發(fā)布時(shí)間：2018-05-18 15:00

  本文選題：范小青 + 創(chuàng)作�。� 參考：《山東師范大學(xué)》2017年碩士論文

【摘要】：范小青是當(dāng)代文壇上一位高產(chǎn)且影響力不斷的女作家,她三十余年的文學(xué)創(chuàng)作始終不曾離開(kāi)過(guò)“女性”一詞。從20世紀(jì)80年代的第一部短篇小說(shuō)《夜歸》開(kāi)始,雖然創(chuàng)作風(fēng)格時(shí)有變化,但范小青“蘇州味道”里暈染出的女性情懷從未消弭,創(chuàng)作出諸如《瑞云》《滄浪之水》《女同志》等女性書寫的眾多佳作,尤其是2016年長(zhǎng)篇力作《桂香街》的問(wèn)世,再次將讀者的目光聚焦到基層女干部身上。范小青擅長(zhǎng)以女性獨(dú)有的情感視角去觀照作品中的女性形象,對(duì)女性的生存困境進(jìn)行檢視與關(guān)注,并努力探索她們生存與成長(zhǎng)的意義,傳達(dá)出對(duì)女性現(xiàn)實(shí)存在的人文關(guān)懷。本篇論文由緒論、正文和結(jié)語(yǔ)三部分構(gòu)成。緒論由兩部分組成,第一部分是對(duì)本論文中的“女性書寫”做出相關(guān)界定;第二部分是關(guān)于論文選題的相關(guān)研究;第三部分是論文選題的理由及意義。正文部分共由三個(gè)章節(jié)組成。第一章為范小青小說(shuō)女性形象的類型圖譜。該章對(duì)范小青小說(shuō)中的女性形象進(jìn)行了細(xì)致的分類,從“困守在家庭中的婦女形象”、“發(fā)光發(fā)熱的女強(qiáng)人形象”和“渴望活出自我的少女形象”三個(gè)層面進(jìn)行梳理,其中,每一種女性形象類別又按照人物性格氣質(zhì)、職業(yè)類型等的不同劃分出不同小類別,以期對(duì)范小青小說(shuō)中的女性形象進(jìn)行一次系統(tǒng)、全面的觀照。第二章為范小青女性書寫的主題向度。該章從成長(zhǎng)、救贖、追尋三個(gè)層面來(lái)總括范小青女性書寫的主題意蘊(yùn),分別為“成長(zhǎng)如蛻:女性個(gè)體的抗?fàn)幣c突圍”、“創(chuàng)傷與救贖的心靈變奏”與“在路上:永無(wú)止境的追尋”三個(gè)部分,分別闡述了范小青女性書寫各個(gè)主題向度的表現(xiàn)及深層原因。第三章為范小青女性書寫的文本策略。該章從敘事學(xué)的角度梳理出范小青女性書寫的文本敘事策略,分別為“日常生活敘事的另類延展”、“重復(fù)迭見(jiàn)的敘事修辭”與“獨(dú)特的敘事視點(diǎn)與語(yǔ)言藝術(shù)”三部分,結(jié)合具體的小說(shuō)文本詳細(xì)分析了范小青女性書寫策略的表現(xiàn)與獨(dú)特性。結(jié)語(yǔ)部分為范小青女性書寫的價(jià)值評(píng)估。該部分在前三章的基礎(chǔ)上,從文學(xué)史的維度出發(fā),對(duì)范小青的女性書寫進(jìn)行總結(jié),梳理其女性書寫的局限性、未來(lái)創(chuàng)作的新可能性,以及其在當(dāng)代文學(xué)史中的價(jià)值等,并論述范小青的女性書寫對(duì)當(dāng)代文壇女性書寫的深刻意義。
[Abstract]:Fan Xiaoqing is a prolific and influential female writer in the contemporary literary world. She has never left the word "female" in her literary creation for more than 30 years. Since the first short story "return to the Night" in the 1980s, although the style of creation has changed, the female feelings in Fan Xiaoqing's "Suzhou flavor" have never been eliminated. Many excellent works written by women, such as "Ruiyun", "Water of Canglang", "female comrades" and so on, were written by women, especially the publication of the 2016 masterpiece "Gui Xiang Street", which once again focused the reader's attention on the grassroots female cadres. Fan Xiaoqing is good at viewing the female images in the works from the female's unique emotional perspective, examining and paying attention to the women's living predicament, and trying to explore the significance of their survival and growth, and to convey the humanistic concern for the existence of women's reality. This thesis consists of three parts: introduction, text and conclusion. The introduction is composed of two parts, the first part is to make a related definition of "female writing" in this paper; the second part is the related research on the topic of the thesis; the third part is the reason and significance of the topic. The text consists of three chapters. The first chapter is the typology of female images in Fan Xiaoqing's novels. In this chapter, the female images in Fan Xiaoqing's novels are classified into three aspects: "Women trapped in the family", "the strong woman image" and "the image of a girl eager to live out of me". Each kind of female image category is divided into different small categories according to the character temperament, occupation type and so on, in order to carry on a systematic and comprehensive view to the female image in Fan Xiaoqing's novels. The second chapter is the theme dimension of Fan Xiaoqing's female writing. This chapter summarizes the theme meaning of Fan Xiaoqing's female writing from three aspects of growth, redemption and pursuit, which are "growth such as slough: the struggle and Breakthrough of female individual". "the spiritual variation of trauma and redemption" and "on the road: endless pursuit" three parts, respectively elaborated Fan Xiaoqing female writing each theme of the performance and the underlying reasons. The third chapter is the text strategy of Fan Xiaoqing's female writing. From the perspective of narratology, this chapter sorts out the narrative strategies of Fan Xiaoqing's female writing, which are respectively "the alternative extension of daily life narration", "repeated narrative rhetoric" and "unique narrative viewpoint and language art". Combined with the specific text of the novel, this paper analyzes Fan Xiaoqing's female writing strategy in detail. The conclusion part is the value evaluation of Fan Xiaoqing's female writing. On the basis of the first three chapters, this part summarizes Fan Xiaoqing's female writing from the dimension of literary history, combs the limitations of her female writing, the new possibility of future creation, and its value in the history of contemporary literature. And discusses Fan Xiaoqing's female writing to the contemporary literary world female writing profound significance.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

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