夢境元素在電影中的運用
發(fā)布時間：2018-12-29 11:52
【摘要】：夢境從心理學(xué)角度講它既是人無意識或潛意識欲望的表達(dá)與彰顯,又是對內(nèi)心深處愿望的一個實現(xiàn),在夢中既可能是自己,也可能用他人代替自己。從情節(jié)敘事的角度談,它可以是獨立的敘事線索,整個故事圍繞夢境來開展。也可以推動故事情節(jié)的走向,夢前、夢中、夢后,營造故事內(nèi)部情節(jié)的轉(zhuǎn)折點。從空間結(jié)構(gòu)的角度說,它打破了傳統(tǒng)的線性敘事結(jié)構(gòu),構(gòu)建了全新的層次空間,非線性敘事以夢的方式回溯,創(chuàng)造了一種非連續(xù)的連續(xù)性,變不可能為可能。夢境元素的主題大都是導(dǎo)演通過大夢一場向觀眾傳達(dá)某種現(xiàn)實感受,有助于觀眾深刻認(rèn)識影片帶來的警醒和思考。筆者本著想體現(xiàn)一些社會生活的問題,嘗試自編自導(dǎo)了一部微電影《明天的記憶》運用到了夢境元素,在本文中筆者從不同角度研究了夢境元素在電影中的作用,通過對經(jīng)典電影中夢境元素使用得出了一些總結(jié)。以及分析了《明天的記憶》這部微電影中夢境使用上的一些優(yōu)缺點。
[Abstract]:From the angle of psychology, dream is not only the expression and manifestation of unconscious or subconscious desire, but also the realization of inner desire, in which it is possible to replace oneself with others. From the angle of plot narration, it can be an independent narrative clue, the whole story revolves around the dream. Can also promote the trend of storyline, pre-dream, post-dream, create a turning point in the story. From the perspective of spatial structure, it breaks the traditional linear narrative structure and constructs a new hierarchical space. The nonlinear narration goes back in the way of dreams and creates a kind of discontinuous continuity, which becomes impossible. The theme of the dream element is that the director conveys some realistic feelings to the audience through a big dream scene, which helps the audience to understand the alert and thinking brought by the film. In order to reflect some problems of social life, the author tries to make up a micro-film "memory of tomorrow" and applies it to the dream element. In this paper, the author studies the role of dream element in the film from different angles. Through the use of dream elements in the classic film, some conclusions are drawn. And analyzed some advantages and disadvantages of dream use in memory of tomorrow.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J905
本文編號：2394789
[Abstract]:From the angle of psychology, dream is not only the expression and manifestation of unconscious or subconscious desire, but also the realization of inner desire, in which it is possible to replace oneself with others. From the angle of plot narration, it can be an independent narrative clue, the whole story revolves around the dream. Can also promote the trend of storyline, pre-dream, post-dream, create a turning point in the story. From the perspective of spatial structure, it breaks the traditional linear narrative structure and constructs a new hierarchical space. The nonlinear narration goes back in the way of dreams and creates a kind of discontinuous continuity, which becomes impossible. The theme of the dream element is that the director conveys some realistic feelings to the audience through a big dream scene, which helps the audience to understand the alert and thinking brought by the film. In order to reflect some problems of social life, the author tries to make up a micro-film "memory of tomorrow" and applies it to the dream element. In this paper, the author studies the role of dream element in the film from different angles. Through the use of dream elements in the classic film, some conclusions are drawn. And analyzed some advantages and disadvantages of dream use in memory of tomorrow.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J905
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