【摘要】：隨著中國紀(jì)錄片進(jìn)入市場化時代，紀(jì)錄片的題材選擇日趨多元化。在帶來了紀(jì)錄片市場繁榮的同時，題材所蘊含的內(nèi)容是否具有傳播價值，成為了決定紀(jì)錄片是否能占有一定市場，彰顯自身文化價值的關(guān)鍵。但與題材重要性不相符的是國內(nèi)學(xué)者對紀(jì)錄片形態(tài)研究和題材研究熱度上的不對等，導(dǎo)致了紀(jì)錄片創(chuàng)作者經(jīng)常陷入不知道拍什么的困難境地卻無法獲得理論支持。這是對紀(jì)錄片正確制作過程的研究中，前期選題環(huán)節(jié)的長期缺失。因此，在此時對紀(jì)錄片題材選擇進(jìn)行研究，，具有創(chuàng)新性和功效性。 為了達(dá)到對題材選擇過程進(jìn)行全面掌握，為創(chuàng)作者選材提供合適參考依據(jù)的目的，本文通過題材取舍的兩個過程入手，對中國紀(jì)錄片歷史上題材的選材趨勢進(jìn)行細(xì)致的梳理，以商業(yè)角度、美學(xué)特性、文化環(huán)境三個大的方面剖析題材，主要探討了題材的國際化視角、題材的獨特性與普遍性的內(nèi)在統(tǒng)一、題材與議題設(shè)置理論之間的關(guān)系、以及文化選擇與文化調(diào)試對題材的交融影響等選材的核心衡量標(biāo)尺，在此基礎(chǔ)上確立了題材的一般衡量標(biāo)準(zhǔn)。并對現(xiàn)階段現(xiàn)實類題材存在著的偏離傾向問題進(jìn)行了分析，指出了其特征、產(chǎn)生原因及危害。指出了現(xiàn)實類題材回歸正軌的正確方法。從而系統(tǒng)全面的解決長期困擾紀(jì)錄片創(chuàng)作者的如何正確選擇題材的問題。
[Abstract]:With the Chinese documentary into the market era, the choice of documentary themes is becoming more and more diverse. While bringing the prosperity of documentary market, whether the content contained in the subject matter has the spreading value has become the key to decide whether the documentary can occupy a certain market and show its own cultural value. However, different from the importance of the subject matter, the domestic scholars are not equal to each other in the study of documentary morphology and subject matter, which results in the documentary creators often fall into the difficult position of not knowing what to shoot, but they can not get theoretical support. This is the long-term lack of early-stage topics in the study of the correct production of documentaries. Therefore, it is innovative and effective to study the choice of documentary theme at this time. In order to get a comprehensive grasp of the process of subject selection and to provide a suitable reference basis for the creators to select materials, this paper begins with the two processes of subject selection, and makes a detailed combing of the selection trend of subjects in the history of Chinese documentaries. From the perspective of business, aesthetic characteristics and cultural environment, this paper analyzes the subject matter, mainly discusses the international perspective of the subject matter, the internal unity of the uniqueness and universality of the subject matter, the relationship between the theme and the topic setting theory. On the basis of this, the general measurement standard of the subject matter is established on the basis of the core measure of the selection of material such as the influence of cultural choice and cultural debugging on the subject matter. This paper also analyzes the deviation tendency of the realistic subject matter at present, and points out its characteristics, causes and harms. This paper points out the correct method of returning the realistic subject matter to the right track. In order to solve the problem of how to choose the right theme for the documentary creators for a long time.
【學(xué)位授予單位】：南京航空航天大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J952

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