夢境元素在電影中的運用
發(fā)布時間：2018-12-29 11:52
【摘要】：夢境從心理學角度講它既是人無意識或潛意識欲望的表達與彰顯,又是對內心深處愿望的一個實現(xiàn),在夢中既可能是自己,也可能用他人代替自己。從情節(jié)敘事的角度談,它可以是獨立的敘事線索,整個故事圍繞夢境來開展。也可以推動故事情節(jié)的走向,夢前、夢中、夢后,營造故事內部情節(jié)的轉折點。從空間結構的角度說,它打破了傳統(tǒng)的線性敘事結構,構建了全新的層次空間,非線性敘事以夢的方式回溯,創(chuàng)造了一種非連續(xù)的連續(xù)性,變不可能為可能。夢境元素的主題大都是導演通過大夢一場向觀眾傳達某種現(xiàn)實感受,有助于觀眾深刻認識影片帶來的警醒和思考。筆者本著想體現(xiàn)一些社會生活的問題,嘗試自編自導了一部微電影《明天的記憶》運用到了夢境元素,在本文中筆者從不同角度研究了夢境元素在電影中的作用,通過對經(jīng)典電影中夢境元素使用得出了一些總結。以及分析了《明天的記憶》這部微電影中夢境使用上的一些優(yōu)缺點。
[Abstract]:From the angle of psychology, dream is not only the expression and manifestation of unconscious or subconscious desire, but also the realization of inner desire, in which it is possible to replace oneself with others. From the angle of plot narration, it can be an independent narrative clue, the whole story revolves around the dream. Can also promote the trend of storyline, pre-dream, post-dream, create a turning point in the story. From the perspective of spatial structure, it breaks the traditional linear narrative structure and constructs a new hierarchical space. The nonlinear narration goes back in the way of dreams and creates a kind of discontinuous continuity, which becomes impossible. The theme of the dream element is that the director conveys some realistic feelings to the audience through a big dream scene, which helps the audience to understand the alert and thinking brought by the film. In order to reflect some problems of social life, the author tries to make up a micro-film "memory of tomorrow" and applies it to the dream element. In this paper, the author studies the role of dream element in the film from different angles. Through the use of dream elements in the classic film, some conclusions are drawn. And analyzed some advantages and disadvantages of dream use in memory of tomorrow.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905
本文編號：2394789
[Abstract]:From the angle of psychology, dream is not only the expression and manifestation of unconscious or subconscious desire, but also the realization of inner desire, in which it is possible to replace oneself with others. From the angle of plot narration, it can be an independent narrative clue, the whole story revolves around the dream. Can also promote the trend of storyline, pre-dream, post-dream, create a turning point in the story. From the perspective of spatial structure, it breaks the traditional linear narrative structure and constructs a new hierarchical space. The nonlinear narration goes back in the way of dreams and creates a kind of discontinuous continuity, which becomes impossible. The theme of the dream element is that the director conveys some realistic feelings to the audience through a big dream scene, which helps the audience to understand the alert and thinking brought by the film. In order to reflect some problems of social life, the author tries to make up a micro-film "memory of tomorrow" and applies it to the dream element. In this paper, the author studies the role of dream element in the film from different angles. Through the use of dream elements in the classic film, some conclusions are drawn. And analyzed some advantages and disadvantages of dream use in memory of tomorrow.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905
【參考文獻】
相關期刊論文 前7條
1 黃含;;娛樂至死:從《夏洛特煩惱》看當下中國喜劇電影的創(chuàng)作走向[J];創(chuàng)作與評論;2016年02期
2 李珂;;電影《穆赫蘭道》與《盜夢空間》的對比解析[J];電影文學;2014年07期
3 段麗卿;李亞紅;;敘事學解讀電影《盜夢空間》[J];電影文學;2011年11期
4 李源;孫園園;;《紅辣椒》:今敏筆下的夢境和現(xiàn)實[J];電影文學;2011年10期
5 宋俊秋;;夢即現(xiàn)實——電影《盜夢空間》的哲學思辨[J];時代文學(下半月);2011年03期
6 劉菁;;論“穿越”題材作品的后現(xiàn)代性[J];湖南第一師范學院學報;2010年03期
7 陳瀟;;由夢到潛意識——通過夢境分析淺談弗洛伊德潛意識概念[J];中外企業(yè)家;2009年14期
相關碩士學位論文 前1條
1 李蕊;夢與戲—中國經(jīng)典戲曲文本中夢意象的美學探究[D];南京師范大學;2012年
，本文編號：2394789
本文鏈接：http://lk138.cn/wenyilunwen/dianyingdianshilunwen/2394789.html
