ming Dynasty, with the prosperity of publishing culture and the improvement of women's education, women's reading activities increased, and the society's aesthetic appreciation of women changed from the narrow appreciation of appearance and moral character to the esteem of talent and temperament. At this time, female reading as the theme of female paintings emerged in large numbers. With the help of stylistic analysis and graphology, this paper interprets some female reading drawings in the Ming and Qing dynasties, thus revealing the changes and internal opposition of the concepts held by men to the culture of talented women and the reading of women in the Ming and Qing dynasties.
【作者單位】： 南京大學(xué)新聞與傳播學(xué)院;
【分類號】：I206.2

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本文編號：1906331